Unexpected Portrait (2016) is a large - scale acrylic - on - canvas painting where a long tube -
shaped orange line with dark edges glides across the work defining a cartoon - like head...
Not exact matches
The wedge -
shaped prism bends red light as usual, so that the light ray crosses the
orange line perpendicular to the prism's edge (top).
Using crayon, he would draw the general
shape of a yellow taxi or an
orange building, then Stein -
line over it to outline it.
«The Cherry Tree III,» an aquatint with drypoint and etching, comprises vertical leaning
lines and other geometric and organic
shapes in the colors of nature against a background of pink and
orange.
So we get this amazing, sharp
shape of bright, bright yellow in the left - hand top corner, and we get this pink
line that goes almost all the way around the painting but can't contain in that top corner of yellow, and the pink
line curls in on itself around this beautiful,
orange shape.
The gallery's back wall is a beauty, with three masters of the lean and clean: Ellsworth Kelly (a white diagonal arc cutting through black), Robert Mangold (irregularly
shaped orange canvas «corrected» by pencil
lines within), and Robert Ryman (white - on - white, in this case a froth of choppy sea).
A thin red
line and a darker blue band enclose an unadorned
orange shape — a square with rounded corners and its flat sides sucked in.
The inspiration for One Took It on Faith That the Final Scientific Picture of the World Would Be Beautiful (2014) was provided by the art book A Four Dimensional Being Writes Poetry on a Field with Sculptures by Charles Ray, whose cover displays a sketch of geometric
shapes and
lines in luminous
orange, with a clear resemblance to the steel sculpture Early One Morning by Anthony Caro.