Sentences with phrase «several earlier paintings»

«A Home for Surrealism,» at the Arts Club of Chicago June 7 - August 18, 2018, will feature several early paintings including Guardian Angels (1946).

In «Grand Street Brides» (1954), one of several early paintings that attracted the immediate attention of critics and curators, she depicted bridal - shop window mannequins in a composition based on Goya's «Royal Family.»

Not exact matches

The duo found inspiration in several unlikely places for the collection, including the 1975 film «Stepford Wives,» Frank Lloyd Wright's architecture, and early paintings by the French impressionist Eugene Boudin.

It's the spiritual successor to those early days of arcade gaming, given several new ideas and a thorough lick of paint.

Oskunk (a.k.a. Ozcan), the talented French fellow we featured earlier in the year for his amazing custom - painted Jet Set Radio Dreamcast, has decorated several more systems since, including this charming graffiti on a Master System II console that features stenciled Bubble Bobble characters and text.

NEW YORK — Several works in the 19th - century European paintings sales garnered strong prices at a typically quiet auction - market period that stretches from the end of the major, early, May New York auctions to the start of the London Impressionist, modern and contemporary art auctions each June.

Among the exhibition's many highlights are bold, groundbreaking paintings by Matisse from his most adventurous years, as well as highlights from nearly every phase of Diebenkorn's oeuvre from the early 1950s to 1980 — including several monumental canvases from his Ocean Park series, a renowned exploration of color, light, and space.

Visitors can explore Xu Beihong's career from early works including a 1918 landscape painting, drawings and paintings created during his studies in Europe, and several of his well - known and loved horse paintings.

Wintersnow Snowinters signals Snow's first painting show in some two decades, so several earlier watercolor works (like Sleeping vs Waking) reappear here as fully - formed oil on panel compositions.

In the early 1960s several and various new movements in abstract painting were closely related to each other, and superficially were categorized together; although they turned out to be profoundly different in the long run.

Paintings by George Bellows, several early drawings by Joseph Stella and the accompanying photography of immigrants and urban life by Alfred Steiglitz, Paul Strand, Lewis Hine and others are also interesting and provocative.

His early work passed though the styles of impressionism, Orphism, Dada, Surealism, and verbal and visual collagel his later art extended from composition that superimpose linear painted figures upon one another (and, sometimes, several of those on apinted ground), to painting based on pinup nudes and commercial illustrations and, finally, to coarse, heavily textured canvases that depict totems, masks and shields.

Also on view are several early non-ballpoint works; an early lithograph Untitled (1979); a drypoint etching Untitled (1980); two small crayon and oil on paper works Untitled B (1980) and Untitled R (1980); an acrylic and oil on board Untitled 84 - 6 (1984); and Untitled 82 - A (1982), a stunning example of an early painting drawn with a sharp nail and a precursor to his recent acrylic and oil paintings.

The origins of the «Spill Paintings» can be traced to several different strands of the Chicago artist's earlier work.

The exhibition also includes the paintings Sand Morning (1973) and Arundel XI (1974), as well as a series of black and violet acrylic works on paper, two of which Truitt made in a rented room in Georgetown in 1962; an acrylic on paper made in her studio in Tokyo in 1966; two acrylics on paper completed on Tilden Street in 1968; several early drawings of streetscapes and buildings recalled from childhood; and a rare working drawing for the Gallery's sculpture Knight's Heritage.

Several galleries in Survey will feature strong political presentations, including The Box who will show early drawings and paintings by Judith Bernstein (b. 1942), an artist who explores political landscapes and elements of power and aggression in society.

The work moves through several recognisable phases: from the carefully constructed figurative pictures of the late 1940s; into various degrees of object - based abstraction; to an even simpler sort of still life painting in the 1970s and early 1980s.

The first major exhibition of Helen Frankenthaler's work in Paris in more than fifty years includes fourteen paintings and two works on paper, several of which have not been exhibited since the early 1960s.

This luminous painting was included in several of Van Gogh's most important early exhibitions.

They are supplemented by two early paintings, several drawings and, most important, 23 sculptures that sum up her various sculptural uses of wood, bronze, marble, resin and stuffed fabric.

Early on, she worked in collage as well as paint: The Image As Burden includes several examples, perhaps the most significant of which is Love Versus Death (1980), in which two «clue - strips» consisting of various photographs and newspaper clippings (Steve Biko is among them, and so, too, is Peggy Guggenheim) suggest ways of reading the work's central panel of drawings.

Also, actor Jack Palance apparently collected several early Ernie Barnes paintings and one of them «Untitled (Football Game),» 1966 - 70, is included in the auction.

The first major exhibition of Helen Frankenthaler's work in Paris in more than fifty years, it includes paintings and works on paper, several of which have not been exhibited since the early 1960s.

WOMEN Words, Phrases, and Stories debuted at FLAG Art Foundation in New York City earlier this year, but in her first Los Angeles solo, they are uniquely exhibited together with several of Tompkins» famous Fuck Paintings, the hyperrealistic pornographic works she began in 1969 and still makes today.

The first major exhibition of Frankenthaler's work in Paris in more than fifty years, it includes paintings and works on paper, several of which have not been exhibited since the early 1960s.

On display is a selection of over a hundred paintings and drawings, including several rarely shown collages from her early work and a few very recent paintings.

BRACHA: Pietà — Eurydice — Medusa is the first comprehensive solo museum exhibition of Bracha's work in the United States, featuring a range of works spanning the last four decades — oil paintings, often created over several years, earlier and more recent drawings, notebooks, and three video works — that address the themes of loss, love and trauma within the context of the atrocities of war and traces of memory of the tragedy of the Holocaust.

Judd participated in several small exhibitions of his paintings in the early to mid-1950s, most notably at Panoras Gallery where he had his first solo exhibition in the summer of 1957.

The show also features several loans from museums and private collections, including early paintings and found - object assemblages such as Basket Chandeliers, Tarps, Fur Coats, and Mirrors.

Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and 1952.

The exhibition's nearly two dozen paintings by artists including Jiro Yoshihara, Kazuo Shiraga, and Shozo Shimamoto — several on view for the first time in the U.S. — range from pre-Gutai works to the «action painting» that characterized the early years of the movement to post-Gutai paintings that reveal how the artists remained rooted in their quest for freedom through novel means, even after the group disbanded.

Yayoi Kusama — In Infinity is the first major exhibition that highlights her profound interest in fashion and design, and also includes several early works that have never before been shown, and a series of recent paintings made specifically for this exhibition.

Although Pousette - Dart (1916 Saint - Paul, Minnesota, USA - 1992 Suffern, New York, USA) created several distinct series of paintings during his long career as an Abstract Expressionist painter, his monochromatic series called Presences spanning the late 1950s through the early 1990s, was among his most powerful.

This includes the Elbe linocuts from 1957; several rarely reproduced or exhibited black - and - white landscapes, including «Alps II»; a magnificent triptych of Cloud paintings from the early 1970s; the monumental, 65 ft. long abstract «Stroke (on Red),» and many of his overpainted photographs.

Several of the paintings in the exhibition are derived from what I think of as illuminated manuscript paintings, so in other words I am trying to get in touch with this earlier art historical reality and trying to update it in my own sense... the idea of the scribe, the idea of the mosaic patterning, has to do with ancient craftsmanship being brought up to date and being filtered through my own artistic desire, I suppose, in terms of what I would like to see in the world.»

Several works in the 19th - century European paintings sales garnered strong prices at a typically quiet auction - market period that stretches from the end of the major, early, May New York auctions to the start of the London Impressionist, modern and contemporary art auctions each June.

I believe that it is true, however I would look at it from a different standpoint from Canaday and as a matter of fact that had been noted, the observation that 10th Street lacked a vitality had been noted several years before, you know, by a great number of people, including Clem Greenberg, I think in print he even coined the term Tenth Street Painting as a deneogatory term which would be that it was kind of old hat, because Clem Greenberg's stand of course is that abstract expressionism really lost it's pertinence after the early fifties.

Early paintings by Frank Stella are prominent, and several works are not necessarily common in exhibition, such as early Flavin «Icon» boxes or a fantastic mural by David Novros.23 The tour finished on the fifth - floor bedroom, with a monumental Flavin running the incredible length of the westward facing winEarly paintings by Frank Stella are prominent, and several works are not necessarily common in exhibition, such as early Flavin «Icon» boxes or a fantastic mural by David Novros.23 The tour finished on the fifth - floor bedroom, with a monumental Flavin running the incredible length of the westward facing winearly Flavin «Icon» boxes or a fantastic mural by David Novros.23 The tour finished on the fifth - floor bedroom, with a monumental Flavin running the incredible length of the westward facing windows.

In addition, by lecturing at Yale and other universities and creative forums, and by staging Surrealist exhibitions with their ideas of automatism and intuitive creativity, Breton influenced several members of the New York School of Abstract Expressionism - notably the gesturalist Jackson Pollock whose early works and styles (like action - painting) contained several important Surrealist features.

Its permanent collection - spread between the Alte Pinakothek and other Bavarian venues such as the baroque galleries in Neuburg Palace and Schleissheim Palace - consists of several thousand works, including many of the finest masterpieces of Early Italian, Old German, Old Dutch and Flemish paintings.

The European paintings collection spans several centuries, with examples from the Middle Ages and Renaissance through the early modern era, including several Impressionist works, such as Van Gogh's Irises, seen here

In 1936 he travelled to Morocco, where he met his first partner, the artist Jeannine Guillou, who would appear in several of his paintings during the early 1940s.

Of particular note are two paintings from the early 1960s, «Lily of the Valley,» (c. 1960) and «Untitled» (1961), which introduce several familiar motifs found in De Forest's later work.

Richter had his first one - man show with Alfred Schmela in 1964 where he exhibited several of his early paintings based on photographs.

Todd Murphy, a multimedia artist who has been selling his paintings, sculptures and photography to musicians and record executives for several decades, had his opening reception at Marc Straus Gallery earlier this month.

The holdings of the Monterey Museum of Art encompasses several complementary collections, including Early California Painting (1875 - 1945); American Art (1875 - 1945); and Contemporary Art (1945 - present).

Several of her early works show figuration that teeters on the edge of abstraction («March on Washington 1964»), while some large paintings demonstrate the brick - like pattern morph into a mosaic («Cherry Blossom Symphony,» 1973), and then there are her many watercolors that give us insight into her process.

Magnetic Fields features early - and later - career works, pieces from specific series, several exhibited for the first time, and the long - awaited reappearance of iconic works such as Mavis Pusey's large - scale painting Dejygea (1970) from the Whitney Museum of American Art's 1971 exhibition Contemporary Black Artists in America.

For several years, she signed her early paintings «George Hartigan,» as a tribute to 19th century female novelists George Eliot and George Sand, and her reputation exceeded those of such renowned female painters as Helen Frankenthaler, Joan Mitchell and Lee Krasner.

The theme of the family recurred in several of Hepworth's paintings of this type, details of which are given in an earlier Tate catalogue entry (Tate Gallery Aquisitions 1976 - 8).