Not exact matches
With recent protests by professional football players in mind, the
young Chicago - based
artist Samuel Levi Jones has curated this group show, which brings together
several artists from different
generations whose work meditates on the relationship between power structures and persons
of color in America.
Their extravagantly installed exhibitions, the
artists» free - wheeling individual approaches, and their varied and compelling work have all had a wide - ranging and profound influence on
several generations of their students and on many
younger artists since then, including such well - known figures as Chris Ware (SAIC 1991 — 93), Sue Williams, Gary Panter, and Amy Sillman — as has been documented in the recent film Hairy Who & the Chicago Imagists.
In the years 1977 to 1979 Noffke, working with the University
of Georgia and
several other
artists, put together three annual «National Ring Shows» featuring the
younger generation of metalsmiths.
Their achievements, along with those
of several younger generations of British
artists, may finally have laid to rest the notion that art is something for which the British have no innate talent.
By 1994 Saville's increasing profile enabled her to exhibit in
several notable group shows:
Young British
Artists III, Saatchi Gallery, London (1994), Contemporary British Art» 96, Museum
of Kalmar, Stockholm (1996) and the iconic Sensation:
Young British
Artists from the Saatchi Collection, Royal Academy
of Arts, London (1997), positioning Saville as one
of the foremost painters
of her
generation.
Indeed, Schanbel, a nearly household - name
artist who has been a vast influence on
young artists today (you could argue he's spawned a
generation of acolytes and copycats), has only cracked $ 1 million at auction once; in contrast, Cecily Brown has
several times.
Gilbert & George Artforum International; January 1, 2007; Gilligan, Melanie; 312 words LONDON Gilbert & George TATE MODERN February 15 - May 7 Curated by Jan Debbaut Gilbert & George claim that «Most people who saw our last retrospective [in the UK] are dead,» but their influence on
several generations of younger British
artists is clear.
Rail: Over the last few decades, most
artists of the
younger generation, like myself, identify your work with video sculpture; but in fact you have made
several remarkable performance pieces in the mid «60s.