Sentences with phrase «several international galleries»

Throughout his carreer, Gordin has been presented in several international galleries and art fair inclunding Miami Basel, Basel, Arco Madrid, Art Rio and Zona Maco.

She seems to be quite skilled in multitasking: she occupies herself with plenty of curatorial work: Zabludowicz Collection London, Forgotten Bar and several international galleries and institutions, including names such as Milica Tomic, Thomas Schütte or Santiago Sierra.

There were also several international galleries showing at this year's event, the most notable Alon Zakaim London who showcased a variety of works by Damien Hirst, Jim Dine, Patrick Hughes and Alan Davie.

For Californian artist Mary Corse, who is the subject of two major New York exhibitions and several international gallery shows this year, the recent recognition «is great.

Not exact matches

The Armory Show (New York) features over 200 international galleries and shows both 20th and 21st century artworks in a primary gallery show as well as several areas of the show that feature more specific themes such as 20th century work, recent work from emerging artists, and large - scale installation artworks.

He's been included in several important international exhibitions including 10,000 Lives: The Eighth Gwangju Biennale, Gwangju, South Korea (2010); Moving Images: Artists & Video / Film, Museum Ludwig, Cologne, Germany (2010); Playing Homage, Vancouver Contemporary Art Gallery, Canada; Sympathy for the Devil, Museum of Contemporary Art, Chicago, IL (2007); Istanbul Biennial, Istanbul, Turkey (2005); Manifesta 5, European Biennial of Contemporary Art, San Sebastian, Spain (2004); Fast Forward.

Naturally, the international exposure of his work, widely exhibited in galleries and institutions such as Galerie Jeanroch Dard (Paris / Brussels), Rod Barton Gallery (London), Berthold Pott (Cologne) and in collective exhibitions at the Musée Musée Départemental du Sel (Marsal), Centre Georges Pompidou (Paris), BWA (Wroclaw) and Autocenter (Berlin) is considered, but also his role as a curator in several projects.

The gallery has also taken part in several other international art fairs.

He has participated in several international group exhibitions including 10 Mexican Photographers: A Select End - of - the - Century Generation (Lehigh University Art Gallery, Pennsylvania), Never Odd or Even (Marres Center for Contemporary Art, Revolver Archive F, Aktuell Kunst, Germany), Master Humprey's Clock (Stanley Brouwn pavilion, de Appel Arts Centre, Amsterdam, Netherlands), Das phantastische Geheimnis des exotishen Universums (Galerie Ostermeier, Berlin), and Third Guangzhou Triennial in China.

He works with a wide range of genres, such as sculpture, installation, painting, performance, and interactive multimedia, and has participated in several international exhibitions, including Shanghai Biennale, Shenzhen Sculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix Art Palace.

Snow has also achieved international recognition, exhibiting at several prestigious institutions, such as Deutsche Guggenheim, Berlin, Germany; Jeu de Paume, Paris, France; Palais de Tokyo, Paris, France; and Saatchi Gallery, London, UK.

Despite the artist's inclusion in the 2004 Carnegie International in Pittsburgh and several solo shows at major American galleries in years since, her elusive, forlorn painterly world would not make its solo debut in a US institution until this past winter, when thirty of the Swedish artist ’s

This show at Tomio Koyama Gallery is his sixth solo exhibition, and his major group exhibitions include «VOCA 2008» (2008, The Ueno Royal Museum, Tokyo), «Winter Garden: The Exploration of the Micropop Imagination in Contemporary Japanese Art» (2009, Hara Museum of Contemporary Art, Tokyo, traveled to several international museums), «Twist and Shout: Contemporary Art from Japan» (2009, Bangkok Art and Culture Centre), and «Nostalgia and Fantasy: Imagination and Its Origins in Contemporary Art» (2014, National Museum of Art, Osaka).

The gallery host exhibitions that last around two months with an interim installation period of several months, during which SCAI The Bathhouse travels around the world and shows artworks by Japanese artists at international art fairs.

She is a recipient of the Paula Rhodes Memorial Award and has participated in several international group exhibitions including «239 Days» at Allegra LaViola Gallery in NY, «Octet» at the Pera Museum in Istanbul, and «Dürer war auch hier» at the PAN Kunstform in Emmerich, Germany during her residency there in 2008.

While the group organized several shows in their own gallery space in the mid-1960s, they also had exhibitions at New York's International Center for Photography and the Studio Museum in Harlem.

Furthermore, Smith has been included in several important national and international group exhibitions at venues including the Contemporary Arts Museum, Houston, TX (2007, 1995); Camp Marfa, Marfa, TX (2007); Casa de Carton, Ingalls & Associates, Miami, FL (2007); Menil Collection Museum, Houston, TX (2006); African American Museum, Dallas, Texas (2015, 2006); Blue Star Contemporary Art Center, San Antonio, TX (2006); Rockland County Center for the Arts, West Nyack, NY (2000); Art Car Museum, Houston, TX (1999); Galveston Art Center, Galveston, TX (1999); Museum of Fine Arts, Houston, TX (1996); Studio Museum in Harlem, Sculpture Garden, New York, NY (1995); Project Row Houses, Houston, TX (1995); Kenkeleba Gallery, New York, NY (1992); Dallas Museum of Art, Dallas, TX (1992); High Museum, Atlanta (1992); Milwaukee Art Museum, Milwaukee, WI (1992); Blaffer Gallery, University of Houston, TX (1992); Deanza College, Euphrat Gallery, Cupertino, CA (1992); United States Information Agency, Washington, DC (1989); Huntington Art Gallery, University of Texas, Austin, TX (1989); Longview Museum of Art, Longview, TX (1989); Bronx Museum, NY (1989); Dallas Museum of Art, Dallas, TX (1989); The Museum of African American Art, Los Angeles, CA (1988); Studio Museum in Harlem, New York, NY (1988); Arnot Museum of Art, Elmira, NY (1973); New York Cultural Center, New York, NY (1973); Newark Museum, Newark, NJ (1973); Rutgers University, NJ (1971); Hudson River Museum, Yonkers, NY (1970) and the Whitney Museum of American Art, New York, NY (1970).

He has exhibited several times with the Gagosian Gallery and has been the subject of several international museum exhibitions.

Fuchs has been included in several important national and international group exhibitions at venues including the ICA at MECA, Portland, Maine (2017); Texas Gallery, Houston TX (2016, 2010); Sala Diaz, San Antonio, TX (2014, 2001); McClain Gallery, Houston, TX (2012); Lisa Cooley, New York, NY (2010); Inman Gallery, Houston, TX (2010, 2000); Museum of Fine Arts, Houston, TX (2008, 1997); Diverseworks, Houston, TX (2007, 2005, 1999); Arthouse, Austin, TX (2006, 1997); University of Texas, San Antonio, TX (2005); Dallas Contemporary Arts Center, TX (2005); Contemporary Arts Museum, South Florida, Tampa (2002); New Orleans Museum of Art, LA (2001); Modern Art Museum of Fort Worth, TX (2000); Contemporary Arts Museum, Houston, TX (2000, 1998); Arlington Museum of Art, TX (1998); British Council Window Gallery, Prague (1998); Whitechapel Art Gallery, London, UK (1996); Cornerhouse, Manchester, UK (1992 - 93); and the ICA, London, UK (1992 - 93).

Beveridge has also participated in several group exhibitions at Off Vendome (New York), Spinello Projects (Miami), Galerist (Istanbul), Glasgow International (Glasgow), Hayward Gallery (London) and at the Arnhem Museum of Modern Art (Arnhem).

The gallery will be inaugurated with a series of four separate exhibitions in the ground and first - floor galleries: Since its foundation in 1983, Galerie Thaddaeus Ropac has specialised in international contemporary art representing around 60 artists as well as several renowned estates.

Specialising in international contemporary art and representing sixty artists, Thaddaeus already has several galleries in Salzburg and Paris and has now taken over the elegant Mayfair mansion Ely House.

[25] He has been the focus of several retrospectives at various international institutions, including the Műcsarnok Kunsthalle in Budapest, Hungary; Haus der Kunst in Munich, Germany; the Zachęta National Gallery of Art in Warsaw, Poland; the Tate Modern, London, England (2004); Museu Serralves, Porto, Portugal; Musee d'Art Moderne et Contemporain (MAMCO), Geneva, Switzerland (both 2006); and, most recently (2011) the BOZAR Centre for Fine Arts in Brussels, Belgium.

The gallery has participated in several local and international art fairs and collaborated with numerous iconic art institutions.

Judd's art criticism was published in Artnews, Arts Magazine and Art International between 1959 and 1965; during those early years Judd had several exhibitions at the Green Gallery in New York.

Offering a well - rounded baseline catalog of several dozen artists, both international and Moroccan, the gallery has been pioneering and leading the contemporary art scene and search for new artistic expressions.

Both exhibit regularly in galleries, juried exhibitions, invitationals and museums, and have been fellowship recipients at several international artist residencies.

He's been included in several important international exhibitions including 10,000 Lives: The Eighth Gwangju Biennale, Gwangju (2010); Moving Images: Artists & Video / Film, Museum Ludwig, Cologne, Germany (2010); Playing Homage, Contemporary Art Gallery, Vancouver (2009); Sympathy for the Devil, Museum of Contemporary Art, Chicago (2007); Istanbul Biennial, 9th Istanbul Biennial, Istanbul (2005); Manifesta 5, European Biennial of Contemporary Art, San Sebastian (2004); Institute of Contemporary Art, London (1999), among others.

299 Meserole was supposed to feature several exhibitions curated by local, as well as international galleries, feminist symposium / art installation Flower Garden and another Confronting Bushwick discussion panel.

Despite several big British names moving out of the area in 2000 — notably Victoria Miro and White Cube — in recent years the area has attracted major international galleries including David Zwirner, Hauser & Wirth and Sprüth Magers.

He has already been seen at a number of international art fairs and made several gallery appearances in Germany, so institutional attention should not be far away.

He has had international solo exhibitions at several galleries including Galerie Emmanuel Perrotin, Miami, FL; Bape Gallery, Tokyo, Japan; Colette, Paris, France; Gering & López Gallery, New York, NY; and Honor Fraser Gallery, Los Angeles, CA.

His work has been exhibited in several group and solo exhibitions in venues such as Southwest Arts Center; International Center for Photography in NY; Dalton Gallery, Agnes Scott College; and the Arts Festival of Atlanta.

On November 29, 2008, the Frost Art Museum at Florida International University inaugurated its new building with several exhibitions including Florencio Gelabert's solo exhibition, «Intersections,» which was shown in one of its third floor galleries until February 28, 2009.

Frost Art Museum - Miami November 29, 2008 - February 28, 2009 By Rafael López - Ramos On November 29, 2008, the Frost Art Museum at Florida International University inaugurated its new building with several exhibitions including Florencio Gelabert's solo exhibition, «Intersections,» which was shown in one of its third floor galleries until February 28, 2009.

Since his notorious 1958 exhibition in the stairwell of New York's MoMA, Byars has been the subject of numerous international gallery and museum exhibitions that established his reputation as early as 1972, when he was included in Documenta V. Over the next two decades he had several solo exhibitions worldwide, including IVAM Centre del Carme, Valencia; Castello di Rivoli / Museo d'Arte Contemporanea, Turin; The Henry Moore Institute, Leeds; Fundaçao de Serralves, Porto; The Arts Club of Chicago; Kestner Gesellschaft, Hannover; and Van Abbemuseum, Eindhoven.

Hastanan has participated in several national and international exhibitions: A Space (Toronto), Delta Axis Art Center (Memphis), Fészek Galleria (Budapest), Gallery 4A (Sydney, Australia), Jamaica Center for Arts (New York City), Pier 2 Arts District (Taiwan), Randolph Street Gallery (Chicago), Real Art Ways (Hartford, Connecticut), and Wave Hill New York City.

During the past year, there have been several important solo exhibitions of his work worldwide: Seeing Things at The Nasher Sculpture Center, Dallas; Figure In / Figure Out at The Louvre, Paris; Museum Küppersmühle für Moderne Kunst, Duisburg, Germany; Tony Cragg in 4 D from Flux to Stability at The International Gallery of Modern Art, Venice; It is, Isn't It at the Church of San Cristoforo, Lucca, Italy; and Tony Cragg: Sculptures and Drawings at The Scottish National Gallery of Modern Art, Edinburgh.

Shimamoto's artworks are in a collection of several prominent art venues and museums, such as Tate Modern, London, Ca» Pesaro International Gallery of Modern Art, Venice, National Museum of Modern Art of Rome and Art Center of Milan in Italy, Mail Art Museum, Switzerland, Paris Gallery in France, and Tokyo Contemporary Art Museum and Osaka Contemporary Art Museum in Japan.

They are also unfolding at the European academies of art, where several of the artists have studied, at galleries in Paris, New York or Berlin, in international publications and at exhibitions all over the world.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

She has participated in several international group exhibitions that include Drawn from Life, Green Cardamom (2009 — 10) and Abbot Hall Art Gallery, Kendall, UK (2011); Split, Darb 1718 Contemporary, Cairo (2010); Aftermath, 25th Alexandria Biennale (2009); 9th Sharjah Biennial (2009); Art Connexions: Arab Contemporary Artists (2008) and Archives des banalities tunisoises (2009) both held at Galerie El Marsa, Tunis (the second was a solo show).

Solo exhibitions include Nothing to Learn, Galeria Habana, Havana (2011); Some Information is Now Available, Teck Gallery, Vancouver; Tonel, Miart 08, Milan International Art Fair of Modern and Contemporary Art, Paolo Maria Deanesi Gallery, Milan (both 2008); A Music of The Body, Paolo Maria Deanesi Gallery, Roveretto (2006); Tonel, Gallery Paule Anglim, San Francisco (2002); Some of the Houses, Several Documents, the Rocket, Detour 888, San Francisco; and Tonel: Lessons of Solitude, Art in General, New York (both 2001).

However, interest in more recent international developments remained slight, as was shown by the cool reception given to several exhibitions - a small show of works by Monet, Pissarro, Renoir, Sisley, d'Espagnat, Maufra and Moret, held in the Amsterdam artists» society Arti et Amicitiae early in 1900; the large retrospective of Toorop in the Buffa Gallery in February 1904; and the Van Gogh retrospective in summer 1905 organized by Theo Van Gogh's widow in the Stedelijk Museum.

He has also initiated various multidisciplinary projects, including the Award for Emerging Art, the annual open group exhibition «Contemporary Visions», and international collaborations with several universities and galleries.

His films have been presented in several film festivals and galleries, such as Tokyo Contemporary Art Museum, Armenian Center for Contemporary Experimental Art, MACBA Barcelona, Edinburgh International Film Festival, Mostra São Paulo, amongst others.

ALEX KATZ: «PRESENT TENSE» THROUGH APRIL 22 In Richard Gray Gallery's stable of living artists, there are several with arguably larger international reputations than Alex Katz — Jaume Plensa, Jim Dine and Magdalena Abakanowicz — but none who embodies the gallery's aesthetic as perfectly aGallery's stable of living artists, there are several with arguably larger international reputations than Alex Katz — Jaume Plensa, Jim Dine and Magdalena Abakanowicz — but none who embodies the gallery's aesthetic as perfectly agallery's aesthetic as perfectly as Katz.

Fujita's work has been widely exhibited at galleries and museums such as Los Angeles County Museum of Art (LACMA), Kemper Museum of Contemporary Art (Kansas City), L.A. Louver Gallery and several international venues in Switzerland, Greece, Australia and Belgium

This will include several Szuper Gallery videos as well as a programme of videos by different international artists from the Szuper Gallery Collection.

James Oliver Gallery invited me to include several drawings in International Variety: a works on paper.