Tate Britain investigates how the British Empire
shaped artistic production and collection via 200 artworks from the 16th century to the present day.
Not exact matches
A look at this week's art news, including the exhibition «Art in the Age of the Internet» at the ICA Boston which explores how the internet has
shaped contemporary culture and
artistic production.
It posits a transnational generational formation of cultural producers aligned with leftist movements and ideologies — specifically, those whose politics are anti-capitalist, anti-imperialist, and decolonial — and whose
artistic production is
shaped by social transformations brought about through neoliberalization and the influence of recent subaltern - popular movements.
Its focus on
artistic programmes will enable different actors to expand on present - day research interests, modes of
production and display, and how these curatorial practices can
shape the institution that generates them.
In five decades, the Goodman Gallery has played a vital role in forging change through
artistic production and dialogue,
shaping contemporary art within and beyond the continent.
Norton argues that the exhibition was not intended to be a history lesson on the year, and instead to be an analysis of the interlocking topics and events, and how they influenced the art world that year: «It takes the
shape of a kind of vertical cross-section of
artistic production in New York City that will continue to transform and rewrite itself into the future.»
«Display Show» proposes we consider display as intrinsic to
artistic production and interpretation, as the process of taking
shape that redefines notions of work, artwork and exhibition.
In five decades, Goodman Gallery has played a vital role in forging change through
artistic production and dialogue,
shaping contemporary art within and beyond the continent.
The State Art Collection is
shaped in an inclusive manner to represent the diversity of contemporary
artistic production.
Fadda seeks to arrive at a detailed account of cultural
production in oPt -
shaped as it is by certain socio - economic discourses, accelerated political violence and restrictive financial structures — and the strategies of
artistic communities and Palestinian - led cultural interventions that are working to defy the artificial and violent constraints imposed on cultural life in Palestine.
Through painting, sculpture, installation, and new media, the works in the show address how the internet has
shaped contemporary culture and
artistic production since its inception in 1989.
Her research provides an ethnographic account of
artistic communities in the occupied Palestinian territories, at a time when political uncertainties and neoliberal agendas are
shaping cultural intervention and
production in the region.
Describing the exhibition, FRONT
Artistic Director Jens Hoffmann said, «Over the course of the year leading up to the opening, FRONT will work to examine the local, regional and global influences that have
shaped a 21st century American city located outside the traditional centers of cultural power and
production in the United States.»
In 2016, Goodman Gallery celebrates its 50th anniversary — five decades of forging change through
artistic production and dialogue,
shaping contemporary art within and beyond the continent.