Sentences with phrase «several international group exhibitions»

Her work has been included in several international group exhibitions such as the 18th Biennale, Sydney; La Triennale: Intense Proximity, Palais de Tokyo, Paris; On Line, Museum of Modern Art, New York; Liverpool Biennale, Tate Liverpool; Manifesta 7, Trentino - Alto Adige / Südtirol; 7th Gwangju Biennale, Gwangju.

Boudry / Lorenz were also featured in several international group exhibitions such as La Triennale, Milan; Akademie der Künste, Berlin; the 5th Thessaloniki Biennale of Contemporary Art in 2015; and they represented the Swiss Pavillion at the Venice Biennale in 2011.

She has participated in several international group exhibitions that include Drawn from Life, Green Cardamom (2009 — 10) and Abbot Hall Art Gallery, Kendall, UK (2011); Split, Darb 1718 Contemporary, Cairo (2010); Aftermath, 25th Alexandria Biennale (2009); 9th Sharjah Biennial (2009); Art Connexions: Arab Contemporary Artists (2008) and Archives des banalities tunisoises (2009) both held at Galerie El Marsa, Tunis (the second was a solo show).

She has taken part in several international group exhibitions, including the 13th Biennale de Lyon (2015), the 31st São Paulo Biennial (2014), the 8th Berlin Biennale (2014) and the Sharjah Biennial 11 (2013).

Nasr has participated in several international group exhibitions including, Thessaloniki Biennale, Greece (2011); Picha Encounters 2010: Lubumbashi Biennial, Democratic Republic of the Congo, Ghosts of Self and State, Monash University Museum of Art (MUMA), Melbourne, Australia (2006); Sharjah Biennial 7 (2005), the Busan Biennale, South Korea (2004); São Paulo Biennial, Brazil (2004) and the Venice Biennale, Italy (2003).

She is a recipient of the Paula Rhodes Memorial Award and has participated in several international group exhibitions including «239 Days» at Allegra LaViola Gallery in NY, «Octet» at the Pera Museum in Istanbul, and «Dürer war auch hier» at the PAN Kunstform in Emmerich, Germany during her residency there in 2008.

He has participated in several international group exhibitions including Video Zone at the Herzliya Museum of Contemporary Art, Israel (2004), Tokyo Wonder Site, Tokyo (2005), and the 9th Istanbul Biennial (2005).

He has participated in several international group exhibitions including 10 Mexican Photographers: A Select End - of - the - Century Generation (Lehigh University Art Gallery, Pennsylvania), Never Odd or Even (Marres Center for Contemporary Art, Revolver Archive F, Aktuell Kunst, Germany), Master Humprey's Clock (Stanley Brouwn pavilion, de Appel Arts Centre, Amsterdam, Netherlands), Das phantastische Geheimnis des exotishen Universums (Galerie Ostermeier, Berlin), and Third Guangzhou Triennial in China.

Not exact matches

She has received several international honors, including the Fukuoka Arts & Culture Prize (2013) and has been the subject of numerous international solo and group exhibitions including, in 2014, her solo exhibition «Transgressions» organized by Asia Society Museum.

TPG artists gained notoriety with their participation in several landmark exhibitions, including the Golden Gate International Exposition in San Francisco (1939), the New York World's Fair (1939), and a 1940 group exhibition at the Museum of Non-Objective Painting (now the Solomon R. Guggenheim Museum) in New York City.

Mellors has been featured in several important group exhibitions including: Taipei Biennal 2014, Taiwan; British Art Show 7: In The Days of the Comet (2011); La Biennale di Venezia - 54th International Art Exhibition - ILLUMinations, Venice, Italy (2011) and Altermodern, Tate Triennial 2009, Tate Britain, London.

This show at Tomio Koyama Gallery is his sixth solo exhibition, and his major group exhibitions include «VOCA 2008» (2008, The Ueno Royal Museum, Tokyo), «Winter Garden: The Exploration of the Micropop Imagination in Contemporary Japanese Art» (2009, Hara Museum of Contemporary Art, Tokyo, traveled to several international museums), «Twist and Shout: Contemporary Art from Japan» (2009, Bangkok Art and Culture Centre), and «Nostalgia and Fantasy: Imagination and Its Origins in Contemporary Art» (2014, National Museum of Art, Osaka).

Curiously, though her work has been included in numerous major international group exhibitions and has been the focus of several solo exhibitions, she still manages to slip into obscurity in some countries.

With them, Jonson participated in several landmark exhibitions including the 1939 Golden Gate International Exposition in San Francisco, the 1939 New York World's Fair, and a 1940 group exhibition at the Museum of Non-Objective Painting (now the Solomon R. Guggenheim Museum) in New York City.

While the group organized several shows in their own gallery space in the mid-1960s, they also had exhibitions at New York's International Center for Photography and the Studio Museum in Harlem.

Furthermore, Smith has been included in several important national and international group exhibitions at venues including the Contemporary Arts Museum, Houston, TX (2007, 1995); Camp Marfa, Marfa, TX (2007); Casa de Carton, Ingalls & Associates, Miami, FL (2007); Menil Collection Museum, Houston, TX (2006); African American Museum, Dallas, Texas (2015, 2006); Blue Star Contemporary Art Center, San Antonio, TX (2006); Rockland County Center for the Arts, West Nyack, NY (2000); Art Car Museum, Houston, TX (1999); Galveston Art Center, Galveston, TX (1999); Museum of Fine Arts, Houston, TX (1996); Studio Museum in Harlem, Sculpture Garden, New York, NY (1995); Project Row Houses, Houston, TX (1995); Kenkeleba Gallery, New York, NY (1992); Dallas Museum of Art, Dallas, TX (1992); High Museum, Atlanta (1992); Milwaukee Art Museum, Milwaukee, WI (1992); Blaffer Gallery, University of Houston, TX (1992); Deanza College, Euphrat Gallery, Cupertino, CA (1992); United States Information Agency, Washington, DC (1989); Huntington Art Gallery, University of Texas, Austin, TX (1989); Longview Museum of Art, Longview, TX (1989); Bronx Museum, NY (1989); Dallas Museum of Art, Dallas, TX (1989); The Museum of African American Art, Los Angeles, CA (1988); Studio Museum in Harlem, New York, NY (1988); Arnot Museum of Art, Elmira, NY (1973); New York Cultural Center, New York, NY (1973); Newark Museum, Newark, NJ (1973); Rutgers University, NJ (1971); Hudson River Museum, Yonkers, NY (1970) and the Whitney Museum of American Art, New York, NY (1970).

Fuchs has been included in several important national and international group exhibitions at venues including the ICA at MECA, Portland, Maine (2017); Texas Gallery, Houston TX (2016, 2010); Sala Diaz, San Antonio, TX (2014, 2001); McClain Gallery, Houston, TX (2012); Lisa Cooley, New York, NY (2010); Inman Gallery, Houston, TX (2010, 2000); Museum of Fine Arts, Houston, TX (2008, 1997); Diverseworks, Houston, TX (2007, 2005, 1999); Arthouse, Austin, TX (2006, 1997); University of Texas, San Antonio, TX (2005); Dallas Contemporary Arts Center, TX (2005); Contemporary Arts Museum, South Florida, Tampa (2002); New Orleans Museum of Art, LA (2001); Modern Art Museum of Fort Worth, TX (2000); Contemporary Arts Museum, Houston, TX (2000, 1998); Arlington Museum of Art, TX (1998); British Council Window Gallery, Prague (1998); Whitechapel Art Gallery, London, UK (1996); Cornerhouse, Manchester, UK (1992 - 93); and the ICA, London, UK (1992 - 93).

She has had several solo and group exhibitions regionally in the past ten years as well as a few international exhibitions, and has won several awards for her work.

Beveridge has also participated in several group exhibitions at Off Vendome (New York), Spinello Projects (Miami), Galerist (Istanbul), Glasgow International (Glasgow), Hayward Gallery (London) and at the Arnhem Museum of Modern Art (Arnhem).

He has exhibited in Documenta IX, The Corcoran Biennial, The Whitney, PS 1, New Museum, several large European Museums, and over 50 solo and hundreds of national and international group exhibitions.

Her exhibitions include co-curating the 2004 and 2006 Whitney Biennials, and curating major survey exhibitions of Dan Graham, Louise Bourgeois, Sol LeWitt, Donald Judd, and Yoko Ono, as well as exhibitions of Paul McCarthy, James Lee Byars, Jack Goldstein, and several group exhibitions including «Signs of the Times: Film, Video and Slide Installation and Britain in the 1980s», «Scream and Scream Again: Film in Art», and «Into the Light: The Projected Image in American Art 1964 - 1977», voted best group show in New York in 2001 by the International Association of Art Critics.

His work has been exhibited in several group and solo exhibitions in venues such as Southwest Arts Center; International Center for Photography in NY; Dalton Gallery, Agnes Scott College; and the Arts Festival of Atlanta.

She continued her collaboration with director Koyo Kouoh, working with her on several projects, such as Body Talk - Feminism, Sexuality and the Body in the Work of African Women Artists (to be held at WIELS, Brussels, in February 2015), and Streamlines, a project that makes the oceans the metaphorical focal point for an international group exhibition which will examine the cultural repercussion of the global stream of goods and trade between the South and the North (to be held at Deichtorhallen, Hamburg, in October 2015).

Rosler has participated in group exhibitions at institutions including the Centre Pompidou, Paris; Museum of Modern Art, New York; the International Center of Photography, New York; Fotomuseum Winterthur; the Reina Sofía, Madrid; Skulptur Projekte Münster 07; documenta 7 & documenta 12, Kassel; several Whitney Biennials, New York; the Venice Biennale; Nederlands Fotomuseum, Rotterdam; Tate Modern, London; Museum of Contemporary Art, Los Angeles, the Singapore Biennial 2011; and many other international and natInternational Center of Photography, New York; Fotomuseum Winterthur; the Reina Sofía, Madrid; Skulptur Projekte Münster 07; documenta 7 & documenta 12, Kassel; several Whitney Biennials, New York; the Venice Biennale; Nederlands Fotomuseum, Rotterdam; Tate Modern, London; Museum of Contemporary Art, Los Angeles, the Singapore Biennial 2011; and many other international and natinternational and national venues.

He has participated in several international biennials and notable group exhibitions including The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists, Smithsonian National Museum of African Art, Washington, D.C. (2015); Museum fur Moderne Kunst, Frankfurt; and SCAD Museum of Art, Savannah, GA (2014); the 18th Biennale of Sydney (2012); the 54th Venice Biennale (2011); La Triennale at the Palais de Tokyo, Paris (2012); the Liverpool Biennial (2010); the Guangzhou Triennial, China (2008); and Flow, Studio Museum in Harlem (2008).

He has participated in several international biennials and notable group exhibitions including The Divine Comedy, Museum fur Moderne Kunst, Frankfurt (2014); 18th Biennale of Sydney (2012); 54th Venice Biennale (2011); La Triennale at the Palais de Tokyo, Paris (2012); Liverpool Biennial (2010); Guangzhou Triennial, China (2008); and Flow at The Studio Museum in Harlem (2008).

Tasheka's work has been a partof several group exhibitions: The 6th United Design International Biennial Design Exhibition, (St.Louis), Mentors Centennial (New Orleans), How A Book Is Made (New Orleans), The Department of Fine and Performing Arts Faculty (Hammond, LA), Joie De Vivre: A Meditation in New Orleans, Katrina & The U.S. (Chicago), Re: Garding Valencia (Valencia, CA), Boomerang (New Orleans), and Eclectica (New Orleans).

34FineArt is pleased to announce a new group exhibition featuring works by several well known local and international artists, who have in various ways appropriated this iconic image of popular culture.

Futhermore, he psrticipated in several group exhibitions and international events such Viceversa — Italian Pavillion at the 55th Venice Biennale, Documenta XII (2012), T.R.A.C.K.S., SMAK Gent (2012), «Fare Mondi / / Making Worlds», 53.

He has also initiated various multidisciplinary projects, including the Award for Emerging Art, the annual open group exhibition «Contemporary Visions», and international collaborations with several universities and galleries.

He has curated several exhibitions of contemporary Asian art, including most recently the international group exhibition Suspended Histories at Museum van Loon in Amsterdam (2013).

His solo exhibitions include Christine König Galerie, Los Angeles Museum of Art (LAMOA) and Greene Exhibitions and group exhibitions at several international museums and galleries including the J. Paul Geexhibitions include Christine König Galerie, Los Angeles Museum of Art (LAMOA) and Greene Exhibitions and group exhibitions at several international museums and galleries including the J. Paul GeExhibitions and group exhibitions at several international museums and galleries including the J. Paul Geexhibitions at several international museums and galleries including the J. Paul Getty Museum.

His works were also featured in several group exhibitions at international institutions, including The Promise of Literature, Soothsaying and Speaking in Tongues at de Vleeshal, Middelburg; Performance as Publishing at Kunsthalle, Basel; David Roberts Art Foundation, London; Haus der Kulturen der Welt, Berlin; MHKA, Antwerp; and Kunsthalle, Bern.

Mellors has been featured in several important group exhibitions including British Art Show 7: In The Days of the Comet, touring: The Slaughterhouse, Plymouth; CCA, Glasgow; Hayward Gallery, London (2011); La Biennale di Venezia - 54th International Art Exhibition — ILLUMinations, Venice, Italy (2011); Un» Expressione Geografica, Fondazione Sandretto Re Rebaudengo, Turin, Italy (2011); and Altermodern, Tate Triennial 2009, Tate Britain, London.

CC's global - wide LGBT network, Arcus, is especially active: the group recently organized Pride art exhibitions in both DC and New York, as well as several international offices.