Sentences with phrase «several walls of the gallery»

Each artist claims a room or several walls of the gallery, though there is some interplay.

Not exact matches

My goal was a sense of compression by hanging several paintings close together on one wall, while the rest of the gallery was relatively spaced out.

The installation by McElheny at the Hessel Museum, described by Roberta Smith as «brilliant», included re-conceived wall paintings and drawings that McElheny created in several of the galleries according to the particular specifications of Palermo's original, yet now destroyed, works.

Over the course of several days, moist porcelain from Cornwall, U.K., where the artist was born, will be laid over the gallery walls — covering an expanse 13 feet in height and over 140 feet in length.

His work has been the topic of several solo exhibitions including Walking on The Wall, Nahum Tevet Small Sculptures, 1980 — 2012, Tel Aviv University Art Gallery, 2012; Nahum Tevet, Museo d'Arte Contemporanea Roma (MACRO), 2008; Nahum Tevet: Works, 1994 — 2006, The Israel Museum, Jerusalem, 2007; Nahum Tevet: Take Two, Le Quartier, Center for Contemporary Art, Quimper, France, 2005; and Opening Moves, Nahum Tevet Sculptures, Museum of Modern Art, Ludwig Foundation, Vienna, 1997.

The installation comprises 22 granite stones juxtaposed with several minimal columns of ultramarine paint applied directly to the walls of the Marian Goodman Gallery.

Several of Burden's other performance pieces were considered somewhat controversial at the time: another «danger piece» was Doomed (1975), in which Burden lay motionless in a gallery at the Museum of Contemporary Art, Chicago under a 5 ft × 8 ft (1.5 m × 2.4 m) slanted sheet of glass near a running wall clock.

The new site - specific work occupies all four walls and the floor of the gallery's main exhibition space, with immersive room - wraps and several new vinyl works.

Sandra Cinto presented «Piece of Silence» at the Tanya Bonakdar Gallery, an installation of a bronze flute and several white string instruments hanging on walls that were drawn with parallel lines reminiscent of musical scores.

In terms of the wide range of media employed, the show looks like it could have been made by several different artists: sculptures similar to the ones shown a the Whitney occupy one gallery; another room boasts huge, scribbly pencil drawings on walls that surround a replica of a hearth («the traditional focal point of the American home»); in another, stacks of mannequins wearing identical outfits and wigs create a chute through which you can walk to view floor - facing monitors screening videos featuring the real - life character the mannequins seem to be modeled after (the artist's mother).

Projected video documentation of several interactions dominates the far gallery wall, and captures the visuals behind the sound, noise, and music from collaborations along the way.

Several dozen drawings line the walls of the main gallery.

The installation Chalk Bike at Lehmann Maupin Gallery in New York comprises an accurate replica of a bicycle in white chalk and, on a black wall, several chalk drawings of bicycles, which, together with the object, suggest motion.

Setting the tone for severity, the artist commandeered the Brutalist ambience of the gray, cinderblock - enclosed courtyard adjacent to the gallery entrance with a prominently placed, bodily scaled, faux - concrete - and - asphalt work from 1994, Cell with Conduit, thrust several inches out from the wall by a hefty steel armature.

Several walls at the Hayward Gallery were taken down to take in the full scope of this Martin Creed show; less a survey, more a glorious tour of this Turner prize - winning mind.

Inside, a minimalistic configuration of white pedestals and a partition wall convey a curious sense of vacancy, while several pairs of binoculars at the center of the gallery inquisitively suggest closer looking.

Elijah Burgher is an artist and writer based in Chicago, IL. He has most recently exhibited in a solo show at Shane Campbell Gallery in Oak Park, IL and a two - person exhibition at Peregrine Program in Chicago, IL. He will exhibit work in group shows at Johalla Projects in Chicago and Envoy Enterprises in New York this summer. He maintains a hybrid studio wall / magick diary blog at http://ghostvomit.blogspot.com/. Burgher co-founded and co-edited the now - defunct art publication BAT. He has written reviews and essays for ArtUS and several small art publications in Chicago, as well as contributed writing to Art: 21's guest blog. He received an MFA from the School of the Art Institute of Chicago in 2004, and a BA from Sarah Lawrence college in 2000, where he split his credits amongst Literature, Visual Art, and Cultural Anthropology.

Several months before the opening, the curator invited all of the artists to design four pages in the catalogue and thus to present current works and ideas on the book's pages, similar to the walls of a gallery space.

The work as such is not grouped thematically within the several rooms of the gallery, but rather it is hung aesthetically within a very open white - walled space such that work in differing rooms and nooks and corners can communicate effectively with one another and with the viewer depending upon one's orientation.

In the upper gallery, several chipboard panels from 1987 are painted with industrial paint, leaning against each other and against the wall, indicating possibilities for adding to, or taking away from, an existing arrangement of panels.

Indeed, on the cerulean - blue walls of the Kasmin gallery are a small museum's worth of paintings by Magritte, Brauner, Mata, Cornell, Warhol, Copley, and Ernst, and several early works by Kasmin gallery artist Francois - Xavier Lalanne — all gathered by the show's cocurators, Vincent Fremont and Adrian Dannatt, who do not want the memory of Iolas to fade without refreshing the history.

In a monumental salon - style presentation using 18 feet of the gallery walls, the show presents several bodies of work made throughout the past five years that highlight Stuckey's preoccupations with creating an entirely new pictorial language.

The exhibition features work from every period of Jackson's career, including several wall works from the period 1969 — 1988 made by pushing heavily paint - coated canvases across gallery walls, another terrific innovation of the painting process.

Each wall piece contains a tin oxide used in smart phones, one crystal of Cassiterite, and several rare earth magnets, combining to change the «electromagnetic charge of the gallery space».

The main walls of the first gallery are framed in several layers of paint, with dark brown, white, and light green delineating only the corners.

Artist and co-founder of New York's Tomorrow Gallery, Aleksander Hardashnakov shows several small drawings pasted to the walls and interior piping, Adam Shiu - Yang Shaw's «Yucca Rose» and «Beyond Quartzite» are also on the walls, coming out like small cliffs on a bigger cliff face.

The artist spent several days chewing and regurgitating pages of the titular newspaper while perched atop a toilet on an elevated platform, washing the pulp down with milk and ketchup, and expectorating it onto the walls and floor of the gallery.

Martin also refuses to assume that paintings must hang on interior walls; he will install several works «in» this show in light boxes affixed to the exterior of the gallery, where they are exposed to the elements as well as the gazes of passersby.

His installation consists of two similar horizontal wooden structures which relate in color and height to several 12 - inch - wide horizontal bands applied with ordinary house paint on each gallery wall.

The gallery contains several large works in addition to a small studio archive behind two temporary walls — giving visitors permission to connect the inner workings of her process with the resulting, public canvas.

For this installation, which occupies all four walls and the floor of the Berlin gallery's main exhibition space, the artist has created one of her immersive room - wraps and several new vinyl works.

I JUST did a post about choosing pictures for a gallery wall... yours incorporates several of my ideas at once!