Sentences with phrase «several other artists working»

Not exact matches

Now he adds to his impressive body of work with this young - adult anthology of poems by Naomi Shihab Nye, Janet Wong, Douglas Florian, and several others, titled I Remember: Poems and Pictures of Heritage, with illustrations by multiple artists.
In Marbella, the Black Box Theatre offers plays in Spanish and English; the unusual Bonsai Museum features one of Europe's most important collections of Bonsai Trees; and the Museum of Spanish Contemporary Engravings exhibits works by Picasso, Miró, Tapies, Chillida and several other important Spanish artists.
Several artists said they wanted to see «how other artists are succeeding,» or to «find a community of working artists, so we can share tips, successes, failures, and generally support each other
Artists like David Hare, Ibram Lassaw, Adolph Gottlieb, David Smith, Willem de Kooning and several other artists are represented by Surrealist inspiredArtists like David Hare, Ibram Lassaw, Adolph Gottlieb, David Smith, Willem de Kooning and several other artists are represented by Surrealist inspiredartists are represented by Surrealist inspired works.
As NYPL's senior art librarian she curates exhibitions and events at New York Public Library where she has initiated several exhibition and program series featuring the work of emerging and renowned artists, authors, critics, designers and others.
Galerie Protégé in New York City's Chelsea neighborhood is currently presenting Natural Selection, a group show featuring work by 15 artists who present several paintings, collages, and other mixed media -LSB-...]
Although several sculptures employ crackle glaze and other nods to traditional pottery, the works in this exhibition are notable for the wide range of effects achieved with such contemporary materials as epoxy resin, catalyzed polyurethane, and high - gloss automotive paint mixed to the artist's specifications and applied with an airbrush.
Along with Ligon, Anatsui, Ofili and Thomas, there are a number of other black artists whose works (several with multiple lots) are up for auction across the three major houses, familiar names including Jean Michel - Basquiat, Mark Bradford, Nick Cave, Rashid Johnson, Kerry James Marshall, Julie Mehretu, Oscar Murillo, Chris Ofili, Martin Puryear, Lorna Simpson, Carrie Mae Weems, Jack Whitten, Kehinde Wiley and Kara Walker.
As critical responses to the exhibition emphasized, New York has long been an important source of inspiration and material for the artist, who first came to the city in 1960; the exhibition included the work I Love New York, Crazy City (1995 — 1996), a three - volume scrapbook of architectural photographs, maps, hotel bills, receipts, flyers, and other souvenirs that Genzken began composing during a stay of several months.
Among the responses to this entry, several artists have alerted me to other interesting rubber - band works.
More recently, Katz expanded his relationship with Colby, as well as several other Maine museums, with regular gifts of paintings and other works of art by contemporary artists through his own foundation.
She has edited several titles including the recently released Dorothy Iannone; You Who Read Me With Passion Now Must Forever Be My Friends, along with It Is Almost That: A Collection of Image + Text Work by Women Artists & Writers, Torture of Women by Nancy Spero, and The Nancy Book by Joe Brainard (co-edited with Ron Padgett), among others.
While his imagery has changed several times over the years, the artist characterized himself as being «from the beginning, a minimalist abstract artist, a geometric abstractionist, with no recognizable shapes in my work» — other than circles, which have always captivated his imagination as «the perfect shape.»
Several artists or their estates, including Robert Motherwell and Morris Louis, have donated major works and minor or preparatory works relating to these works and other acquisitions, thus encouraging this project.
Some present recent work by living artists spanning several generations; others showcase fascinating historical material of varying vintages.
In addition to paintings by several Gutai members, including Yoshihara, Atsuko Tanaka, Shozo Shimamoto, Sadamasa Motonaga, Kazuo Shiraga and Akira Kanayama, the exhibition includes examples of the Gutai journal and other publications; documentation of the 1958 Gutai exhibition at the Martha Jackson Gallery in New York, works by New York artists who related strongly to Gutai; rare videos of Gutai exhibitions and performances in Japan; and photographs of American artists — including Jenkins, Alice Baber, Robert Rauschenberg, Jasper Johns, and John Cage — visiting the Gutai group in 1964.
Some of those prominent «uptown» galleries included: the Charles Egan Gallery, [30] the Sidney Janis Gallery, [31] the Betty Parsons Gallery, [32] the Kootz Gallery, [33] the Tibor de Nagy Gallery, the Stable Gallery, the Leo Castelli Gallery as well as others; and several downtown galleries known at the time as the Tenth Street galleries exhibited many emerging younger artists working in the abstract expressionist vein.
Australian collector David Walsh commissioned the sale of Ofili's «The Holy Virgin Mary» along with several other works by various artists (including «The Naked Soul of Captain Shit and the Legend of the Black Stars,» another dung painting by Ofili) in order to raise funds for new acquisitions and the expansion of his Museum of Old and New Art.
, García will stage a new iteration of several ongoing performance works stemming from texts written by the artist, by others following the protocols given by the artist, or utilising and responding to iconic literary texts such as James Joyce's Finnegans Wake.
Several artists chose to curate the works of others, many whom are no longer with us.
While several of the works on view depict critical moments in an artist's career, others seem less representative, and one wonders how the curators made their selections.
Several mixed - media works by Brazilian artist Leda Catunda, a sculpture by Colombian artist Mateo López, and a series of photographs and related paintings by Mexican artist Pia Camil, among others, will now be part of one of the most comprehensive collections of Latin American art in the United States.
In addition, the exhibition features representative works from several of the artist's other series, including bodies of work created in large part through acts of destruction.
Several of the featured artists make work that is considered photographic but is camera-less, while, for others, photography has laid the groundwork for the moving image or functions as a jumping - off point for sculptural investigations.
Being a Viridian affiliate gives you the opportunity: • To show several pieces in a group show with 5 - 7 other Affiliates, akin to a mini-solo for each artist • To show one piece in the annual holiday group show • To post 10 work samples and a brief bio on the Viridian website • To have 10 pages of printed material in a binder in the gallery • To say you are a Viridian Artists Affiliate • $ 1,250 annually
She curates exhibitions and events at The New York Public Library where she has initiated several exhibition and program series featuring the work of emerging and renowned artists, architects, authors, critics, designers, poets and others.
«The Infinity Mirror Rooms are key to understanding her practice, and as such we are delighted to welcome it to Dallas, joining several other major works by the artist in our community.»
That work, and several others, found its way into 2008's inaugural exhibition of «30 Americans,» a group show that the Rubell's Web site claims focuses on «the most important African American artists of the last three decades.»
Six months after Franklin Sirmans took the helm of the Perez Art Museum Miami, the institution has announced a series of major acquisitions, including 100 works donated by Miami developer Craig Robins from his personal collection, as well as the Douglas and Bearden works, and several others by African American artists.
Her home is adorned by some potted plants, an oval mirror that appears in several paintings, a group of small works by other artists, sculptural objects by her former husband Bill King, and simple but handsome wood and caned furniture.
Several works here are by artists included in the historic Ninth Street Exhibition of 1951, mounted by Vicente and other Club members in a building that was slated for demolition — a kind of proto - alternative space that shifted attention away from the commercial galleries of 57th Street to the downtown artists» scene.
Several pieces by the artist Trixia Lara combine the mournful and celebratory tones of other works in the exhibition with a marked defiance in the face of the reality of gendered violence.
In 2007, film critic Jonathan Romney described Starr's new silent film Theda: «In a 40 - minute black - and - white film Theda British artist Georgina Starr, best known for her series of works inspired by the 1965 thriller Bunny Lake is Missing, pays tribute to this stormiest of divas and undertakes an archeology of gestural art of the silent - era actress (Theda Bara), drawing on the styles of several other now forgotten grande - dames, such as Barbara La Marr and Maud Allan... the film is divided into three parts «prelude», «act» and «epilogue»... but «prelude» is the real coup: in a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with such precision that any ironic distance evaporate.
In the years 1977 to 1979 Noffke, working with the University of Georgia and several other artists, put together three annual «National Ring Shows» featuring the younger generation of metalsmiths.
This exhibition running from the 3rd to the 27th May at the Jointure Studios will show works by Chris Aggs, Peter Archer, Mariella Baldwin, Imogen Baldwin, Day Bowman, Henrietta Dubrey and several other gallery artists.
For this year's exhibition, several artists will create site - specific works, while others will present paintings, photographs and documentary film.
In the work of Burgoyne Diller (1906 — 65), as well as in that of several other artists in the Spanierman show, it is surely possible to find a comparable degree of geometric severity.
In abstract painting during the 1950s and 1960s several new directions like Hard - edge painting and other forms of Geometric abstraction like the work of Frank Stella popped up, as a reaction against the subjectivism of Abstract expressionism began to appear in artist studios and in radical avant - garde circles.
The November 2017 Contemporary Day and Evening Sales at Sotheby's New York offered a wide - range of works by African American artists, several acquired decades ago and never exhibited, others produced recently by some of the most acclaimed artists working today.
Laure Genillard has been seminal to the practices of several British artists, whose work first showcased at her gallery, including Catherine Yass, Fiona Banner, Martin Creed, Peter Doig, Gillian Wearing, Simon Starling as well as many artists from Europe such as Maurizio Cattelan and Sylvie Fleury amongst others.
For many, including Roberta Smith, the well - known New York Times art critic, the piece «bore no trace of Mr. Sachs's hand» and «could have been the work of several other artists.
Like other artists whose work is on show here, Joseph is familiar with contexts outside the traditional art world; he has directed several music videos and recently came to public attention for his contributions to Beyoncé's 2016 «visual album» Lemonade.
In the second Behind the Scenes podcast produced on the occasion of the exhibition Renaissance to Revolution: French Drawings from the National Gallery of Art, 1500 - 1800, Grasselli talks to host Barbara Tempchin about the Gallery's exceptionally rich collection of 18th - century drawings by the major artists - Boucher, Fragonard, Greuze, and Watteau, among many others - each represented by several works of outstanding quality.
The class visited several museum collections in the region in order to examine other graphic works by the two artists.
She curates exhibitions and events at The New York Public Library where she has initiated several ongoing exhibition and program series featuring the work of emerging and renowned artists, authors, critics, designers and others.
Guided by several curatorial themes, P. 3's exhibitions, site - specific installations and new works address: The New Orleans Experience, Seeing Oneself in the Other, The South, Crime and Punishment, Movie going, The Carnivalesque, Abstraction, Visual Sound, and will seamlessly tie together the largesse of the show through commissions by several artists under the moniker, All Together Now.
Co-curated by Julie Beezy and Heidi Johnson, The Art of Toys features works by several artists of note, including Gary Baseman, Luke Chueh, Tristan Eaton, Ron English, Frank Kozik, Joe Ledbetter, Buff Monster, Anthony Ausgang, Paul Frank, SHAG, Junko Mizuno, Kathie Olivas, Brandt Peters, Mark Ryden, and Greg (CRAOLA) Simkins, among others.
Yet Mr. Crawford makes a memorable impression in the show's catalog, where each artist has been given several pages to use in any way: write a work, invite others to write, reproduce photographs or graphics.
Represent culminates with a wide - ranging array of portraits created by several generations of artists, from those active over a century ago to those making work today, as well as audio excerpts of interviews with contemporary artists Moe Brooker, Barkley L. Hendricks, Odili Donald Odita, Joyce J. Scott, and others.
All of the featured artists share a desire for a certain level of process or ritual in their forms, with works by Eric Amouyal, Ryan DaWalt, Robert Otto Epstein, Rico Gatson, Tamara Gonzales, Sheryl Oppenheim and several others.
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