Sentences with phrase «shallow focus»

And how are they going to do up the political ladder with this much shallow focus.

There's a genuinely discomforting sense of the walls closing in around Kathryn as her investigation unfolds (Kondracki uses a lot of shallow focus of spaces behind Kathryn and often sets her to the extreme side of the frame to highlight the sensation).

Here director Jenny Gage and cinematographer Tom Betterton (they share the movie's possessive credit) use shallow focus to create a sense of intimacy around their subjects.

We perceive the huge structures as miniature because of the blurring created by Barbieri's overly shallow focus, says visual neuroscientist Ray Phinney of Wheaton College in Illinois.

Whatever the case, this overuse of shallow focus does stand as a metaphor for the failings of a film filled with some fine performances, nice costumes, and occasionally fine writing, yet completely lacking in clarity of purpose.

Director László Nemes shoots Son Of Saul in extremely shallow focus, keeping the horrors of the gas chambers barely visible in the background; the focus is on Saul, who dominates the frame throughout.

The visual style — the orange - and - blue color scheme, the elegant «Scope compositions, the graceful tracking shots, and the shrewd use of shallow focus — has been reproduced almost perfectly from John Carpenter's original, yet the wit and intelligence are gone.

A little girl slumped on a chair in shallow focus can barely tolerate the photograph, but two others pose eagerly, in front of a fancy car.

At three minutes in length, this ad might run a little long, but it beams with slick editing and some hallmark features of web - ready videos: handheld camera work, shallow focus and an emphasis on pitch - perfect music.

That's a technologically specific close - up, a long lens with a shallow focus, which has unique qualities.

Nevertheless, the sidestepping of cliche is refreshing, and the combination of shallow focus and deep contrast lends a depth to the image that is suitably cinematic.

No, their interests are shallow focused; so much, that it blinds them to everything else.

In conjunction with Tytelman's installation, Koester presents a shallow focus film, Ghost Mantis (2016), which, while it reveals the insect's camouflage, also clouds the jungle behind; thus, the camera itself facilitates an act of dissimulation not unlike the mantis».

The secondary lens is a telephoto one with a narrow field of view and shallow focus, making it ideal for portraits.