Sentences with phrase «several viewers with»

Not exact matches

A door opened for a broadcasting career with the BBC, and it wasn't long before I was covering weekly shows, like Match of the Day, for several million UK viewers.

To get around this problem with religious TV viewers, the Annenberg researchers went to several previous months of Arbitron television viewers «diaries, looked up the actual programs watched by day, hour and channel in the TV Guide, and thereby identified «confirmed viewing» — in other words, what people really watched.

If you want to maximize your publicity and get viewers tuning in to watch you fight, you need more than just fight, you need to connect with the viewer on several levels and engage them so that they tune in and pay for the cards you're on.

UPDATE from LIZ: Several readers / viewers have written in to correct an error I made during my interview with Josh.

Several journalists in and out of the Ashanti region, relations, listeners and viewers of the station trooped to the premises of the station to commiserate with them over the loss.

Yet somewhere in the last several years of Doctor Who, viewers have been hit over and over again with the subliminal message women are better than men.

Although it moves along at an incredibly sluggish pace, Beauvois manages to keep the viewer engaged through his delectable direction, breathtaking images of the Limousin countryside, and with the help of several outstanding performances from his cast of leading women.

It's equally clear, however, that the rampant lack of subtlety within the script plays a substantial role in the movie's downfall, with the inclusion of several laughable plot developments and twists sure to leave even the most laid - back viewer furiously rolling their eyes in derision (ie Rachel doesn't even seem to be trying to hide her maliciousness from Anna).

With several geographical inaccuracies throughout, they couldn't have been expecting viewers to ever have been to Ireland in real life.

This restored edition features a relatively new video transfer, along with several new audio transfers to ideally bring viewers the best viewing experience possible for this landmark film utilizing some of the earliest of visual effects for the sake of an imaginative feature.

Sometimes the music suits the recollections and scene snippets, but often the wall - to - wall material is overbearing; several lighthearted and humorous anecdotes are underscored with brooding material, which immediately distracts the viewer, and editorially makes no sense.

From there, once it's successfully dazzled the viewer with enough technological firepower to keep Roland Emmerich and Michael Bay busy for several lifetimes, it's mission should be, ahem, accomplished.

Without giving too much away, the film loses focus in its final 30 minutes, seems to go in several different bizarre directions, only to leave viewers with an unfulfilling and oddly muted ending.

The story then takes viewers on watch with the cops over a series of several months.

The tone of the film shifts dramatically several times in the final 15 minutes, leaving the viewer with no clear emotional attachment.

One of the biggest questions we, along with apparently most viewers, had was how the induction system would work with the intake manifold sticking out several inches above the hoodline and the throttle bodies right up against the windshield.

Because these waters are known for their diversity, viewers often see gray whales, humpback whales, seals, sea lions, several species of dolphins along with an occasional orca whale pod.

When it comes to promotion, Capcom didn't forget the press — several outlets received an honest - to - goodness VCR with a custom tape begging the viewer to get his message to (insert outlet name here).

James Kalm has reported on the work of den Breejen for several years and brings viewers this walking interview with the artist as a recap of his latest body of work.

Many art viewers will be familiar with several key pieces in the show like Nan Goldin's photographs from Ballad of Sexual Dependency or Schneemann's Interior Scroll.

With an emphasis on community and accessibility, this show exposes the viewer to several lines of perspective revolving around the creation of an image.

Although the toile pattern is associated with joy and portrays an idyllic scene, its meaning is abruptly altered in Shooting Wallpaper as a shepherdess emerges at different moments from several sections of the wallpaper, to aim and shoot a gun in the direction of the viewer.

With the film and performance programs initiated this way, viewers can return several times to attend the array of performance acts, which insures an extended interaction with the public, a relationship to whom an institution is always beholWith the film and performance programs initiated this way, viewers can return several times to attend the array of performance acts, which insures an extended interaction with the public, a relationship to whom an institution is always beholwith the public, a relationship to whom an institution is always beholden.

My current show at Honfleur gallery May4 - june 8th consists of a sculptural installation with sound elements, a kinetic interactive sculpture, an immersive scent and light object, and several interstitial castings, along with light - works derived from these castings, mimic and sometimes manipulate viewers» body language by evoking gestural interactions between bodies.

The artists have examined the concept of the exhibition from diverse angles - the legacy of institutions which now sit uncomfortably with each other, the question of identity which oversteps fiercely guarded national borders with several challenges thrown to the viewer to ponder on what is deemed to be the «status quo».

Several other works in the installation will speak to the idea of displacement more directly, immediately confronting the viewer with the problematics of belonging and place.

In several drawings, one can clearly see what remains of ideas deselected; all this providing viewers with frequent «meta» moments, allowing us a glance into the artist's progress from start to finish.

For the first time, several figures confront the viewer with a mixture of anger, coldness, grief, persistence and distance.

Similarly, viewers are invited to interact via text message with several Untitled works from 2016 made of wallpaper, which were cut from the walls of their original presentation in San Francisco — their embedded speakers and prerecorded responses still operational.

Several cityscapes, such as «Another Night Through Storms» and «New York # 11,» hypnotize and pull the viewer in with strong orthogonal lines and a rhythmic array of mark - making.

The artist's intention is to establish a progressive path through several purposefully built interconnected environments which enables the viewer to experience the passage from a dimension of noise, chaos and visual saturation — expressing life in contemporary cities — to a neutral setting where he intends to conduct a methodical dissection of familiar urban components with recourse to the unconventional media and destructive techniques which he has been exploring in his work.»

The work as such is not grouped thematically within the several rooms of the gallery, but rather it is hung aesthetically within a very open white - walled space such that work in differing rooms and nooks and corners can communicate effectively with one another and with the viewer depending upon one's orientation.

This spring, several vivacious photo exhibitions take the stage that remind the viewer that photography is truly writing (or painting) with light.

Several more such signs reminding viewers to be gentle with this or that would be encountered as one wandered between the walls and under the ceilings constructed using Neto's signature stretchy translucent nylon that made up much of this show, which felt more like a multipart installation than a grouping of separate works.

This is clearly evident in several sculptures in this exhibition, including Steel Cloud (for Po Chu Yi), a reference to the Tang Dynasty poet also known as Bai Juyi, or in Titanium Landscape, which features an architectural element resembling a Chinese moon gate, or in a recent Untitled (2013) sculpture in which a small gong is suspended that can be struck with a rubber mallet, delighting the viewer with its gentle and sonorous tone.

The resulting works have entranced viewers and institutions for nearly 50 years, with Schenck's works owned by the Smithsonian Institution, Denver Art Museum, the Autry Museum, Booth Western Art Museum, Tucson Museum of Art, and several others.

Several hundred viewers, including dozens of scientists, filed complaints about the film's accuracy, impartiality and fairness with Britain's Office of Communications, or Ofcom, which among many duties monitors standards for programming.

Did you know that the built - in PDF viewer in Microsoft Edge received several new, useful features with Windows 10 Fall Creators Update?

He is a brain cancer activist known for the short films «The Assignment» and «Dear John McCain,» with several film projects in pre-production, such as «Maria Canje» (as well as the novel version, to be released soon) and «Ohneka,» a paranormal movie about a Native American vengeful spirit.Accordingly, he is currently leading the effort to curate a groundbreaking film called «Rise of the ICO,» which will provide viewers with a multiple - perspective look at how the crypto world is evolving.

In the 30 - second ad, viewers see and hear testimonials from several individuals about their experience with their Realtor.