Two important series, Attrazione in Tensione (1963 - 1966) and Orizonti (1969), which feature quadratic, square -
shaped areas of colour, capture space both from above and at a distance, thus encapsulating either a whole entity, or nothing at all.Later in life, and with failing health, Calderara began to focus on watercolours, a medium that perfectly captured the subtleties of transparency, washed with an equal, uniform treatment.
Not exact matches
2018 brings a wealth
of new product in various materials,
colours,
shapes and sizes, and designed specifically for all
areas of hospitality and food service environments.
- Clogged Ducts:
area of the breast where milk flow is obstructed, this typically only affects one breast, and is perceived as: a wedge
shape area of engorgement (which may feel painful, warm too touch, swollen and be red in
colour).
Other changes include torque vectoring for each
of the rear wheels, shorter gearing, recalibrated control software, all - new titanium exhaust with 7 kg weight saving and retuned acoustics, forged 21 - inch alloy wheels in gloss black, Pirelli tyres, sport - focused Electronic Stability Control programme, Carbon Silicon Carbide (CSiC) braking system (420 mm front and 356 mm rear brake discs, 8 - piston front calipers in green), two - seat cabin with carbon fibre, Alcantara and leather interior upholstery; bespoke sport seats with additional side support through deeper bolsters upholstered in Beluga black leather and diamond - quilted Alcantara, upholstered steering wheel and gear shifter, centre console and fascia panels in carbon fibre, carbon fibre door casings with diamond - quilted Alcantara inner panels, rear cabin with a carbon fibre surround and upholstered in leather and Alcantara, green hide
colour on the seats, instrument panel, door panels, contrast stitching throughout the seats and diamond - quilted
areas; GT3 - R badging on the centre console, passenger - side fascia panel, sill treadplates; GT3 - R stitching at seat headrests in with contrast - green stitching, carbon fibre fixed rear wing and boot lid, bonnet with two vents, Glacier White body
colour with gloss carbon fibre contrasts, two - tone green graphics tracing two power lines to the side profile
of the car (one leading backwards from the front wheel, the other tracing the
shape of the Continental GT's rear haunch), headlamp bezels, matrix grille, window surrounds and bumper strips in gloss black.
The use
of arched fabric structures allows each
of the 28 tents to take on the
shape and
colour of the rocks and boulders that lay scattered nearby, whilst a clever layout in the
shape of a leopard's paw print alludes to the
area's most famous resident.
By simplifying images into
shapes, flat fields
of colour and
areas of mark making, an image is pushed towards the unrecognizable.
White space is clearly as important to Holyhead as the application
of colour, the tension between the two is an intrinsic aspect
of his compositions, with crisp, stencil - like geometric
shapes cutting into flat translucent
areas of wash, heightening both gestural process and media and making artistic intentions — an investigation into the enduring possibilities
of painting — subtly present.
Teaching at the Catholic University in Washington DC with the painter Morris Louis, Noland began to experiment with geometric
shapes, these evolving into the unbroken
areas of pigment which would give their name to
Colour Field painting, the dominant school
of American abstraction after Pollock.
In other words the tendency for for
colour areas to fluctuate ambivalently in spatial location in «flat» painting, is counteracted by the further cues
of shape.
Then, during the period 1900 - 1930, developments in other
areas of modern art provided additional techniques (involving
colour, a rejection
of 3 - D perspective, and new
shapes), which would be used to further the quest for abstraction.
His style was highly original; his landscape painting employs clearly defined
areas of colour structured by abstract patterns and
shapes.
The minimalist designs used geometric
shapes and
areas of colour.
They are available in a range
of watts,
colours, bases and
shapes, with dimmable controls etc., each having specific uses in various application
areas.
So only a very small
area of the top
of the HomePod has the potential to illuminate, and even then it can only display vague
shapes and
colours rather than symbols.
An L -
shaped seating
area has been built into this patio garden in a pale brick that mimics the
colour of the brick wall.
As long as one factor is the same - the upholstery fabric, the
colour of the woodwork or the
shape of the chair - you'll have a stylishly eclectic dining
area for all to envy!»
This graffiti combines urban attitude with leafy
shapes and glorious summer
colour to lift a simple seating
area out
of the ordinary.