John Michael McDonagh's much - anticipated follow - up to first feature The Guard, Calvary certainly aims to
shake audience expectations, evidenced scarcely five seconds into the opening scene when our faceless parishioner delivers his ultimatum.
Not exact matches
Psycho is pulpy and sordid and perverse, shot in black and white on a low budget to give it the tawdry feel of a B movie, and directed with the impeccable craft of a master who knew how to shock the sensibilities and
shake up the
expectations of an
audience.
The addition of Sharlto Copley as a mercenary turned advocate of progression for third world countries gives the proceedings good opportunities to toy with
expectations of the
audience (keep in mind that none of the swerves are anything mind - blowing, but logically reasonable shifts that propel momentum forward and
shake the plot up), but again, his arc (along with everyone else's including Harold's) could have been better realized).