Sentences with phrase «several images of his work»

See below a few excerpts from the interview, and several images of his work.

It features a full description of the exhibition, several images of works appearing in the show, mention of the coinciding catalog due March 20, and a robust schedule of events related to «Royal Flush.»

Not exact matches

Thurston, a onetime professional cyclist who maintained MapMyFitness's position as a top fitness app from the iPhone's earliest days, tells the story in his new office in downtown Austin, in a brand - new building where giant images of Under Armour athletes adorn the walls (amid, of course, motivational mantras) and several hundred new engineers and other tech employees work.

We have studied the symbolism of the Cosmic Tree in several of our previous works, (Cf. Eliade, Patterns in Comparative Religion (New York, 1958), pp. 270 ff.; Eliade, Le Chamanisme et les techniques archaïques de l'extase (Paris, 1951), pp. 244 ff.; and Images et Symboles, pp. 5S ff.

But the early stage work is promising, he says, because it holds out hope that doctors will soon be able to image breast cancer with several techniques simultaneously, significantly increasing the chances of spotting the disease in its earliest stages.

You may have a Seasonal or a Tonal Color Family but always an indepth analysis with full explanation of how your colors work with your natural coloring, a 30 page full Color Profile and several personalised images.

Later, he meets some artists who create incredible images of Dating site for city singles to meet for coffee, lunch or after - work drinks, in several cities.

Sheen's next major success was also a comedy, the 1991 military - film satire Hot Shots, and while box - office blockbusters tended to elude him, Sheen worked steadily over the next several years, and racked up a respectable number of box - office successes.By this time, Sheen had developed a reputation as a hard - living star who spoke his mind regardless of the consequences, but his fun - loving image began to take on a darker hue in the mid -»90s.

In 2014, Cinema Eye returned to the Museum of the Moving Image on January 8, following several days of film screenings in Toronto, Los Angeles and New York as well as a number of events that honored the work of that year's nominees.

Resource Title St. Patrick's Day Mini Display Pack Age / Year Group Display for All Classes / Year Groups Total Pages in download ❤ 42 File Type PDF Resource Content ❂ Over 30 Flashcards including names of all counties in Ireland (North and South of the «invisible» border) ❂ 10 Real Life Photos of Ireland (mainly the North Coast - County Antrim and County Derry / Londonderry) ❂ Several «St. Patrick's Day» fun images - these can accompany student work for St. Patrick's Day and / or would be suitable for a St. Patrick's Day classroom / corridor display.

Photo pack — Colourful A4 poster pack showing key things related to the water cycle, such as sun, snow, rain, ocean etc Water cycle diagram to label and colour Several versions of images showing the complete water cycle with varying levels of difficulty Extra large images to make a full water cycle display — eg A4 size sun, clouds, rain drops, etc Fact cards — half 4 size with facts about water and the water cycle — great for reading or display Key word cards — half A4 size showing all words relating to the water cycle Water cycle booklet to complete Presentation to make with cue cards for pupils to complete Draw a water cycle worksheet Acrostic poem to complete True or false quiz Sentence writing sheet to summarise topic understanding Mind map Weather types matching cards to use as memory card game World map to demonstrate size of oceans Long banner to head display Extra large patterned lettering to head wall display (patterned with raindrops) 3 patterned and plain display borders Writing booklet cover to keep pupils project work together Writing border with water cycle image to use for generic writing tasks Word search Sack tag to keep resources organised

Most of the projects I work on include bullets, images, and other objects beyond plain text, so I've tried several options.

I wasted several hours trying to figure out why the next steps didn't work because of a defective image on the micro SD card.

After working at The HSUS for several years, I had seen plenty of images of the squalid conditions at puppy mills across the country.

«LATOYA RUBY FRAZIER: Performing Social Landscapes» @ Carré d'Art - Musée d'Art Contemporain Nimes, France Photographer LaToya Ruby Frazier «s first solo institutional exhibition in France presents selections from several of her documentary projects, including the video «Frazier Take on Levi's» and photographs from «Pier 54,» and the foundation of her work, images that examine the decline of the population and steel industry of her hometown of Braddock, Pa. («Campaign for Braddock Hospital» and «The Notion of Family»).

In the late 1960s, Polke, fresh out of the Düsseldorf Art Academy, made several works parodying Dürer's 1502 watercolor, which had long been a ubiquitous, clichéd image in Germany.

During the same period of the late 1960s, and early 1970s in Europe, Gerhard Richter, Anselm Kiefer [49] and several other painters also began producing works of intense expression, merging abstraction with images, incorporating landscape imagery, and figuration that by the late 1970s was referred to as Neo-expressionism.

She has edited several titles including the recently released Dorothy Iannone; You Who Read Me With Passion Now Must Forever Be My Friends, along with It Is Almost That: A Collection of Image + Text Work by Women Artists & Writers, Torture of Women by Nancy Spero, and The Nancy Book by Joe Brainard (co-edited with Ron Padgett), among others.

Additionally, his work has been included in several group exhibitions including Ocean of Images: New Photography 2015 at The Museum of Modern Art, America Is Hard to See at the Whitney Museum of American Art, and Shine a light / Surgir de l'ombre: Canadian Biennial at the National Gallery of Canada.

She has also made several works experimenting with the process of photocopying — reproducing images until they are illegible.

The exhibition will present selections from Bayrle's most iconic series, including several of his rarely exhibited «painted machines» — hand - painted kinetic works inspired by images of Chinese pageants and other mass demonstrations.

A digital image with no fixed identity or context, Annlee became the subject of several works by a group of invited artists — including Dominique Gonzalez - Foerster, Anna Lena Vaney and Liam Gillick — incorporating video, sound, neon, print and sculpture.

Vermeer was among the forerunners of photography, for he was to base several works on images created in a camera obscura, a dark room with a pinhole that projects an image from the outside upon a facing wall.

The collection includes works by artists associated with the loosely knit group known as the «Pictures Generation,» such as Cindy Sherman and John Baldessari, who appropriated images from the mainstream media, as well as several members of the Düsseldorf school of photography.

The work addresses several connections between text and image in a digital world, not only between a search term and its results — a one way correspondence which yields an image at once to vague and too specific to be able to work reliably in the other way round — but also between image as text (code) and the effect of natural language on that code.

In this work, one of several images he made of the Philadelphia meeting, Bellows depicts the moment after Sunday's sermon, when converts would walk up the center aisle strewn with sawdust and shake the evangelist's hand.

Am Anfang is a title that Kiefer has bestowed upon several of his most epic and ambitious works, ranging from a vast image of the ocean strewn with a solitary leaden ladder (Jacob's Ladder) in a painting of 2008 to an entire opera that he devised in 2009 for the Opéra Bastille in Paris.

Bringing together for the first time all of Johns» light bulb sculptures and related drawings and prints — including several drawings and modified prints from the artist's own collection — this volume offers an unparalleled opportunity to examine Johns» practice through a single image and reveals significant relationships between his two - and three - dimensional work.

While developing several new bodies of work that encompass video, sculpture, and installation (which debuted in Berlin and Los Angeles in late 2014) Trecartin collected images which functioned as both reference material and conceptual pivot points for these expansive group of works.

Early on, she worked in collage as well as paint: The Image As Burden includes several examples, perhaps the most significant of which is Love Versus Death (1980), in which two «clue - strips» consisting of various photographs and newspaper clippings (Steve Biko is among them, and so, too, is Peggy Guggenheim) suggest ways of reading the work's central panel of drawings.

Several works show the combined image of woman and house.

Working outwards from this moment, the exhibition traces several related phenomena: the artistic innovations of poured paint and stained raw canvas; the social implications of decoration; authorial control vs. materiality; the body and painting; and the image of the woman painter and related questions of gender and identity.

The show focuses on several prominent bodies of work from each artist's oeuvre, including Warhol's «Ladies and Gentlemen» series (1975), Christopher Makos's «Altered Images» series of Warhol in drag, Mapplethorpe's photographs of Patti Smith, Lisa Lyon, Bob Colacello, Candy Darling, and Grace Jones.

Several of the featured artists make work that is considered photographic but is camera-less, while, for others, photography has laid the groundwork for the moving image or functions as a jumping - off point for sculptural investigations.

In several of her works she has separated image and sound to present different...

Comprising programmes from the ICA Artists» Moving Image Network alongside several additional live events, the festival brings together a cross-section of work that engages with the language of contemporary visual culture to draw out critical and discursive reflections on its wider social influences.

With several pages dedicated to images of each artist's work and a deeply analytical parallel text, Vitamin D is at once a detailed reference book for art world aficianados and an absorbing introduction for newcomers to the scene.

One of the newer pioneers in this quest is Letha Wilson, whose work surrealistically combining photography with architectural elements (sometimes printing the images on concrete) gained avid attention when she was included in several well - received group shows last year, such as «What Is a Photograph» at the ICP and «Ain'tings» at Robert Blumenthal Gallery.

The installation also includes several images of Annunciation paintings, showing Eija - Liisa's direct engagement of significant art historical works in a contemporary fashion.

MOVING IMAGE unites several bodies of work.

Below are several images of Clayman talking to students about his process in print and working with Bonnie Kissinger (a senior in Printmaking).

This body of work furthers Murakami's investigation into his own image, most notably seen in the recent sculptures, Oval Buddha, 2008, several versions of Pom & Me, 2009, and Welcome to Murakami Ego, 2012.

The work becomes a simulation of the artist being seduced by an original image, re-contextualised; much the same could be said of Tuymans» practice except the next step is far greater in committing the image to another medium entirely, and sometimes the images are re-photographed several times.

With their new exhibition, Pearls, The Bruce High Quality Foundation appropriates images of several exemplary works of the Baroque style by these three masters.

Image, 28 «H x 22 «L. John O. Thomson currently lives in Santa Cruz, California and Mexico and works with several of California's designers and galleries.

Her work process includes use of various duplication of images on canvas or paper, that transformed by drawing and color in a long process that lasts several years, a transparent layer on a transparent layer.

Includes several images of source materials, as well as enlightening photographs of the artist and his assistants at work.

Wallace Berman will be represented by a series of previously unseen single - image Verifax collages, a body of rarely exhibited mailers from the collection of Teri Garr, inserts from his limited edition, hand - made artists magazine, Semina, selections from his recently discovered body of photographic portraiture, and several unique works incorporating images which were considered «pornography» at the time.

Paul Villinski, the artist who has been working with the image of the butterfly for the last couple of decades, this time uses his signature image in conjunction with several live species of this most celebrated insect.

Nash has curated several exhibitions focusing on artists» work with the moving image - including his earlier exhibitions Experiments with Truth at the Fabric Workshop and Museum, Philadelphia (2004 - 5) and One Sixth of the Earth, Ecologies of Image at ZKM, Karlsruhe and MUSAC, Leon (2012 -image - including his earlier exhibitions Experiments with Truth at the Fabric Workshop and Museum, Philadelphia (2004 - 5) and One Sixth of the Earth, Ecologies of Image at ZKM, Karlsruhe and MUSAC, Leon (2012 -Image at ZKM, Karlsruhe and MUSAC, Leon (2012 - 13).