Sentences with phrase «several modern groups»

Not exact matches

Pleides is a group of stars originally thought to be 5 - 7 stars, but with modern telescopes there are about 250 stars that are traveling together in space as if they are bound together.The belt of [in the contilation of] Orion is made up several stars that are constantly moveing in irregular paths as learned only by the use of telescopes.

And since modern societies commonly contain several religious groups, the notion of religious pluralism has been seen as analogous to or even synonymous with racial or ethnic pluralism.

The modern day Republican party is an amalgam of several groups - at least, today - with pretty different views on many things.

«Thus, both palaeo - anthropological and genetic evidence increasingly points to multiregional origins of anatomically modern humans in Africa, i.e. Homo sapiens did not originate in one place in Africa, but might have evolved from older forms in several places on the continent with gene flow between groups from different places,» says Carina Schlebusch.

For example, we can observe that when males are significantly bigger than females in modern primates, males are likely to live in groups with breeding access to several females.

By comparing DNA from modern populations with the reconstructed genomes of Neanderthals and Denisovans, they discovered that several HLA variants from the archaic groups are still around.

Several modern mammal groups such as rodents emerged after the dinosaur extinction, and the fossils show their first members were small.

The striking uniformity in the sleep duration and habits of three far - flung groups in Bolivia, Tanzania, and South Africa busts several myths about how much sleep our ancestors got — and what is optimum for modern humans, says Jerome Siegel, senior author of the study and a neuroscientist at the University of California (UC), Los Angeles.

The team discovered that the genes responsible for the regulation of NRL became more refined in the placental mammals as the modern retina evolved and were lost in several non-mammalian groups.

The idea was to cover communities as varied as hunter - gatherer groups comprising no more than several dozen people and modern communities of several thousand members.

Similarly, several groups are working on public health systems that empower communities to deal with most of their health issues, through combining traditional and modern systems, and through strengthening the links between safe food and water, nutrition, preventive health measures, and curative care.

In 1966, several years after his stark, expansive «black paintings» stole the show in a group exhibition at New York's Museum of Modern Art titled «Sixteen Americans,» Frank Stella said of his work, «What you see is what you see.»

Additionally, his work has been included in several group exhibitions including Ocean of Images: New Photography 2015 at The Museum of Modern Art, America Is Hard to See at the Whitney Museum of American Art, and Shine a light / Surgir de l'ombre: Canadian Biennial at the National Gallery of Canada.

She has held numerous solo exhibitions throughout Europe and the United States, and her work has been included in several group shows at the Museum of Modern Art in New York, Documenta XI in Kassel, and the Museum Ludwig in Cologne.

Several galleries, notably Pierre Matisse and Julien Levy, began showing the work of European Surrealists on a regular basis, while major group exhibitions, such as Fantastic Art Dada and Surrealism at the Museum of Modern Art in 1936, brought it to the attention of a larger audience.

By his death in 1998, D'Arcangelo was the subject of many one - man shows at such influential institutions as the Albright - Knox Art Gallery (Buffalo), and the Institute of Contemporary Art (Chicago), as well as in several group shows at the Whitney Museum of American Art (New York), the Hirshhorn Museum (Washington D.C.), and the Museum of Modern Art (New York), where Pegasus was shown in their 1965 - 66 exhibition, Around the Automobile.

Comprised of multiple boxed beehives storing several thousand glass test tubes filled with everything from mundane debris to tiny yet fully realized art projects, the installation — accompanied by a soundtrack citing a seemingly endless list of contents — ponders modern culture's fixation on individual work ethic, systematic group labor and the cumulative effects of production en masse.

Fuchs has been included in several important national and international group exhibitions at venues including the ICA at MECA, Portland, Maine (2017); Texas Gallery, Houston TX (2016, 2010); Sala Diaz, San Antonio, TX (2014, 2001); McClain Gallery, Houston, TX (2012); Lisa Cooley, New York, NY (2010); Inman Gallery, Houston, TX (2010, 2000); Museum of Fine Arts, Houston, TX (2008, 1997); Diverseworks, Houston, TX (2007, 2005, 1999); Arthouse, Austin, TX (2006, 1997); University of Texas, San Antonio, TX (2005); Dallas Contemporary Arts Center, TX (2005); Contemporary Arts Museum, South Florida, Tampa (2002); New Orleans Museum of Art, LA (2001); Modern Art Museum of Fort Worth, TX (2000); Contemporary Arts Museum, Houston, TX (2000, 1998); Arlington Museum of Art, TX (1998); British Council Window Gallery, Prague (1998); Whitechapel Art Gallery, London, UK (1996); Cornerhouse, Manchester, UK (1992 - 93); and the ICA, London, UK (1992 - 93).

Beveridge has also participated in several group exhibitions at Off Vendome (New York), Spinello Projects (Miami), Galerist (Istanbul), Glasgow International (Glasgow), Hayward Gallery (London) and at the Arnhem Museum of Modern Art (Arnhem).

Despite its half - century historical sweep, in essence «The Painting of Modern Life» felt like an intimate group show, presenting several works by each of the 22 featured painters, sequenced and hung with intelligence and restraint, never forcing the argument but letting the arrangement suggest its own rich conversation.

Ronay has recently been included in several notable group exhibitions, including «Phantasmania,» at the Kemper Museum of Contemporary Art, Kansas City, and the traveling exhibition «Uncertain States of America: American Art in the 3rd Millennium» which originated at the Astrup Fearnley Museum of Modern Art in Oslo, Norway.

Several key groups are brought together for the first time, such as Tate's Four Seasons (1993 — 94) with those from the Museum of Modern Art, New York.

She has exhibited in several important group shows including Istanbul Biennial (2003); Whitney Biennial and São Paolo Biennial (2004); the Biennale of Sydney and the Museum of Modern Art, New York (2006); British Museum (2010); and Documenta XIII, Kassel (2012).

In my young artistic career I've participated in several group and solo exhibitions, including a collaboration with European Museum of Modern art in Barcelona where 5 of my drawings were exhibited.

Her work has also been shown in several major group exhibitions at venues such as the British Museum, London; the Istanbul Modern Museum; Museum Boijmans Van Beuningen, Rotterdam.

Rosler has participated in group exhibitions at institutions including the Centre Pompidou, Paris; Museum of Modern Art, New York; the International Center of Photography, New York; Fotomuseum Winterthur; the Reina Sofía, Madrid; Skulptur Projekte Münster 07; documenta 7 & documenta 12, Kassel; several Whitney Biennials, New York; the Venice Biennale; Nederlands Fotomuseum, Rotterdam; Tate Modern, London; Museum of Contemporary Art, Los Angeles, the Singapore Biennial 2011; and many other international and national venues.

Several of these pictures were featured in a solo exhibition at Wüstenblume Gallery, Trier (Germany) in 2005 and in a group show at G. Sciortino Modern Art Gallery in Monreale (Italy) in 2007, where one was awarded...

Several of these pictures were featured in a solo exhibition at Wüstenblume Gallery, Trier (Germany) in 2005 and in a group show at G. Sciortino Modern Art Gallery in Monreale (Italy) in 2007, where one was awarded the City of Monreale Cultural Department's Special Prize.

Juan J. González (b. 1942, Camagüey - d. 1993, New York): The super-realist artist Juan González participated in group shows such as Painting and Sculpture Today ‑ 1974 at the Indianapolis Museum of Art; Looking Inside: Latin American Presence in New York; Ancient Roots / New Visions, which traveled to several cities in the United States; Hispanic ‑ American Artists of the United States, at the Museum of Modern Art of Latin America in Washington, D.C., The Figure in the Twentieth Century at the New York Academy of Design, Outside Cuba, The Miami Generation traveling exhibition and the Cuba - USA: The First Generation traveling exhibition.

Efraim Oliver (b. 1930, Matanzas): An architect by profession and training, Oliver has had several one - man shows and has participated in group exhibitions at the University of Miami, the Museum of Science in Miami, the Society of Four Arts in Palm Beach and the Museum of Modern Art of Latin America (OAS) in Washington, D.C., among other venues.

His work has been shown in several group exhibitions at venues such as Solomon R. Guggenheim, New York; MoMA PS1, New York; Tate Modern, London; and MOCA, Los Angeles.

Her work has been shown in several group exhibitions at venues such as Musée du Louvre, Paris; Drawing Center, New York; and Tate Modern, London.

His work has been shown in several group exhibitions at venues such as Tate Modern, London; Van Abbemuseum, Eindhoven; MOCA, Los Angeles; and MoMA, New York.

His work has been shown in several group exhibitions at venues such as Tate Modern, London; MoMA, New York; Centre Pompidou, Paris and Museum Boijmans van Beuningen, Rotterdam.

His work has been shown in several group exhibitions at venues such as Tate Modern, London; Stedelijk Museum, Amsterdam; Museum Abteiberg, Mönchengladbach; and Palais de Tokyo, Paris.

Stella rose to prominence in 1959, when several of his Black Paintings were included in the group show Sixteen Americans at The Museum of Modern Art, New York.

Her films are shown internationally in art context and she had several solo shows including at Kunstraum Düsseldorf (2013), Kunsthalle Frisch Berlin (2012), Galerie Lena Brüning, Berlin (2010/2008), STUK Kunstencentrum, Belgium (2007), Nomadeoase Hamburg (2003) and group shows amongst others in Tate Modern London, White Column New York and Kunsthalle Zürich.

In addition to receiving this solo showcase, Williams has recently participated in several important group exhibitions, including «Soul of a Nation: Art in the Age of Black Power,» at Tate Modern in London.

Khan has had solo exhibitions internationally at the Museum of Contemporary Canadian Art, Toronto, K20, Dusseldorf and the Gothenburg Konsthall, and has participated in several group exhibitions including at the Solomon R. Guggenheim Museum, New York, Tate Britain, London, Hayward Gallery London and the San Francisco Museum of Modern Art, among others.

Oppenheim's work has also been featured in several prominent group exhibitions including Light, Paper, Process: Reinventing Photography, The Getty Center, Los Angeles (2015), Photo - Poetics, Deutsche Bank Kunsthalle, Berlin and Solomon R. Guggenheim Museum, New York (2015), The Dying of the Light: Film as Medium and Metaphor, MASS MoCA, North Adams, MA (2014), AIMIA AGO Photography Prize Exhibition, Art Gallery of Ontario, Toronto (2014), and New Photography, Museum of Modern Art, New York (2013).

New York also has several other ballet companies, and modern dance is represented by the Merce Cunningham Dance Company and other groups.

Chou's work was the subject of solo exhibitions at Fort Wayne Museum of Art in Indiana and d.e.n. contemporary in West Hollywood, CA, and her work has been included in group exhibitions at Contemporary Art Center, VA, Museum of Modern Art, NY, and several southern California venues.

The artist has participated in several group exhibitions, including «Lugar Algum» (SESC Pinheiros, São Paulo, 2010), «Borderless Generation: Contemporary Art of Latin America» (Korea Foundation, Seoul, 2009), «Trilhas do Desejo — Rumos Artes Visuais» (Instituto Itaú Cultural, 2009), «Nova Arte Nova» (Centro Cultural Banco do Brasil, 2008), «Novas Aquisições» (New Acquisitions), «2006 - 2007 — Gilberto Chateaubriand Collection» (Museum of Modern Art of Rio de Janeiro).

She had a major retrospective exhibition at the Irish Museum of Modern Art in 2005 and most recently has taken part in several group exhibitions marking the legacy of Charles Darwin, most notably «Stage», Shrewsbury Museum and Art Gallery (2008) and BALTIC Centre for contemporary Art, 2009.

Her work has been shown in several group exhibitions at venues such as MOCA, Los Angeles; ICA, Philadelphia; Tate Modern, London; and Contemporary Art Museum, St. Louis.

Her work has been included in several international group exhibitions such as the 18th Biennale, Sydney; La Triennale: Intense Proximity, Palais de Tokyo, Paris; On Line, Museum of Modern Art, New York; Liverpool Biennale, Tate Liverpool; Manifesta 7, Trentino - Alto Adige / Südtirol; 7th Gwangju Biennale, Gwangju.

Advising on the commercial aspects of several major transactions in the media sector, including the acquisition by beIN Sport of Setanta Australia and the acquisition by Modern Times Group of Trace TV.