Sentences with phrase «shaped by the context»

They refuse to understand that so much of religious teaching is shaped by the context of the society in which it originated.

The sculptures I'm making — using polystyrene, cardboard and spray paint — they're shaped by the context of London.

Third, character strengths will be expressed differently depending on the circumstances and are therefore «shaped by the context» (7).

Not exact matches

Our cultural attitudes are unconsciously shaped by our collective history as much as they are consciously shaped by our current context.

It is in this context, a context decisively shaped by God's redemptive purposes in Christ, that we can join with St. Francis of Assisi in hymns of familial and filial piety toward nature.

We have seen that most New Testament scholars recognise that the gospels are documents shaped by their historical context.

That a congregation is constituted by enacting a more broadly and ecumenically practiced worship that generates a distinctive social space implies study of what that space is and how it is formed: What are the varieties of the shape and content of the common lives of Christian congregations now, cross-culturally and globally (synchronic inquiry); how do congregations characteristically define who they are and what their larger social and natural contexts are; how do they characteristically define what they ought to be doing as congregations; how have they defined who they are and what they ought to do historically (diachronic study); how is the social form of their common life nurtured and corrected in liturgy, pastoral caring, preaching, education, maintenance of property, service to neighbors; what is the role of scripture in all this, the role of traditions of theology, and the role of traditions of worship?

McCoy suggests that Whitehead, too, may have been shaped by biblical ways of thinking: «Indeed, it is highly probable that the process philosophies of the nineteenth and twentieth centuries emerged from contexts influenced by the covenantal or federal tradition and thus are in part intellectual progeny of covenantal theology and ethics» (CCE 360).

By setting his, discussion in the context of a dialectic (externalization, objectification, internalization), he has in effect stressed the importance of social interaction for the production and maintenance of religion but at the same time he has recognized the independent capacity of religion to exist as a cultural system and to shape individual thoughts and attitudes.

Obviously our cultural situation has already been shaped by images and ideas flowing from what Christians would call revelation, and our concrete questions arise out of a context that has been deeply influenced by biblical motifs.

I'm shaped by this place, as Luci Shaw wrote about poets, the slender antennae of awareness is always combing the world, and I am shaped by the people here, by their stories, by our becoming - shared histories, what I pick up here matters for my work, my voice, my faith, my family, perhaps it's not so prideful in this context, to say that it matters for the world.

The «I» represents the quality of life achieved within a particular structure of existence as shaped by the way in which a person assumes responsibility for himself within the context of the possibilities open to him.4

Any Christian reflection on the idea of revelation, such as we shall undertake in this book, now has to be situated in a context shaped by our growing appreciation of the plurality of religious revelations.

I have nevertheless tried to discern here, by tacking back and forth between them and noting certain revealing points of intersection, the shape of the conversation that provides the current context for discussion about religion and higher education.

Dwelling within a community of faith shaped by the significant events in the life of Israel and the Church orients our perception and consciousness so as to be able to read in the larger context of history a pattern of promise and fulfillment.

Tradition is subordinate to Scripture, and should be shaped by Scripture, but Scripture, on the other hand, must be read in the context of «a vibrant and ongoing interpretative tradition that serves to provide authoritative parameters for expositing [the] sacred Scriptures.»

Here is a sobering statement by Hiebert: «As Christians, we are often unaware that we are shaped more by our contexts than the gospel (p. 83).»

The form critics attempted to isolate the discrete units of oral tradition preserved now in the written Gospels, and they assessed how the form of each individual pericope had been shaped by the sociological context in which it originally had been used.

By so doing, the investigation was able to develop a more complete, comprehensive and, therefore, accurate picture of the individual as a human being embedded in and shaped by certain social conventions and the larger contexts of his culturBy so doing, the investigation was able to develop a more complete, comprehensive and, therefore, accurate picture of the individual as a human being embedded in and shaped by certain social conventions and the larger contexts of his culturby certain social conventions and the larger contexts of his culture.

The first 400 years of the church's life were largely given over to debates about the meaning and implications of confessing Jesus as Savior, Lord and Son of God, and the answers were shaped by the believers» contexts.

Looking at the wider contexts that shape ideas about gender in society — such as beliefs about «appetite» — was seen as helpful by the participants.

Both are shaped by the market context and our policy choices.»

The paper crosses disciplinary boundaries by explicitly exploring how the ecological context of a population shapes the evolutionary pressures it experiences.

PBE is jointly organized by FESBP and EPSO, as a result of a merger between the previous individual EPSO and FESPB conferences.With a multidisciplinary approach to plant science in a global context, the conference aims to collect speakers and presentations that cover wide ranging scientific and policy related themes within plant science, thereby showcasing state - of - the - art scientific developments and contributions to policy shaping towards plants science at the European and national levels.Plant Biology Europe is the biggest of its kind in Europe.

Solis» research focuses on children's cognitive development, specifically how young children play with each other and with objects to understand and build theories about the world around them, and how this is shaped by their cultural context.

KidsMatter is a whole - school framework that can be adapted to local contexts and is shaped by principals, teachers and wider school communities.

Measure, compare, add and subtract: lengths (m / cm / mm); mass (kg / g); volume / capacity (l / ml) Measure the perimeter of simple 2 - D shapes Add and subtract amounts of money to give change, using both # and p in practical contexts Tell and write the time from an analogue clock, including using Roman numerals from I to XII, and 12 - hour and 24 - hour clocks Estimate and read time with increasing accuracy to the nearest minute; record and compare time in terms of seconds, minutes and hours; use vocabulary such as o'clock, am / pm, morning, afternoon, noon and midnight Know the number of seconds in a minute and the number of days in each month, year and leap year Compare durations of events [for example, to calculate the time taken by particular events or tasks]

Objectives covered: Measure, compare, add and subtract: lengths (m / cm / mm); mass (kg / g); volume / capacity (l / ml) Measure the perimeter of simple 2 - D shapes Add and subtract amounts of money to give change, using both # and p in practical contexts Tell and write the time from an analogue clock, including using Roman numerals from I to XII, and 12 - hour and 24 - hour clocks Estimate and read time with increasing accuracy to the nearest minute; record and compare time in terms of seconds, minutes and hours; use vocabulary such as o'clock, am / pm, morning, afternoon, noon and midnight Know the number of seconds in a minute and the number of days in each month, year and leap year Compare durations of events [for example, to calculate the time taken by particular events or tasks]

This three - way interrelationship occurs within a larger sociocultural context that shapes and is shaped by the reader and that interacts with each of the elements iteratively throughout the process of reading (see figure).

Ultimately, however, leadership distribution for direction setting is shaped by how the principals view and enact their roles within the context of state and district policies, priorities, and leadership traditions, as illustrated in the following contrasting examples.

The environments in which teachers worked — characterized by school - level polices, routines, type of leadership, district - level expectations, and the broader accountability context — greatly shaped how they used data with students.

That should mean it's good to go for its potential buyer, though we're struck by just how well the old Vantage has aged - while often overlooked in context of later DB7s, DB9s and more recent Vantages, these 90s models are among the definitive Aston Martin shapes.

Driven by globalization, digitization, and by different developments and political contexts around the world, debating what's happening in the book industry makes a valuable contribution to shaping today's cultural agenda.

Apple's iPad Mini plans are, if the leaks are anything to go by, shaping up for a launch later in 2012, but hardware is only half the story: Apple needs a solid context with which to frame its smaller slate.

In his new publication Jens Hoffmann reflects on the spaces of contemporary art — the gallery, the institution, the biennial — and ultimately positions the discipline of curating in the context of a larger cultural sphere shaped by the political, social, and economic conditions of its time, while demanding new attitudes and new thinking.

The former was widely expanding mostly in the West while the latter, in a non-western cultural context, was shaped primarily by specific geopolitical and cultural determinants, and the circulation of ideas in the realm of Iron Curtain was constantly challenged.

Living in Beijing, Haidutschek's work challenges the traditional manner in which the meaning of an artwork is shaped and how the context of its presentation informs its significance by exploiting the proliferation of images across social media.

Its activities are shaped by an ethos of philanthropy and a commitment to engaging with local contexts and communities.

The program will explore Gilliam and Johnson's work — and how it is shaped by, responds to, and reflects the artistic, historical, political, and social context of its making.

Here we encounter a group of local amateur actors who are trying in various ways to create new contexts, in an environment shaped by ideals and visions of the past.

The most significant of the often loosely defined movements of early contemporary art included pop art, characterized by commonplace imagery placed in new aesthetic contexts, as in the work of such figures as Andy Warhol and Roy Lichtenstein; the optical shimmerings of the international op art movement in the paintings of Bridget Riley, Richard Anusziewicz, and others; the cool abstract images of color - field painting in the work of artists such as Ellsworth Kelly and Frank Stella (with his shaped - canvas innovations); the lofty intellectual intentions and stark abstraction of conceptual art by Sol LeWitt and others; the hard - edged hyperreality of photorealism in works by Richard Estes and others; the spontaneity and multimedia components of happenings; and the monumentality and environmental consciousness of land art by artists such as Robert Smithson.

For the show, Gabriel Orozco finds discarded objects and beautiful shapes in mundane contexts and, by slightly altering them, transforms them into art.

By analyzing the different color theories that took shape in the turbulent socio - political context that characterized the 20thcentury, the exhibition reflects on a perspective that considers light, its vibrations and the world of emotions, while challenging the standardization of the use of color in the modern age (synthetic colors) and the digital era (RGB colors offered by various online palettes), a leveling that considerably reduces our ability to distinguish colors in the real worlBy analyzing the different color theories that took shape in the turbulent socio - political context that characterized the 20thcentury, the exhibition reflects on a perspective that considers light, its vibrations and the world of emotions, while challenging the standardization of the use of color in the modern age (synthetic colors) and the digital era (RGB colors offered by various online palettes), a leveling that considerably reduces our ability to distinguish colors in the real worlby various online palettes), a leveling that considerably reduces our ability to distinguish colors in the real world.

By using a variety of disparate elements without context, he creates a chaotic world of brightly colored shapes and patterns engaged in a delicate balancing act.

In keeping with The Met Breuer's mission to present modern art in the context of the history of art, this exhibition will include select works from The Met collection by other artists who shaped Hartley's vision, including French modernist Paul Cézanne, Japanese printmakers Utagawa Hiroshige and Katsushika Hokusai, and American painters Winslow Homer and Albert Pinkham Ryder.

More than 400 works by artists and designers including Paul Klee, Wassily Kandinsky, Marcel Breuer, Marianne Brandt, Anni Albers, Josef Albers and Laszlo Moholy - Nagy testify to the wealth of visions and the shifting social contexts that shaped the school up to its tragic end in 1933, when its remaining faculty members shut it down rather than work with the Nazis.

«Shades of Black (ness),» Davison Art Center, Wesleyan University, Middletown, CT, January 25 — March 3, 2005 «Collection Remixed,» The Bronx Museum of the Arts, Bronx, NY, February 3 — June 5, 2005; catalogue «Landscape,» Whitney Museum of American Art, New York, NY, March 24 — September 18, 2005 «The Shape of Time,» Walker Art Center, Minneapolis, MN, April 17, 2005 — October 25, 2009 «Very Early Pictures,» Luckman Gallery, California State University, Los Angeles, CA, May 26 — July 23, 2005; traveled to Arcadia University Gallery, Glenside, PA, September 6 — October 30, 2005 «African American Art: Masterworks of Contemporary Art,» Saint Louis Art Museum, St. Louis, MO, June 24 — August 28, 2005 «Wordplay: Text and Image from 1950 to Now,» Davison Art Center, Wesleyan University, Middletown, CT, October 25 — December 11, 2005 «The Painted Word: Language as Image in Modern Art,» Williams Center for the Arts Gallery, Lafayette College, Easton, PA, October 28 — December 14, 2005; brochure «Between Image and Concept: Recent Acquisitions in African American Art,» Princeton University Art Museum, Princeton, NJ, November 12, 2005 — February 6, 2006 «Beauford Delaney in Context: Selections from the Collection,» Philadelphia Museum of Art, Philadelphia, PA, November 13, 2005 — February 26, 2006 «A Brief History of Invisible Art,» CCA Wattis Institute for Contemporary Arts, San Francisco, CA, November 30, 2005 — February 21, 2006 «Linkages and Themes in the African Diaspora,» Museum of the African Diaspora, San Francisco, CA, December 1, 2005 — March 12, 2006 «Looking at Words: The Formal Presence of Text in Modern Contemporary Works on Paper,» conceived by Barbaralee Diamonstein - Spielvogel, Andrea Rosen Gallery, New York, NY, October 28, 2005 — January 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 9, 2005 — September 26, 2006 «Drawing from the Modern, 1975 - 2005,» Museum of Modern Art, New York, NY, September 14, 2005 — January 9, 2006 «ROMANCE (a novel),» curated by Adriano Pedrosa, Cristina Guerra Contemporary Art, Lisbon, Portugal, September 14 — October 15, 2005; catalogue «A Thousand Words,» Inman Gallery, Houston, TX, July 9 — August 27, 2005 «Getting Emotional,» Institute of Contemporary Art, Boston, MA, May 18 — September 5, 2005 «Double Consciousness: Black Conceptual Art Since 1970,» organized by Valerie Cassel Oliver, Contemporary Arts Museum, Houston, TX, January 22 — April 17, 2005

Based on the transcription of the exchange, actors and collaborators Steve Hui, Miu - Ling Lam and Samson Young are invited to re-enact the conversation and intervene as a way of revealing to the audience the process of unfolding memories in a language shaped by circumstance and context.

The various context - specific manifestations of The Shape We're Indemonstrate the Zabludowicz Collection's international vision and its commitment to supporting younger artists through new commissions as well as presenting them in relation to works by more established contemporary artists.

The various context - specific manifestations of The Shape We're In demonstrate the Zabludowicz Collection's international vision and its commitment to supporting younger artists through new commissions as well as presenting them in relation to works by more established contemporary artists.