The elephant in the room is Jennie Livingston's 1990 vogueing documentary, Paris Is Burning, which casts a long
shadow over the film.
Not exact matches
Indeed human «existence,» so called, is nothing but a tenuous
film of
shadow - being stretched
over the great abyss of nonbeing.
She and more than 50 groups across the United States will launch high - altitude balloons to
film the moon's
shadow racing across the Earth and broadcast it
over the internet as it happens (eclipse.stream.live).
The «Batman» television show (1966 - 1968) cast a long, pop art - infused, camp
shadow over the property and, after the big budget failures of a series of superhero
films in the 1980s (some more campy than others) such as Howard the Duck (1986), WB apparently had cold feet.
Inventively structured, the documentary alternates between her early adulthood and her final months, her sad demise casting a
shadow over the story and giving the
film an air of classical tragedy.
Some are quick to deride this
film as a
shadow of Malick's previous work, but, if anything, it's the natural conclusion of the themes, narrative sensibilities and aesthetic he's built
over the last four decades.
A
film noir series is currently casting a long
shadow over the Omaha movie theater
Film Streams.
I am a list - maker, and a categoriser, and a lover of structure, and my best of the year list, this list, cast a long and absurd
shadow, and the judgement of whether a
film will be worthy of a last - minute inclusion ticks
over every second, growing louder as December arrives, poking at me like Poe's telltale heart.
The emotional, and comic intergenerational tale of adult siblings contending with the long
shadow their dad has cast
over their lives, the
film is the latest offering from writer and director Noah Baumbach.
The neighborhood lies in the
shadow of the new baseball stadium in Queens which,
over the course of the four seasons chronicled in the
film, is gradually constructed and finally open to the public.
Weekend — Andrew Haigh's the 2011
film of two young gay men who meet, have sex and talk — got all the acclaim a few years back, casting a long
shadow over Tom Shkolnik's underseen 2012 movie about a struggling stand - up comic (Edward Hogg) torn between his female roommate (Elisa Lasowski) and the boyfriend he met on the night bus (Nathan Stewart - Jarrett).
It's a moment of heavy emotional fallout, that resonates throughout the
film like Buddhist singing bowls, casting a
shadow over the remainder of A Quiet Place «s meditation on the challenges of parenting in troubling times.
The
film is set in various time periods (1881, 1904, 1922, 1945, 1966 and Lillian's time) and we cut back and forth between these years to build a picture of how the brutal violence that was present in 1881 casts a
shadow over everything that follows.
Set
over one summer, the
film follows precocious six - year - old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the
shadows of Walt Disney World.
The
shadow of Harvey Weinstein, the
film producer who has been accused of rape and sexual harassment by scores of women, still hovers
over Hollywood and global
film industry.
Hitchcock references are everywhere: in the names of Woodcock and Alma (the real - life name of Hitchcock's wife and collaborator), in the «Vertigo» - like references to the way the dead watch
over the living, and the way Hitchcock's 1940
film «Rebecca» casts an elegant
shadow over the entire
film.
The
film takes place
over a summer at the Magic Castle, a motel - cum - extended - stay complex in the
shadow of Disney World, focusing on Moonee (Brooklynn Prince, remarkable), a wild six - year - old, and Halley (Bria Vinaite), her equally uncontrolled mother.
MGM's new Special Edition DVD of the
film (that comes with a transparent «
shadow» sleeve
over the amaray case) contains both anamorphic and full screen versions, with crisp transfers that show some minor artifacting in a few solid backgrounds.
Appearing only in the first of three vignettes, Ali is tasked with creating a complex and compelling father figure who casts a
shadow over the rest of
film, inspiring our young protagonist to gradually mould himself in his image.
For
over two decades, Goodfellas has been casting its colossal
shadow over lesser 20th Century - set mobster - on - the - rise
films, making it easier to recognise the paler shades of the subgenre.
Directing with an even more restless energy than he showed in Kings and Queen, Desplechin sketches out a family tragedy, the untimely death of a first - born, that precedes the story by decades and then only overtly references it a few times, even as the
shadow of that death hovers
over the
film: in the cancer that family matron Junon (Catherine Deneuve) has been diagnosed with, in the fragility of her teenage grandson Paul (Emile Berling), and in the odd sibling dynamics that have caused eldest daughter Elizabeth (Anne Consigny) to, in effect, legally separate herself from her brother Ivan (Mathieu Amalric, in a mesmerizingly manic - depressive performance).
(Although only seen briefly in silhouette through the window of the Oval Office, Dick Nixon casts a long
shadow over the whole
film.)
But with the
shadow of #MeToo hanging
over its male - heavy In Competition line - up, a Netflix dispute still unresolved, and controversy - magnet Lars von Trier flying in with his latest
film and, no doubt, a sold - out press conference, there's plenty of unanswered questions swirling around.
Still, when Elizabeth Peyton in short hair leans
over her cigarette beneath striated
film noir
shadows, one has met an LA artist into stardom.
Over the years, the artist has used drawing, painting, colored - light projections, writing,
shadow puppetry, and, most recently,
film animation to narrate her tales of romance, sadism, oppression and liberation.
Malani's work is immersive and atmospheric, and includes 8 and 16 mm
film; acrylic and ink paintings
over transparent surfaces such as Mylar; sound, light and
shadow play.