Sentences with phrase «shaped by emotions»

By the turn of the last century, Munch had worked his way towards a figurative style shaped by the emotions that preoccupied him — anxiety, loneliness, jealousy, fear, and grief.

By the turn of the last century, Munch had worked his way toward a figurative style shaped by the emotions that preoccupied him — anxiety, loneliness, jealousy, fear, and grief.

What does it mean to say the relationship is shaped by emotions?

Not exact matches

The man who is shaped and molded by his continuing participation in the round of Christian liturgical worship is the man who comes gradually to be informed by the spirit which animates and governs the liturgy — and that spirit is nothing other than response to the gospel of Christ, made known and communicated through the preaching of the gospel, but not through verbal symbols alone; the response becomes effective through the whole action which includes mind and body, will and emotions, in an offering to God in union with his brethren.

Cooperation is too complicated to be shaped by a simple habit, since it's driven by emotions and how connected your child feels to you at the moment.

Thinking back to my own uninvited mystical experiences, I felt swallowed by them and filled with emotion, while the details of my surroundings — the colors, the reflections, the shapes — were more defined, brighter and more intense than ever.

To track the works» «emotional shape,» scientists used a massive online dictionary that categorizes words by the emotions they tend to be associated with: anger, disgust, fear, joy, sadness, or surprise.

This experience was among the first of many where I worked hard to modulate my fears, apparently pushing my amygdala — one of the seats of emotion activated by social anxiety — to shape up.

It seems that teens changed the shape of their brains by internalizing the stresses experienced years earlier — replaying those events in the mind and bottling up the emotions they triggered.

By living on their estate with only the companionship of the two caregivers, the gardener (Molteni), and a harlequin (Oliva), Agis has been brought up to hate emotions, especially love and the methods wayward women use to it to shape men into their playthings.

Likewise, such emotion also propels the tinted, stunning camerawork by Affonso Beato — which in its prime when it focuses on the geometric shapes of the film's sublime setting of Roosevelt Island, New York — allowing it to ooze of a creepy feel.

To say I loved The Shape of Water really would be an understatement, the film inspiring in me such a range of emotions that it left me reeling by its stunning final frame, unsure how to process exactly what I'd seen outside of the fact that I knew from the bottom of my heart that I had witnessed an article of supreme originality that I wouldn't be forgetting anytime soon.

But sadly, for most of the cast, yelling every line loudly is confused with conveying emotion, sarcasm and / or depth, with several zingers completely missing the mark because any shaping of the lines is erased by sheer volume.

Best - case scenario: The film's sincere efforts to invest this scenario (adapted from a novel by Ruth Rendell) with complex emotion make it play like a cross-dressing riff on Vertigo, with one lover trying to shape another in a dead person's image.

From the company's very beginnings, design has been a crucial factor shaping product development and has been led by the need for function, as well as emotion.

Sometimes when people talk to him, he see their voices as colored shapes provoked by the emotions of the speakers, not by the words themselves.

THE MARCH If art can be defined as form shaped by the pressure of ideas, beliefs and emotions, the Women's March last Jan. 21, the day after the inauguration of President Trump, might be seen as the largest work of political performance art ever.

Gesture, Emotion, Shape: Sources of Abstraction by Philip Dytko, Class of 2017, Pauline Lewis, Class of 2016, and Amalia Siegel, Class of 2016, Art History 71: The American Century - Modern Art in the United States, Winter 2015, Mary Coffey, Class Project, Israel Sack Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 14 - July 12, 2015.

De Andrade's works also attend to the ways in which attitudes and emotions are shaped — and governed — by images, social conventions, and political ideologies.

Pondering the emotional as an organizing force across political spectrums, emotions are understood not as individual mental states but as collective material and affective practices that are both shaped by and shape social life.

«To me,» Power explained, «one of the most fascinating aspects of a painting which I like is that it is a unique expression or statement of the artist's ideas and emotions communicated through colour, shape, and texture, by him to me, in a form which I can hold, keep, and own, and live with, and enjoy, and perhaps with time get to know and understand.

Part II: Unreasonable Sized Paintings at SVA Chelsea Gallery does not, in this instance, refer to unorthodox variations in canvas shape or size, but rather to particular occasions where painters, who otherwise produce larger works, feel compelled to make paintings approximately within this modest scale — occasions that are often less influenced by reason than by the need to concretize, without limitation, pure emotion or spontaneous thoughts.

By analyzing the different color theories that took shape in the turbulent socio - political context that characterized the 20thcentury, the exhibition reflects on a perspective that considers light, its vibrations and the world of emotions, while challenging the standardization of the use of color in the modern age (synthetic colors) and the digital era (RGB colors offered by various online palettes), a leveling that considerably reduces our ability to distinguish colors in the real worlBy analyzing the different color theories that took shape in the turbulent socio - political context that characterized the 20thcentury, the exhibition reflects on a perspective that considers light, its vibrations and the world of emotions, while challenging the standardization of the use of color in the modern age (synthetic colors) and the digital era (RGB colors offered by various online palettes), a leveling that considerably reduces our ability to distinguish colors in the real worlby various online palettes), a leveling that considerably reduces our ability to distinguish colors in the real world.

In this entry, he referred to the Women's March on Washington as «form shaped by the pressure of ideas, beliefs and emotions,» and called it «the largest work of political performance art ever.»

The 1990s through the present has witnessed the continued efflorescence in painting, as demonstrated in this show by works such as Judith Godwin's Blue, No. 11 (1997), a lyrical expression of mixed emotion, Jasmina Danowski's Tender Trap (2012), in which the artist conveys a sense of moving through an aquatic and sensuous world, Carol Hunt's Easter Morning (2011), featuring a calligraphy of line and shape that conjures archetypal signs and symbols, Katherine Parker's Behind and Above (2011), a canvas built of thin layers of paint that the artist has scraped away to convey a metaphysical awareness of the passage of time, and Susan Vecsey's Napeague Bay, Montauk (2012), in which the subtle color stained into the canvas evokes the emotion of a place remembered and deeply felt.

Inspired by organic shapes, she loves rings because she believes that hands are such a powerful way of expressing an emotion.

Fittingly titled «Be Together More: Film,» the emotion - heavy ad runs exactly a minute long and highlights some of the more interpersonal aspects allowed by the alarm - clock shaped device's above - mentioned hardware features.

Those decisions start to be shaped by our mindfulness of the way that children experience them through their emotions and their social interconnections, and in all of those decisions, elements of belonging start to be manifest and that means that it becomes very real for children and it becomes something that they embed into their daily practice and their daily encounter of the life that they're leading.

Our ability to trust, the stability of our emotions, and our self confidence are all shaped by the people that are closest to us.

This research provides tentative support for the idea that the nature and intensity of emotions that teachers experience in their daily interactions with students is shaped and defined by underlying mental models of their relationships with students.

Parents strongly shape emotional experience and emotion regulation (ER) in their children, but, interestingly, the effect of parental emotion socialization on ER appears to be partially mediated by autonomic processes [2].