His work was also included in
several group exhibitions including MOMA, New York, MOCA, Los Angeles, and Musee d'art et d'histoire, Geneva.
Caracciolo has participated in
several group exhibitions including at Casa de Santa Maria, Cascais, Portugal (2017); Krinzinger Projekte, Vienna, Austria (2014); Waddesdon Manor, UK (2012); Ecole des Beaux - Arts de Paris, France (2012); the Festival dei Due Mondi Spoleto, Spoleto, Italy (2010 and 2008); and Weatherspoon Art Museum, University of North Carolina, Greensboro, NC (2002).
Khan has had solo exhibitions internationally at the Museum of Contemporary Canadian Art, Toronto, K20, Dusseldorf and the Gothenburg Konsthall, and has participated in
several group exhibitions including at the Solomon R. Guggenheim Museum, New York, Tate Britain, London, Hayward Gallery London and the San Francisco Museum of Modern Art, among others.
Eregbu's work has been featured in two solo exhibitions and
several group exhibitions including Seminar (New York); Exodus at the University of Chicago's Arts Incubator in Washington Park; and Mythologies at Sullivan Galleries (Chicago).
Recently, he has been included in
several group exhibitions including «Full House,» Whitney Museum of American Art, New York;» After Cezanne,» Museum of Contemporary Art, Los Angeles; «Funny Cuts: Cartoons and Comics in Contemporary Art,» Staatsgalerie, Stuttgart.
His work has been featured is
several group exhibitions including, OZ: New Offerings From Angel City at Museo Regional Guadalajara in Jalisco, Mexico, the 09 New Insight exhibition, curated by Sussanne Ghez, at Art Chicago, V Bienal Internacional de Estandartes at CECUT in Tijuana, Mexico, Common Ground at the California African American Museum and Changing Ties, at Avenue 50 Studio.
Gander has been the recipient of various prizes, such as the Zürich Art Prize (2009), the ABN Amro Art Price (2006), the Baloise Art Statements of the Art Basel (2006) and the Dutch Prix de Rome for sculpture (2003), and has participated in
several group exhibitions including the British Art Show 8 and Performa, New York, 2015.
Zito has been featured in
several group exhibitions including Still Spotting NYC, a collaboration with the Guggenheim Museum in New York City, as well as a recent solo exhibition titled, Short Long Time at HERE in New York City.
Her exhibitions include co-curating the 2004 and 2006 Whitney Biennials, and curating major survey exhibitions of Dan Graham, Louise Bourgeois, Sol LeWitt, Donald Judd, and Yoko Ono, as well as exhibitions of Paul McCarthy, James Lee Byars, Jack Goldstein, and
several group exhibitions including «Signs of the Times: Film, Video and Slide Installation and Britain in the 1980s», «Scream and Scream Again: Film in Art», and «Into the Light: The Projected Image in American Art 1964 - 1977», voted best group show in New York in 2001 by the International Association of Art Critics.
Earnest has participated in
several group exhibitions including Great Waves II at Revision Space and Future Tenant in Pittsburgh.
Lemus» work has been featured is
several group exhibitions including, OZ: New Offerings From Angel City at Museo Regional Guadalajara in Jalisco, Mexico, the 09 New Insight exhibition, curated by Sussanne Ghez, at Art Chicago, V Bienal Internacional de Estandartes at CECUT in Tijuana, Mexico, Common Ground at the California African American Museum, Chicano: Pronouncing Diversity at the Eagle Rock Center for the Arts, Mexican Cultural Institute in Los Angeles, Latino Art Museum in Pomona, The DA Center for the Arts in Pomona, the Indianapolis Art Center, Galeria Nina Moreno in Tijuana, Mexico.
In 2014 her work is included in
several group exhibitions including: Reductive Minimalism at the University of Michigan Museum of Art, Ann Arbor, Michigan and Coloring at the Atlanta Contemporary Art Center, Atlanta, Georgia.
Innes has recently been included in
several group exhibitions including: Sphere (loans from nvisible Museum), Sir John Soane's Museum, London; FRESH: Recent Acquisitions, Albright Knox Art Gallery, Buffalo, NY and Heads and Hands, Loans from the nvisible Museum, Washington Project for the Arts, Corcoran Gallery of Art, Washington, DC.
He has been included in
several group exhibitions including at Gaudel de Stampa, Paris, Der Tank, «Basel and UP STATE, Zurich.
Additionally, his work has been included in
several group exhibitions including Ocean of Images: New Photography 2015 at The Museum of Modern Art, America Is Hard to See at the Whitney Museum of American Art, and Shine a light / Surgir de l'ombre: Canadian Biennial at the National Gallery of Canada.
He returned to his artistic practice in 2005, and has since exhibited in
several group exhibitions including State of Mind: New California Art Circa 1970 co-organized by the Berkeley Art Museum and the Orange County Museum of Art; Ends of the Earth: Art of the Land to 1974 at the Museum of Contemporary Art, Los Angeles; and Afterlife: A Constellation, curated by Julie Ault as part of the 2014 Whitney Biennial.
Not exact matches
And check out Dolphin Gallery's
group exhibition «Push» which features
several NAP artists,
including a favorite of ours, Michael Krueger.
Her work is in
several museum collections and has been
included in many
group and solo
exhibitions.
Griffin has had
several solo
exhibitions in the US,
including two with his former New York gallery Mitchell - Innes & Nash and has shown his work extensively in
group shows both domestically and worldwide.
She has received
several international honors,
including the Fukuoka Arts & Culture Prize (2013) and has been the subject of numerous international solo and
group exhibitions including, in 2014, her solo
exhibition «Transgressions» organized by Asia Society Museum.
During his lifetime, the artist's work was
included in
group exhibitions including the Venice Biennale as well as
several Whitney Annuals and Biennials.
Since graduating from Wimbledon College of Art in 2007, he has had his work shown in
several group exhibitions in London
including at the Hannah Barry Gallery, The Mall Galleries and the Serpentine Gallery.
He has had
several solo and
group exhibitions in numerous venues
including Okinawa Prefectural Museum & Art Museum, Okinawa; Atsuko Barouh and Nikon Salon, Tokyo.
Bobrow has been
included in
several group exhibitions in Europe and the United States,
including at Andrea Rosen Gallery, Brand New Gallery in Milan, and in New Deal, curated by Kyle Thurman and Matthew Moravec with the Art Production Fund.
She has held numerous solo
exhibitions throughout Europe and the United States, and her work has been
included in
several group shows at the Museum of Modern Art in New York, Documenta XI in Kassel, and the Museum Ludwig in Cologne.
There she organized the first comprehensive solo museum
exhibitions of Cory Arcangel (2010) and Claire Fontaine (2010), and
several acclaimed
group exhibitions including The Possibility of an Island (2008), Convention (2009), The Reach of Realism (2009), Modify, as needed (2011).
He has participated in
several international
group exhibitions including 10 Mexican Photographers: A Select End - of - the - Century Generation (Lehigh University Art Gallery, Pennsylvania), Never Odd or Even (Marres Center for Contemporary Art, Revolver Archive F, Aktuell Kunst, Germany), Master Humprey's Clock (Stanley Brouwn pavilion, de Appel Arts Centre, Amsterdam, Netherlands), Das phantastische Geheimnis des exotishen Universums (Galerie Ostermeier, Berlin), and Third Guangzhou Triennial in China.
TPG artists gained notoriety with their participation in
several landmark
exhibitions,
including the Golden Gate International Exposition in San Francisco (1939), the New York World's Fair (1939), and a 1940
group exhibition at the Museum of Non-Objective Painting (now the Solomon R. Guggenheim Museum) in New York City.
Since more than 20 years, her works have been
included in
several solo and
group exhibitions in important museums and institutions worldwide.
Mellors has been featured in
several important
group exhibitions including: Taipei Biennal 2014, Taiwan; British Art Show 7: In The Days of the Comet (2011); La Biennale di Venezia - 54th International Art
Exhibition - ILLUMinations, Venice, Italy (2011) and Altermodern, Tate Triennial 2009, Tate Britain, London.
In addition to paintings by
several Gutai members,
including Yoshihara, Atsuko Tanaka, Shozo Shimamoto, Sadamasa Motonaga, Kazuo Shiraga and Akira Kanayama, the
exhibition includes examples of the Gutai journal and other publications; documentation of the 1958 Gutai
exhibition at the Martha Jackson Gallery in New York, works by New York artists who related strongly to Gutai; rare videos of Gutai
exhibitions and performances in Japan; and photographs of American artists —
including Jenkins, Alice Baber, Robert Rauschenberg, Jasper Johns, and John Cage — visiting the Gutai
group in 1964.
He has participated in
several international
group exhibitions including Video Zone at the Herzliya Museum of Contemporary Art, Israel (2004), Tokyo Wonder Site, Tokyo (2005), and the 9th Istanbul Biennial (2005).
In 1933, his paintings were
include in
several high - profile
group exhibitions,
including A Century of Progress at the Art Institute of Chicago, Contemporary Black Artists in America at the Whitney Museum of American Art, and
Exhibition of Works of Negro Artists at the National Gallery of Art in Washington, D.C..
Nickel's clay works have been featured in
several group and solo
exhibitions including Cup: The Intimate Object IV, Fort Wayne, ID; HALIZO Art Festival, Norfolk, VA and The Ohr - O'Keefe Museum of Art, Biloxi, Mississippi.
In her previous post as the Associate Curator at North Miami Museum of Contemporary Art (MOCA), she organized
several solo and
group exhibition including «The Reach of Realism» (2009), the first museum retrospectives of Cory Arcangel and Claire Fontaine (both 2010).
This show at Tomio Koyama Gallery is his sixth solo
exhibition, and his major
group exhibitions include «VOCA 2008» (2008, The Ueno Royal Museum, Tokyo), «Winter Garden: The Exploration of the Micropop Imagination in Contemporary Japanese Art» (2009, Hara Museum of Contemporary Art, Tokyo, traveled to
several international museums), «Twist and Shout: Contemporary Art from Japan» (2009, Bangkok Art and Culture Centre), and «Nostalgia and Fantasy: Imagination and Its Origins in Contemporary Art» (2014, National Museum of Art, Osaka).
On
several projects in Bucharest I've been working with curator Olivia Nițiș,
including the
group exhibition MonuMental Histories at ARCUB which ran until May 8th, and the upcoming IEEB7 Biennial in Bucharest, which is focused this year on fabricated histories.
My work attracted considerable attention and I was invited to participate in important
group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York; and my work was
included in
several publications notably an Esquire Magazine article on young artists in the Robert Scull collection.
Curiously, though her work has been
included in numerous major international
group exhibitions and has been the focus of
several solo
exhibitions, she still manages to slip into obscurity in some countries.
Rosenberg has been
included in
several group and solo
exhibitions throughout the US, predominately in small artist - run spaces.
With them, Jonson participated in
several landmark
exhibitions including the 1939 Golden Gate International Exposition in San Francisco, the 1939 New York World's Fair, and a 1940
group exhibition at the Museum of Non-Objective Painting (now the Solomon R. Guggenheim Museum) in New York City.
After graduating, her work was exhibited in
several group shows,
including at Debs & Co., New York in 1999, which also hosted her first solo
exhibition the following spring, entitled «Buster - Jangle», a collection of paintings based on photos of atomic bomb tests from the 1950s that Garnett found on the web after they were released by the US government under the Freedom of Information Act.
Included in numerous Canadian
group shows, he had
several retrospective
exhibitions including in 1996 a full career retrospective at the Art Gallery of Ontario and in 1982 represented Canada at the Venice Biennale.
She is a recipient of the Paula Rhodes Memorial Award and has participated in
several international
group exhibitions including «239 Days» at Allegra LaViola Gallery in NY, «Octet» at the Pera Museum in Istanbul, and «Dürer war auch hier» at the PAN Kunstform in Emmerich, Germany during her residency there in 2008.
-- Artists understand that their work is one component of a large
group exhibition, which
includes several historic works.
This
group exhibition investigates the genesis of the Bay Area Figurative movement and features
several generations of artists,
including contemporary artists working locally and internationally
The work of CPLY has been the subject of numerous single artist shows and a traveling retrospective at the Kunsthalle Bern, Centre Georges Pompidou, and the Stedelijk Van Abbesmuseum, and has been exhibited in
several important
group exhibitions,
including documenta 5 and documenta 7.
Group shows have
included several juried
exhibitions at The Asheville Area Arts Council, Asheville, NC; South Cobb Arts Alliance, Mableton, GA; Fayetteville State University, Fayetteville, NC and the University School of Nashville, Nashville, TN.
Furthermore, Smith has been
included in
several important national and international
group exhibitions at venues
including the Contemporary Arts Museum, Houston, TX (2007, 1995); Camp Marfa, Marfa, TX (2007); Casa de Carton, Ingalls & Associates, Miami, FL (2007); Menil Collection Museum, Houston, TX (2006); African American Museum, Dallas, Texas (2015, 2006); Blue Star Contemporary Art Center, San Antonio, TX (2006); Rockland County Center for the Arts, West Nyack, NY (2000); Art Car Museum, Houston, TX (1999); Galveston Art Center, Galveston, TX (1999); Museum of Fine Arts, Houston, TX (1996); Studio Museum in Harlem, Sculpture Garden, New York, NY (1995); Project Row Houses, Houston, TX (1995); Kenkeleba Gallery, New York, NY (1992); Dallas Museum of Art, Dallas, TX (1992); High Museum, Atlanta (1992); Milwaukee Art Museum, Milwaukee, WI (1992); Blaffer Gallery, University of Houston, TX (1992); Deanza College, Euphrat Gallery, Cupertino, CA (1992); United States Information Agency, Washington, DC (1989); Huntington Art Gallery, University of Texas, Austin, TX (1989); Longview Museum of Art, Longview, TX (1989); Bronx Museum, NY (1989); Dallas Museum of Art, Dallas, TX (1989); The Museum of African American Art, Los Angeles, CA (1988); Studio Museum in Harlem, New York, NY (1988); Arnot Museum of Art, Elmira, NY (1973); New York Cultural Center, New York, NY (1973); Newark Museum, Newark, NJ (1973); Rutgers University, NJ (1971); Hudson River Museum, Yonkers, NY (1970) and the Whitney Museum of American Art, New York, NY (1970).
Ann Christopher has held numerous solos shows and also contributed to
group exhibitions from the late 1960s onwards, winning
several important prizes
including the Peter Stuyvesant Award, the Daily Telegraph Magazine Young Sculptors Competition and the Otto Beit Medal for Sculpture of Outstanding Merit.