For the Biennale de Paris
in 1975, he made the piece titled Conical Intersect by cutting a large cone -
shaped hole through two townhouses dating from the 17th century
in the market district known as Les Halles which were to be knocked down
in order to construct the then - controversial
Centre Georges Pompidou.
Ward's work has been included
in numerous group exhibitions, including Eastwing Biennial: Artificial Realities, The Courtauld Institute of Art, London, United Kingdom (2016); Making & Unmaking, curated by Duro Olowu, Camden Art
Centre, London, United Kingdom (2016); The Tim Sayer Bequest, The Hepworth Wakefield, Wakefield, United Kingdom (2016); Space Between, curated by Stephanie Roach & Louis Grachos, The FLAG Art Foundation, New York, NY (2015); Post-Analog Painting, The
Hole, New York, NY (2015); The
Shaped Canvas, Revisited.
Igloo — built from blocks of snow and / or ice cut to
shape and used to construct a dome with a short tunnel as an entrance at the bottom, and a
hole in the
centre at the top of the dome to ensure air exchange.