Black levels are deep and rich, and
shadow detail seemed very appropriate, with no loss of information.
Contrast was quite good, and
shadow detail seemed up to the task in this dimly - lit flick.
Black levels appeared fairly dark and rich, while
shadow detail seemed reasonably dense but not overly thick.
Figures are almost three - dimensional in appearance,
shadow detail seems limitless, and the colours pop without oversaturating.
Not exact matches
Black levels also
seemed dense and full, while
shadow detail was clear and appropriately opaque without any concerns due to shots that looked too dark.
Black levels
seemed very good, with consistently rich and deep tones, and
shadow detail was positive; the film offered many low - light situations, and these came through well.
Black levels
seemed deep and rich, while
shadow detail was appropriately heavy but not overly thick.
Despite a few stubborn pinholes and a very slight waxiness that
seems to affect
shadow detail more than fine
detail, the image is a revelation, lush and filmic and seductively colour - timed.
Patterning line and
shadow from tactical cuts, cardboard shapes, hand - drawn
details, and heavy washes of pastel, fluoresecent, or metallic gouache, the Los Angeles — based artist has cultivated a trademark abstraction that
seems poised some - where between the cohesive surfaces of hard - edge painting, the hasty marks of expressionism, and the shifting planes of collage.
At times, particularly in dark scenes, the image can look too bright, or
seem lacking in
shadow detail.
Google ends up dropping the exposure a little too much sometimes and hiding
shadow detail, while LG and HTC
seem to want to overexpose many of the shots above instead.