I was not solely thinking about Ebert's essay (he hasn't written a review that I have seen so far), but also Tod Browning's FREAKS which even has a bit of a similar ending, Sam Fuller's Naked Kiss which has the female lead «realize» a horrific situation at the and
several modern films.
Not exact matches
Treating a fracture is among the cheapest interventions in
modern medicine: Perhaps we would have saved the cost of a few cartons of plaster - of - Paris bandages,
several dozen calico arm slings, and
several cases of radiography
film.
Weeks 11 - 14 — An examination of
modern birthing practices and the impact of technological interventions during gestation and childbirth (including review of
several pertinent
films including Pregnant in America and The Business of Being Born).
Pieces from
several Marvel Studios releases, as well as director Taika Waititi's
film, are on display at Marvel's Art Exhibit over at the Queensland Gallery of
Modern Art in Brisbane, Australia.
Earning back its budget
several times over, the much - watched, much - quoted
film quickly etched a place in the cultural zeitgeist alongside Animal House and The Blues Brothers as
modern marvels taking funnymen from «Saturday Night Live» to heights and distances that weekly sketch comedy TV couldn't.
Indeed, seeing this
film amidst the present climate, I doubt I'm the only one wishing that Tom Wilkinson's indefatigably incisive Richard Rampton QC might be put to work combating
several leading politicians in Ms Lipstadt's
modern - day America.
Several films this year, and every year in the
modern age of the Yelpification of
film critics, will hopefully bypass the so - called critics and head straight to the people.
Instead, critics focused on
several films that weren't even in competition, and the results suggest that a broader look at the program reveals a keen window into
modern times.
While this histrionic type of
film may have been common in the past, Sally Potter tackles the concept with
several modern and refreshing adjustments, as it is at the same time stylistically theatrical yet utterly naturalistic.
The set contains two of
modern cinema's most charming gems,
films that illustrate Pixar's revolutionary computer animation is matched by their clever screenwriting and original concepts, plus
several hours of genuinely entertaining bonus features.
After the release of the first trailer,
several outlets criticized the
film for not staying true to the source material, feeling it was too low - brow and
modern.
Apsara DiQuinzio, our Curator of
Modern and Contemporary Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small - scale MATRIX shows in the works, and we are doing
several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's
films [Covered in Time and History: The
Films of Ana Mendieta, on view November 9, 2016, through February 12, 2017].
He has directed
several films including 2084: A science fiction show (2012 - 2014) with Pelin Tan, which has been exhibited at the Bergen Assembly (2013), La Biennale de Montréal (2014), the Istanbul Biennial (2015), Home Works 7, Beirut (2015) and the Museum of
Modern Art, Warsaw (2016).
Sherman also curated the «All Roads
Film Festival» for National Geographic and
several animation and
film programs for the Museum of
Modern Art, New Victory Theatre NYC, Annecy
Film Festival and Los Angeles
Film Festival.
«A sculpture incorporating a metal platform and a wedge of congealed petroleum jelly [is] the remains of Drawing Restraint 13: The Instrument of Surrender, a
filmed performance executed behind closed doors on Sunday, Apr. 2, during which Barney emerged from a crate atop the platform dressed as General Douglas MacArthur, fell into the jelly and then proceeded to sign
several of his works with the aid of two actors (the
film of DR13 will be released at the upcoming «Drawing Restraint» overview at the San Francisco Museum of
Modern Art»
Her
films are shown internationally in art context and she had
several solo shows including at Kunstraum Düsseldorf (2013), Kunsthalle Frisch Berlin (2012), Galerie Lena Brüning, Berlin (2010/2008), STUK Kunstencentrum, Belgium (2007), Nomadeoase Hamburg (2003) and group shows amongst others in Tate
Modern London, White Column New York and Kunsthalle Zürich.
Rudolf Frieling, Curator of Media Arts at the San Francisco Museum of
Modern Art, developed an interest in Bruce Conner's work soon after relocating to the Bay Area and has subsequently acquired
several of the artist's
films for the museum's collection.