Sentences with phrase «shape of minimalist»

Notions of symmetry and seriality were also important to the shape of the Minimalists» compositions, with symmetry employed not only to simplify production but also as a means of removing the need to balance any one part of the composition with any other.

Not exact matches

By removing the horns of the moose to slightly change the shape of the face, giving the entire body a coat of white paint, and enhancing it with soft white artificial fur you will be able to make a sweet sheep perfect for a neutral or minimalist nursery.
Timeless yet always of - the - moment, Donna Karan's sharp eye and distinct, minimalist aesthetic continue to shape the fashion landscape.
They have a range of minimalist Scandi style boxy clothing which doesn't work at all with my shape, but I can appreciate the style.
One of their many minimalist jackets is also a great choice, and with their designs focusing on the clean, flattering shape you're free to accessorise your outwear, knowing that whether you go bold or simple you'll look great either way.
These specific gowns are delicate, like the petals of a flower, in clean and minimalist shapes.
There's a Korean style that blends both the old - world charm of retro relaxed shapes and modern minimalist design, print and color that gets interpreted in the most appealing of midi dresses I often gravitate to visually.
As well as the neat, simple design forms that make up the dashboard and centre console, the interior's four individual dark brown leather sports seats add to the minimalist ambience of the cabin, each made up of simple linear shapes and featuring built - in inertia reel seatbelts to minimise «cabin clutter».
The watch is extremely thin and makes no pretense of being smart, relying on the chameleonic flexibility of its appearance and a clean minimalist shape to win over fans.
The minimalist graphics combined with the unexpected intensity of storytelling, reminded me inexorably of Thomas Was Alone, the incredibly popular minimalist puzzle platformer from 2012 which told a rich story using only colorful, four sided shapes.
The developer and composer aimed to connect with players emotionally by using meditative piano music timed to the actions of the player, abstract shapes and a minimalist palette, and ambiguous poetic phrases that appeared during play.
A simple idea, executed superbly, which fits the hand - held market to perfection, Mini Metro works despite the rather unglamorous premise of playing as an underground transport designer of a minimalist world, where stations and passengers are plain, geometric shapes.
It could be called minimalist; however, I think the aesthetic of the game is far too simple to be interesting in any way, shape, or form.
Mr. Stella, 81, has been a minimalist, a maximalist, a maker of shaped canvases and a practitioner of relief so high that it had to be called sculpture.
The so - called minimalists featured in this section all rejected the dramatic inclinations of this previous generation and turned toward specific investigations on the fundamentals of an artwork, including light, shape, and composition.
Some twenty desks, depending on just how one counts their irregular shapes, cluster tightly, like a classroom short of willing students (or, unlike Jeff Landman and his Minimalist archaeology, chairs).
Drawing from biomorphism and minimalist sculpture, along with Neo-concretism and other Brazilian vanguard movements of the 1960s and»70s, Neto incorporates organic shapes and materials that engage all five senses, producing a new type of sensory perception that renegotiates boundaries between artwork and viewer; the organic and the manmade; and the natural, spiritual, and social worlds.
Even the most rule - driven of Minimalists, Sol LeWitt, lets a crayon shape float nearly free.
Bringing together a minimalist structural rigour contrasted with unfolding fields of energy, Altmejd recognizes the primacy of the conceptual approach in shaping the cycles that run through his work: heads, constructed, architectural pieces, werewolves, bird men, giants, bodybuilders, guides, watchmen... The abrupt changes in scale (from the minuscule to the monumental), profusion of materials (crystals, mirrors, synthetic hair and fur, resin, wood, metal) and the various devices he uses to occupy the space (platforms, display cases, oversized cabinets) are all strategies that position the artist as a creator of all possibilities.
Incorporating steel and concrete into a minimalist design, the texture, materials, and shapes of the structures will complement the existing architecture at the site.
By the late»60s, his focus on the character and shape of brushstrokes evolved into a unique style that blended minimalist abstraction with his interest in gesture, color, movement, and tactility.
Larry Bell is most commonly known for his Minimalist sculptures — transparent cubes that thrive on the interplay of shape, light, and environment — that champion the ideas of the Light and Space Movement of the 1960s.
Understood as the representatives of the color - field sub-movement production, Washington painters produced minimalist works featuring stripes, thin bands of alternating colors, and geometric shapes.
An innovative colorist, Kenneth Noland began his career as an Abstract Expressionist, became one of the first practitioners of Color Field painting as part of the Washington Color School, and ultimately embraced a Minimalist approach that comprised vivid color and simple geometric shapes.
While Binion's monochromatic work has been compared critically to minimalist practice, the artist resists that explanation and cites his work's narrative instead in the use of his hands to make his paintings, and his choice of child - like materials — wax crayons — which he presses onto shaped wood and aluminum panels.
Not strictly a minimalist, he has made a number of monochrome paintings on shaped canvases and single color rectangular panels.
Composed of grids, lines, and geometric shapes, the structures form a volumetric drawing within the space of the gallery, referencing cheap commercial constructions as well as the serial patterning of paintings and sculptures made by Minimalist artists such as Sol LeWitt and Agnes Martin.
Her work creates what she describes as the symphony of light: creating minimalist geometric shapes and visuals that explore dark space while inviting people to reinvent themselves through the relationship between objects and visual images.
In fact, two new things did — the cheery, cheesy literalism of pop art and the austerity of the minimalists, slipping their abstract shapes, patterns and colours into the art gallery with the least possible personal inflection.
While his rigid planes of color, unitary shapes, and non-hierarchical compositions nod toward Minimalism, by transforming the Minimalist square into a prison cell, Halley's works call the supposed neutrality of such art into question.
They often take the shape of stressed paintings, off - kilter minimalist objects and color photographs with flame licks burned across them — objects instilled with vast amounts of agency.
We installed neon minimalist overhead lights in the shape of an X, grouped in pairs near the entrance.
My illustration technique of reducing shapes, colours and compositions is an attempt to document these unique buildings using a minimalist approach to illustration.»
The setup looks like some kind of control center, but it also has the hallmarks of serious Minimalist art: geometric shapes, serial repetition, a simple black - and - white palette and a relentless, thrumming drone.
Marking a departure from iconic mid-century modernist architectural forebears (Mies van der Rohe and Le Corbusier) and the Minimalist sculptors who followed shortly thereafter (Donald Judd and Carl Andre), when Gillick works in three dimensions, his objects tend to be industrially fabricated in materials such as steel, aluminum, and Plexiglas and to take the shape of autonomous platforms, shelves, cubes, and architectural interventions on the wall, floor, or ceiling.
«The best of them tend toward abstraction, like Katia Santibanez's minimalist painting Universal Pleasure, a bifurcated, heart - shaped patch of dark brushstrokes...»
And yet, by suspending each object on a white backdrop, and introducing abstract shapes and blocks of colour, Reynolds makes a more minimalist, contemporary statement.
Hoyland's painterly, «expressionistically» inclined, version of colour / shape abstraction steered clear of the sometimes aloof, emotionally reserved, minimalist aesthetic embraced by, say, Frank Stella, Ellsworth Kelly or Kenneth Noland.
This volume highlights the work of American artist Leon Polk Smith (1906 — 96), one of the founders of the hard - edge style of minimalist art, who rose to prominence in the late 1950s and early 1960s with his distinctive shaped canvas series.
What's important to Mignoni is how the exhibition demonstrates the importance of women, past and present, in shaping and continuing the dialogue in Minimalist and Post-Minimalist art.
Sol LeWitt's work should be viewed in the historical context of Russian Constructivists, Minimalists and Abstract Expressionists like El Lissitsky, Alexander Rodchenko, Kazimir Malevich, Barnett Newman, Ad Reinhardt, Joseph Albers and others who have chosen the familiar shapes and considered them in brand new contexts thus transforming their very purpose and significance.
Rick Lapointe's minimalist steel sculpture «Smile» speaks to this time where we are ever so present in the shaping of our world.
Simultaneously chaotic and cathartic, the structures encompass a new and unique style, combining minimalist qualities with a monochrome finish, mainly black but expanding to gold and white towards the end of her career, that draw viewers» focus towards the bare shapes of objects.
Individual rooms feature 24 hard - edge abstract paintings, drawings and reliefs by Ellsworth Kelly; 18 figurative and abstract paintings by Gerhard Richter; 14 silkscreens on canvas by Andy Warhol (most from the crucial 1960s); 11 Photorealist artist portraits in various media by Chuck Close; seven Agnes Martin grid and stripe paintings (installed in a heptagon - shaped room, recalling the sublime space at the Harwood Museum in Taos, N.M., where the artist once lived); five geometrically ordered Minimalist sculptures by Carl Andre; and five monumental mixed - media paintings of a decaying German mythos by Anselm Kiefer (plus one large model airplane in lead, an emphatically heavier - than - air machine conjuring the cruel historical weight of the failed Luftwaffe and its celebrated pilot artist, Joseph Beuys).
Minimalist in conception, for the last 50 years, Simeti's work has comprised of dynamic patterns of ovals that dance across the monochromatic surfaces of shaped canvases.
He is best known for large - scale, translucent resin cast sculptures in a variety of apparently simple, geometric shapes — that vary none the less greatly from the Minimalist grids and cubes.
She then exhibits the uniformly shaped strips in the gallery in a deliberate, regimented manner that recalls minimalist sculpture and creates a tension with the random, abstract patterns of the weather marks on the paper.
Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum.
One of the most important artists of SoCal's postwar period, McLaughlin is known for quiet, minimalist works that explore total abstraction: geometries and lines that explore ideas of shape and space, but not representation.
Hesse, possessed of material ingenuity and an apparent naughty streak, took that ethos and pushed its outer limits, making works from latex, rubber, fibreglass and wire mesh, coagulating her materials not into pure form, as the Minimalists intended, but suggestively sensual abstract shapes.
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