West scanned a single sheet of paper thirty times; each resulting print contains subtle
shadows and marks caused by the handling of the paper
over time, as well as a black border created by the scanner's light
bleeding around the edge of the paper.
Making use of obsessive mark making to construct all
over patterns referencing the microcosmic are Creighton Michael's installation in which cast
shadows create delicate lines and Babe Shapiro's, soft
bleeding watercolor dots.