Sentences with phrase «shaped by modernity»
America escaped the worst devastations of the wars and has always been more exclusively shaped by modernity than other nations, and so held on a couple of generations longer; now America too seems slowly to be accepting the evidence.
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Modernity is shaped by its deliberate rejection of the past, and modernity itself is Modernity is shaped by its deliberate rejection of the past, and modernity itself is modernity itself is our past.
Now my questions about decaying modernity are being shaped by ancient, consensual, classic Christian exegesis of holy writ.
I Modernity has been largely shaped for Jews by three momentous experiences: the acquisition of citizenship by individual Jews in secular nation - states, the destruction of one - third of Jewry in the Holocaust, and the founding of the State of Israel.
The «new economy» spurred on by the new technology is still in a period of transition just as our society is groaning though a movement away from modernity and modern rationality into postmodernity and a postmodern rationality signified by its offspring technology that will continue to give it shape.
The body features wheel arches and lower body panels with a classic SUV look, highlighted by the graphic shapes of the Airbump ® panels with coloured inserts for extra modernity and personality.
Opening 5/1 Idiosynchronism curated by Alex Glauber / Dickinson / 19 E 66 / thru 4/24 (extended) 1st 20 Yrs.: Selections / Baumgold / 60 E 66 / thru 5/3 Kan Yasuda / Eykyn - Maclean / 23 E 67 / thru 6/27 Opening 5/6 Mary McDonnell / Graham / 32 E 67 / thru 5/13 Emilio Chapela / Faria / 35 E 67 / thru 5/10 Hector Fuenmayor / Hunter / West Building, 68 & Lexington (SW corner) / thru 5/3 Mira Schendel / Hauser & Wirth / 32 E 69 / thru 4/26 Nalini Malani / Asia Society / 725 Park @ 70 / thru 8/3 Helen Frankenthaler / Jacobson / 17 E 71 / thru 4/30 Pierre Soulages / Levy / 909 Madison @ 73 / thru 6/27 Opening 4/24 Pierre Soulages / Perrotin / 909 Madison @ 73 / thru 6/27 Opening 4/24 Robert Rauschenberg / Starr / 5 E 73 / thru 5/23 James Brooks / Van Doren Waxter / 23 E 73 / thru 4/25 Carved, Cast, Chrushed, Constructed / Freedman / 25 E 73 / thru 5/31 Aftershock / Edelman / 136 E 74 / thru 5/12 Urs Fischer / Gagosian / 821 Park @ 75 (new, additional location / thru 5/8 Biennial; Etc. / Whitney Museum / Madison @ 75 / thru 5/25 Kim Keever / Waterhouse & Dodd / 958 Madison @ 76 / thru 5/6 Jasper Johns; Roy Lichtenstein / Castellli / 18 E 77 / thru 6/27 Opening 4/25 The Shaped Canvas, Revisited / Luxembourg & Dayan / 64 E 77 / thru 7/8 Opening 5/8 Diane Arbus; Cady Noland / Gagosian / 976 Madison @ 77th (new location) / thru 4/23 (extended) Victorire de Castellane / Gagosian / 980 Madison @ 77th / thru 4/26 (extended) Artie Vierkant / Higher Pictures / 980 Madison @ 77 / thru 5/10 Raymond Pettibon / Venus Over Manhattan / 980 Madison @ 77 / thru 5/17 Andy Warhol / Blain - DiDonna / 981 Madison @ 77 / thru 5/17 Sigmar Polke / Werner / 4 E 77 / thru 6/7 Rachel Harrison / Institute of Fine Arts / 1 E 78 / thru 5/11 Opening 4/27 Nicolas Pol / Roitfeld / 5a E 78 / thru 5/6 Peter Coffin / Half / 43 East 78 / thru 5/1 Casting Modernity / Mnuchin / 45 E 78 / thru 6/7 Reception 4/24 Jean - Michel Basquiat / Acquavella / 18 E 79 / thru 6/13 Opening 5/1 Martin Kippenberger / Skarstedt / 20 E 79 / thru 4/26 Ain'tings curated by Ryan Steadman / Blumenthal / 1045 Madison @ 80 / thru 4/26 William Kentridge thru 5/11, Lucas Samaras thru 6/1; Dan Graham thru 11/2 Opening 4/29; Etc. / Met Museum / 5th Avenue @ 82nd Carrie Mae Weems thru 5/14; Italian Futurism thru 9/1, Etc. / Guggenheim / 1071 Fifth Avenue @ 89 Philip Pearlstein; Anders Zorn; Edwin Blashfield / National Academy / 1083 Fifth Avenue @ 89 / thru 5/18 Other Primary Structures thru 8/3; Etc. / Jewish Museum / 1109 5th Avenue @ 92 Museum Starter Kit: Open with Care, Etc. / El Museo del Barrio / 1230 Fifth @ 104 / thru 9/6 Glenn Kaino; When the Stars Begin to Fall; Carrie Mae Weems; Etc. / Studio Museum / 144 W 125 / thru 6/29
As a highly globalized region that has been consistently shaped by multiple paths of migration since European colonization in the 15th century and the transatlantic slave trade, the Caribbean is often portrayed as the ultimate symbol of «modernity» and globalization.
In the last few years, discussions of the Anthropocene (the new geological epoch shaped by human activities that we are living in) have begun to re-evaluate some cherished beliefs of modernity, not least the assumption that planetary geography is the given context for the human drama.