The grizzled veteran nom goes to two - time Oscar winner Robert Richardson for complementing the sardonic tone of Inglourious Basterds with hard lights and deliberate angles, casting dramatic
shadows over the actors «Äô mugs.
Not exact matches
McQuarrie layers the action
over several planes and drapes his
actors in
shadows, using darkness and flashes of color (like the billowing yellow dress that Ferguson wears or the blue lighting of the opera's set) to bring clarity to a logistically complicated series of fights and chases, measures and counter-measures.
I remember Brandon obsessing
over some horrible
shadow from a lamp in the middle of the frame, or a
shadow going across the
actor's face.
As the
actor playing Virtue, resplendent in a long white false beard, lectured Dissimulation on his deceitful ways — appropriately, perhaps, to an audience of lawyers — my attention wandered and I cast my eyes
over the
shadowed faces of the audience.