Sentences with phrase «several shots in the film»

Not exact matches

In Uptown Kingston, where Departures has been shooting for the past several weeks, filming has been accompanied by some low - level grumbling about everything from parking to pushy production assistants.

Three major productions are currently shooting scenes in the area and a highly anticipated movie filmed at several local sites will be released next month.

The film was obviously shot in one day, but the cast and crew rehearsed for months to time their movements precisely with the flow of the camera while capturing the complex narrative, with elaborate costumes from different periods, and several trips out to the exterior of the museum.

Forster's manic editing style — at its worst in The Quantum of Solace (2008)- does turn that opening street rampage into a blithering mess of shakycam shots, reverse - swish - swoop pans and psycho - edits, but the film soon calms down, and there are several strong performances in the quiet scenes that buffer Lane's ongoing question for answers.

Sheen's next major success was also a comedy, the 1991 military - film satire Hot Shots, and while box - office blockbusters tended to elude him, Sheen worked steadily over the next several years, and racked up a respectable number of box - office successes.By this time, Sheen had developed a reputation as a hard - living star who spoke his mind regardless of the consequences, but his fun - loving image began to take on a darker hue in the mid -»90s.

Going in step with the film's game vs. reality plot, several establishing shots have a tilt - shift effect, as if beginning as miniature diorama models on a game board, and a continuous shot of the group of friends playing a game of keep - away with a black - market Fabrege egg — a McGuffin — through every room of a mansion is a tense, energetic, elaborately choreographed bit of showing off.

Winterbottom, a Brit who's shot several films in India, carefully notes the local customs and mores that contribute to the young woman's tragic fall.

While several of the Angulo brothers have camera credits on The Wolfpack, this collaboration doesn't for the most part inform the filmmaking in any noticeable way, and only in these final moments, when under the credits we see a short film that Mukunda, now an aspiring filmmaker, shot with the help of his family, can they be seen to assert a style of their own onto the film.

With Shirkers, Sandi Tan (also a first - time filmmaker) revisits the long - lost footage from her unfinished narrative feature shot in Tan's native Singapore in 1992, also called Shirkers, and in the process reckons with both why the film was never finished and how several relationships were forever changed in its wake.

The official Infinity War trailers include several shots that aren't in the film.

And she may not even end up in Ben - Hur, as The Wrap reports that she's in demand for several films looking to kick off shooting early next year.

It's more of a film essay / personal visual statement than strict documentary, collecting Johnson's various footage shot over several years and arranging it in a challenging, nonlinear fashion.

It's interesting to note that during filming Deakins invented a new type of a combination of lenses, appropriately dubbed «Deakinizers,» which he used to produce the effect of old camera footages in several transitional shots throughout the film.

It feels a bit familiar, combining elements from several other films — particularly Crimes and Misdemeanors — but it's also incredibly assured and one of the most exquisitely shot entries in his oeuvre.

And several nods to the Steven Spielberg's»80s classics seem to nod to inspiration; there's an introspective, steady approach to the way Spielberg shot the kids in a movie like E.T. that Reitman successfully modernizes for his own film.

We received the former for review, which contains a 2.35:1 transfer of the film in anamorphic video; the image is quirky in accordance with John Seale's cinematography: grain is overemphasized in several climactic shots, as if to ground the ludicrous plot machinations in some kind of hard - edged reality, while blacks are chalky throughout and detail has a filtered quality — a Lawrence Kasdan trademark.

Per Variety, the Han Solo film began shooting in February at London's Pinewood Studios and the film remains in production with several weeks of re-shoots scheduled for this summer.

Our setting is a small backwater community, yet catastrophes and contretemps fairly tumble over one another within minutes of the film's start: two members of the local constabulary gone missing, the several - days - ripe corpse of a young woman turned up at lakeside, another cop shot in the foot by a whacked - out hermit, and wait, is there yet one more dead woman to be discovered out there?

If it feels as if you've been hearing about Gangster Squad for ages, that's because the release was put back by several months when the Aurora cinema massacre in July last year prompted the filmmakers to remove a cinema - based shoot - out, which had been glimpsed in the film's original trailer.

It makes one wonder if Reynolds and his team shot several iterations of scenes in the film and are using some of the alternate cuts for the trailers and preview clips exclusively.

Adrien Brody is currently shooting Detachment in New York (Queens and Long Island), a film that chronicles the lives of several high school teachers, administrators and students as told through the eye of a substitute teacher.

The film, which was shot all the way back in 2013, has already been released in several overseas territories, mostly to middling notices.

Armed with nothing like innovation or intelligence at the script level, Kim lards The Last Stand with several inspired visual gags that culminate in a chase through a cornfield and one frozen, bird's - eye shot that gifts the film with a kind of wit it doesn't deserve.

I had a chance to chat one - on - one with Cheadle recently, about working up a multi-layered accent for the film, the subversive racial humor coursing through this most curious and entertaining little dramedy, and his work on a long - gestating movie about Miles Davis, which will hopefully begin shooting in several months.

Gertrud renounces external eventfulness in order to cultivate internal or imaginative eventfulness» — and using the (constant - and - never - moving as a way to allow viewers to focus on acting and the body rather than on technical formalist tricks, in fact, the shots are the longest technically allowable before the invention of digital shooting) camera merely as a functional recording - device rather than as an originator of instant meaning and knowledge as in Hollywood, this film remains the best summation of the truism that a longwinded presentation of several actors merely speaking for ten - minutes - a-scene while the camera does not move and no artificial and manipulative «cinematic language» is involved, in other words, the dreaded «merely filmed non-cinematic literature and theatre,» not only has a much greater capacity to teach than any Hollywood mode of filmmaking but is more dramatic than any car chase.

The film spent several weeks shooting in Dublin last year, providing 300 people with temporary jobs during principle photography, and Fassbender said he enjoyed the opportunity to work at home for a change.

Perhaps the only legitimately thrilling part of this look at the film is Mikkelsen's glowing, demonic, skin - peeling eye sockets, which flash around at the screen in several creepy shots.

Craig Gillespie's rollicking retelling of infamous figure skater Tonya Harding's rise and fall might take several dramatic liberties (peep the new trailer for a bloody - faced Margot Robbie mugging for the camera in one shot while brandishing a shotgun in pursuit of Harding's ex-husband, Jeff Gillooly, in another), but, at its core, I, Tonya is a film rooted in the rich, real - life story of a deeply troubled athlete fighting for her place in the world.

The film will be shot in several locations around the world, including London, New York, Hong Kong and Kathmandu, Nepal.

Several parts of the film are shot in split screen to show perspective and reactions of multiple characters at once.

The film pays extraordinary attention to the supporting actors, even cheating camera angles to give them the emphasis on two - shots; in several scenes, Cruise is like the straight man.

Warbeck is also fine in his role with him being effective if the slightly dumb hero in the film's zombie - filled climax, shooting a horde of zombies everywhere but the head despite having killed several of the coffin dodgers by turning their heads into craters.

Several Iranian films have been shot primarily on the road or in moving vehicles — possibly as a way of working inconspicuously?

This movie marks the feature debut for Arno Hazebroek, who has previously made several short films, such as «Intervention,» «KRYM» and «Lost Bullets,» that was shot in Colombia and qualified for pre-selection to the Oscars of 2012.

In several shots from 1974 that were filmed with a stationary camera, and in at least one shot from 1980, the picture develops a mild but unmistakable case of vertical jitters, with the image shifting up and down a single pixel or two from frame to frame, indicating some minor registration problems during the film - scanning or telecine procesIn several shots from 1974 that were filmed with a stationary camera, and in at least one shot from 1980, the picture develops a mild but unmistakable case of vertical jitters, with the image shifting up and down a single pixel or two from frame to frame, indicating some minor registration problems during the film - scanning or telecine procesin at least one shot from 1980, the picture develops a mild but unmistakable case of vertical jitters, with the image shifting up and down a single pixel or two from frame to frame, indicating some minor registration problems during the film - scanning or telecine process.

The most important thing to note about «Solo: A Star Wars Story» is that, in spite of its widely - publicized behind - the - scenes turmoil, culminating with the replacement of directors Phil Lord and Christopher Miller with Ron Howard several months into shooting, the film -LSB-...]

Located in a quiet, residential area, the European - style hotel was featured in the 1993 Woody Allen film Manhattan Murder Mystery, and it has hosted several other film and photo shoots over the years.

Several works were created at her home in Algeria, including a sound installation of field recordings and a silent film, shot on her mobile phone in Paradis Plage, Oran.

Michaelangelo Antonioni reappraised the process through his minimalist long shots depicting bodies passing in and out of the cinematic frame; while Akira Kurosawa's film Rushamon portrayed multiple viewpoints of several false witnesses who recount their perceptions of a crime, thus showing how evidence is constructed version by version rather than something chiseled in stone, or known by all.

The film traces the creation of the painting, «Freedom Rings,» from blank canvas to completion, and was shot entirely in the artist's studio over a period of several months giving a first hand view of Willis's creative process.

Filmed at an unoccupied London bank before being renovated by Hauser & Wirth gallery in 2002, and shot several months before the start of the Iraq War, the work features costumed players in the roles of President George W. Bush, Osama Bin Laden, and the Queen Mum (in three versions).

Like Mapping the Studio I, currently on view at DIA Center for the Arts, the footage is from the original material shot by Nauman's infrared video camera at 7 different studio positions, filmed over a period of several months in 2000.

Jeffrey Stockbridge's first solo exhibition at the gallery coincides with the publication of his book by the same name, and features several large format color photographs (shot with a 4 × 5 film camera) of men and women caught in the grip of drug addiction and prostitution along Kensington Avenue in North Philadelphia, Pennsylvania.

Shoot the Lobster (138 Eldridge Street) has several Super 8 films by Pooh Kaye in an exhibition called «Object Actions: 1975 - 1980» opening May 12, 6 to 8 p.m., and on view to June 18.

Participated in more than 100 photo shoots for catalogs that sold business supplies, acted in several commercials and films for use in corporate settings and developed a series of poses and looks based on -LSB-...] Continue Reading →