Sentences with phrase «several smaller exhibitions»

[9] They also hold regular study days and a large summer exhibition each year, as well as several smaller exhibitions during the course of the year.

BOX 13 has three large exhibition spaces, a window box and several small exhibition / installation venues.

Judd participated in several small exhibitions of his paintings in the early to mid-1950s, most notably at Panoras Gallery where he had his first solo exhibition in the summer of 1957.

Not exact matches

Apsara DiQuinzio, our Curator of Modern and Contemporary Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small - scale MATRIX shows in the works, and we are doing several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 2017].

Well known as a discerning art collector, he owns several small works by Harris, although none is in this show, which Martin says is the first exhibition to focus exclusively on great works from Harris's best - known period.

There are currently several small one - person and group exhibitions of women artists and installations of discrete works by women artists scattered around MoMA although perhaps secreted might more accurately reflect the stealth approach to the serious engagement with curation, presentation, and acquisition of works by women artists that the museum is currently engaged in.

The collection of works defy the standard structure of a curated exhibition or the trend to have several small solo groupings presented under one roof.

And he enriched his schedule with exhibitions of the esoteric and the overlooked, including the exquisitely rendered, sexually explicit homoerotic drawings of Tom of Finland, whose work he first exhibited in 1988, and the small, anonymous Tantric paintings on paper that he showed several times.

Norte Maar's property features a small farmhouse, a big barn, and several flat acres of lawn perfect for setting up exhibition tents and stages.

Opening tonight (Friday, April 26th 7 - 10 pm) is the inaugural exhibition at Et al., «Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict».

Included in the exhibition are approximately seventy works, varying in scale from small drawings to room - sized photographic installations to sculptures weighing several tons.

Formerly L&M Arts, the Upper East Side Mnuchin Gallery staged several solo exhibitions with the notoriously illusive and selective David Hammons before deciding to present this relatively small yet powerful retrospective — the first of its kind since MoMA PS1 mounted «Rousing the Rubble» in 1990.

Rosenberg has been included in several group and solo exhibitions throughout the US, predominately in small artist - run spaces.

Wim Botha participated in several international groupshows, e.g. at Museum für Moderne Kunst, Frankfurt / M (2014 - 15), at Museum Biedermann, Donaueschingen (2014), at the Venice Biennial (2013) and the Göteborg Biennial (2011), at the Olbricht Collection c / o La Maison Rouge, Paris / F (2011), at the 11th Fellbach Triennial of Small - Scale Sculpture (2010) and 7th Dakar Biennial (2006) as well as at the touring exhibition «Africa Remix «(2004 - 07) and many others.

His work has been the topic of several solo exhibitions including Walking on The Wall, Nahum Tevet Small Sculptures, 1980 — 2012, Tel Aviv University Art Gallery, 2012; Nahum Tevet, Museo d'Arte Contemporanea Roma (MACRO), 2008; Nahum Tevet: Works, 1994 — 2006, The Israel Museum, Jerusalem, 2007; Nahum Tevet: Take Two, Le Quartier, Center for Contemporary Art, Quimper, France, 2005; and Opening Moves, Nahum Tevet Sculptures, Museum of Modern Art, Ludwig Foundation, Vienna, 1997.

With 90 exhibitions and several hundred artists showing work inside an urban area smaller than the perimeter of Berlin's ringbahn, there is a glut of shows — the best of which are of two kinds: selected solo shows by strong local galleries, and energetic collective and group shows by emerging artists.

In the same year there were several solo exhibitions including: Small Survey: Small Scale at the Maxwell Davidson Gallery, and also at Gallery Camino Real in Boca Raton, Florida.

Elijah Burgher is an artist and writer based in Chicago, IL. He has most recently exhibited in a solo show at Shane Campbell Gallery in Oak Park, IL and a two - person exhibition at Peregrine Program in Chicago, IL. He will exhibit work in group shows at Johalla Projects in Chicago and Envoy Enterprises in New York this summer. He maintains a hybrid studio wall / magick diary blog at http://ghostvomit.blogspot.com/. Burgher co-founded and co-edited the now - defunct art publication BAT. He has written reviews and essays for ArtUS and several small art publications in Chicago, as well as contributed writing to Art: 21's guest blog. He received an MFA from the School of the Art Institute of Chicago in 2004, and a BA from Sarah Lawrence college in 2000, where he split his credits amongst Literature, Visual Art, and Cultural Anthropology.

My Pupil is an Anvil, Nathlie Provosty's second solo exhibition with the gallery, introduces the artist's newest body of work: five large paintings and several smaller pieces.

Following the walkthrough a small reception will take place with the curator and several artists featured in the exhibition.

Hassel Smith died five years after the question was asked, and in the ensuing years small museum shows in San Jose and Laguna, as well as several other exhibitions at private galleries have begun to fill in the gaps.

It brilliantly shows his talents, showcasing him as an artist, an activist, an historian... The exhibition is complemented by a small photo exhibition from several members of the Photographic Society of Mytilene, whose poignant images depict the journey made by refugees and migrants.

They decided to launch this small exhibition — just ten paintings — to explore art by several artists working independently in Communist - bloc countries after World War II — Romania, Croatia and Slovenia (the former Yugoslavia), Poland, and Czechoslovakia.

The exhibition will feature a large - scale in - situ installation as well as several smaller 3 - D works and collages.

In addition to numerous unique books made in 2011, the exhibition includes two comprehensive new series: One series, including several large - sized works, deals with the representational aspect of painting while the other series with smaller works questions the topic of time.

For example, several of the paper pulp works in the exhibition are based on Frank Stella paintings and the small sculptures are based on David Smith's «Cubi» sculpture series.

For example, several of the paper pulp works in the exhibition, on view Tuesday, Feb. 16 through Wednesday, April 20, 2016, are based on Frank Stella paintings and the small sculptures are based on David Smith's «Cubi» sculpture series.

Bisese will be creating several new works for this exhibition as well as displaying numerous small works that feature the artist's trademark cartoonish, hybrid animal - people.

This exhibition, her first full - scale one - person show in New York, came after more than a dozen other solo presentations, including a small backroom debut at this venue in early 2008 that offers several illuminating points of comparison.

This is clearly evident in several sculptures in this exhibition, including Steel Cloud (for Po Chu Yi), a reference to the Tang Dynasty poet also known as Bai Juyi, or in Titanium Landscape, which features an architectural element resembling a Chinese moon gate, or in a recent Untitled (2013) sculpture in which a small gong is suspended that can be struck with a rubber mallet, delighting the viewer with its gentle and sonorous tone.

However, interest in more recent international developments remained slight, as was shown by the cool reception given to several exhibitions - a small show of works by Monet, Pissarro, Renoir, Sisley, d'Espagnat, Maufra and Moret, held in the Amsterdam artists» society Arti et Amicitiae early in 1900; the large retrospective of Toorop in the Buffa Gallery in February 1904; and the Van Gogh retrospective in summer 1905 organized by Theo Van Gogh's widow in the Stedelijk Museum.

Presented as one exhibition across several venues, including locations beyond the Castle grounds, The Persistence of Objects creates a new way of experiencing Lismore through some compelling artworks, sited in the gallery and locations ranging from the imposing surroundings of St. Carthage Cathedral to small, disused shop units.

Presented as one exhibition across several venues, including locations beyond the Castle grounds, «The Persistence of Objects» creates a new way of experiencing Lismore through some compelling artworks, sited in the gallery and locations ranging from the imposing surroundings of St. Carthage Cathedral to a small, disused shop unit.

Smaller in scale than those paintings of her 2014 debut exhibition, the new work matches in surreal ebullience their predecessors, praised by Roberta Smith as «big, boisterous semi-abstract canvases (that) exude an impressive confidence... like close - ups of billboards or a tour through some outsize undergrowth in which nature has merged with several brands of abstraction, from early American Modernism to Color Field painting... (Silva) is already is tackling a lot with an astuteness and aplomb that make her a painter to watch.»

In the form of several small «exhibitions within the exhibition,» a series of new works by Richard Tuttle will be presented, spread over three halls on the second floor of Lysverket.

The most successful and mesmerizing use of technology in this exhibition is Hockney's multi-screen video works, and in a room at Tate Britain titled «The Four Seasons», visitors can enjoy a truly immersive experience surrounded by 4 screens, each made up of several smaller screens, and each showing carefully edited footage of a different season in the same stretch of road at Woldgate, near Bridlington in Yorkshire in 2002.