Sentences with phrase «sexy beast»

BBWs, those adorable creatures in the bodies of sexy beasts, are particularly difficult to get over.

I am sexy beast looking for a good time with a sexy black man.

Best moment in Sexy Beast for me is when Ray Winstone is driving Kingsley to the airport, they're delayed by some goats on the road and Kingsley asks why one goat is looking at him funny, with a look on his face and attitude that say he wants to get out of the car and kick the shit out of the goat.

That problem plagues Birth, the second film from Sexy Beast director Jonathan Glazer.

From 1979's Scum to 2011's Hugo, via gems like Sexy Beast, Nil By Mouth and The Proposition, British actor Ray Winstone has had a most extraordinary career.

As Sexy Beast opens, Gal (Ray Winstone) is sunbaking by the pool of his Spanish villa.

*** MAJOR SPOILER ALERTS FOR SEXY BEAST *** When it's kicking Ben Kingsley's coffin at the end and he goes «pffft» it reinforces that he's not impressed or scared by anyone.

Shane Black, a bright, experienced screenwriter directing his second movie, is an anonymous leader of a vast technical army, and the film's saving graces are Downey's Stark, a charming neurotic; Rebecca Hall, an old flame who seems to have taken a wrong turn but is infinitely more engaging than Stark's tiresome current girlfriend Gwyneth Paltrow; and especially Ben Kingsley, a big surprise in every sense as the villainous «Mandarin», his best performance since Sexy Beast.

Tiravanija's work features enamel lettering on a recent New York Times article with the headline, «Justices Overturn Texas Abortion Limits,» which the founders of Sexy Beast gave to him during a studio visit to discuss the benefit.

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One example of a director who will benefit from this setup is Jonathan Glazer, who despite having received much praise for his film Sexy Beast in 2000, has only added two more projects to his resume: Under the Skin and Birth (2004).

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(Picture: BBC) The premise behind Sexy Beasts is classic BBC3, examining an aspect of pop - culture, in this

In that regard, there's nothing particularly sexy about Sexy Beast, both physically and psychologically.

Sexy Beast comes the closest, but still falls short and Under the

Analysis: Director Jonathan Glazer turned a lot of heads with his debut feature, the gritty crime drama Sexy Beast, a movie that shocked and impressed with its unique story and characters, so the thought that his follow - up could fail to deliver on those very same elements is surprising.

Sexy Beast opens with him lazing by a pool, burning in the Spanish sun.

So while Sexy Beast may not quite reach the heights that it should, it is still an enjoyable watch.

Sexy Beast shows us what that something is.

In the fourteen years between Sexy Beast and Under the Skin, Glazer only made one film, a curious, bizarre little work starring Nicole Kidman and Danny Huston called Birth.

Sexy Beast x Virgil Abloh For Planned Parenthood — Good cause, powerful shirt,» nuff said.

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Polanski's gripping Death and the Maiden shows that, long before Sexy Beast, Ben Kingsley had already proved himself adept at playing psychotic madmen.

It's only this common theme that links these two films together, as aesthetically they couldn't be more dissimilar (his 2004 film Birth even tops Sexy Beast in the batshit - crazy department).

Sexy Beast manages to be the more visually arresting, as Glazer's talent for composition and impressionistic lighting furthers the intricacies of the film's characterizations rather than resting on sheer showboating.

In the critically - acclaimed indie SEXY BEAST, he gave another riveting performance by transforming himself into the dark, sinister and very handsome character Teddy Bass.

Ray Winstone is currently starring in 44 Inch Chest, which was written by Sexy Beast writers Louis Mellis and David Scinto.

Already a critical triumph, Glazer's feature - film return, nine years after Birth and 14 after Sexy Beast, will be with us on March 14.

If you're looking for a riotous, maddening, and genuinely surprising gangster flick, look no further than the twisted and vulgar Sexy Beast.

After being away for ten years, director Jonathan Glazer returns with his first film since 2004's Birth, his followup to debut Sexy Beast in 2000.

Then go home to your husband, that sexy beast Javier Bardem.

It's easier to blow this exulted emotion up than to pin it down but, casually, amid all the dangerous hustle and bustle, Sexy Beast absolutely nails it.

Glazer's earlier work includes the gritty British sun soaked Ray Winstone lead Sexy Beast.

A black widow blonde bombshell, Phyllis Dietrichson is a cynical sexy beast and Stanwyck, brilliant in the iconic role, had her reservations about portraying so stark a character.

This frightening, unearthly film is the most striking achievement yet by a director whose first two features Sexy Beast (00) and Birth (04) were not quite fully realized, but suggested a will to unearth the strangeness within familiar genre forms.

Well, lookie here, a sort of sequel to Jonathan Glazer's wonderful Sexy Beast.

I finally got around to catching Sexy Beast late last week.

Photos attached of Bill that sexy beast strolling around Mayfair on his mobile a couple of weeks ago.

From these roots, Sexy Beast slowly becomes a thriller.

The style of Revenge echoes the early thrillers of Jonathan Glazer, especially Sexy Beast, but its deliberate sense of pacing and stylish violence is all its own.

Opening to the unexpected strains of The Stranglers» 1977 single «Peaches» — a loping, keyboard - and - bass - driven song about ogling girls on summer beaches — Sexy Beast languishes over Winstone's Gal as his lotion - slathered frame bakes in the Spanish sun like a suckling over a spit.

Lodged somewhere between Ben Kingsley's prestige projects and his penchant for crude comedy, Sexy Beast casts the veteran actor as Don Logan, a bona fide sociopath who ultimately forces retired ex-con Gal (Ray Winstone) to take part in a sketchy London heist.

Fortunately Mellis and Scinto had another script handy, called Sexy Beast, which became Glazer's debut feature in 2000.