Gund decided to give a Frank Stella star -
shaped painting called Plant City, which had roosted beside the fireplace, to the Philadelphia Museum of Art in memory of its late director Anne d'Harnoncourt.
Not exact matches
Sometime in 1940 Rothko makes his last figurative
painting, then experiments with Surrealism, and eventually does away entirely with any figural suggestion in his
paintings, abstracting them further and paring them down to indeterminate
shapes floating in fields of color - Multiforms as they were
called by others - which were greatly influenced by Milton Avery's style of
painting.
By marking the edges of the
paintings, she
calls attention to their
shape as significant, while the nebulous contents of the pictorial field — lacking the order and legibility of the grid — offer few clues to its inner structure and encourage the viewer to lose sight of place.
In the
paintings, columnar forms suggested by built - up geometric patterns appear alongside mathematically derived
shapes which the artist
calls «knot - forms».
Inspired by Ferrara's interiors, windows, shops and strangely
shaped biscuits glimpsed in the bakeries of the former Jewish ghetto, De Chirico began
painting what he
called «metaphysical interiors».
Although these painters started out
painting in what was
called an objective style, deploying abstract
shapes in large space, they soon migrated to using the physical world and representative subjects to experiment with
shape, color, texture and temperature in their
painting.
Each artist in this exhibition demonstrates a knowledge of
painting history from Apfelbaum's references to Robert Motherwell with appropriation of color fields and signifiers, to Sparks use of continually morphing organic
shapes that
call to the likes of Arshile Gorky.
Her new
paintings, much like her previous work,
call upon her signature spray gun, pointillism, and geometric
shapes.
Woelffer's
paintings from this period began using invented symbolism, motifs such as handprints, flag - like stripes, and a
shape he
called a «mirror» — two convex curves reflecting across a central axis.
As he became more successful, Hawkins began to collage mass media images and eventually found objects into his
paintings, and he developed a technique he
called «puffing up» a
shape: building it up from the support by mixing cornmeal into the enamel
paint.
Nature, I find, is where I can think, dream and find the intensity of what we
call meaning... It took me some time to realize that abstraction is the only way that I can find a personal vocabulary in
painting, through the relationship of
shapes, colors and light.
To
call these
paintings decorative would be short - sighted, for in manipulating the size,
shape, and colors of the traditional military fabric — a fabric designed not to be seen — he demonstrated an almost effortless ability to summon up an entire range of art historical references, from Chinese landscapes to Monet's Water Lilies....
Occasionally
called «the square man», in his
painting series Hommage to the Square (1950 until his death) Albers focused on the effects colors had when confined to a systematic square
shape.
Within her well - known series that uses a curved
shape — initially
called Doubleu by the artist (the spelling of the letter)-- Provosty pairs matte and oil
paint into closed forms, opening the space with their reflective surfaces and tenuously squeezed outer edges, implying multiple associations that imply numerous unfixed interpretations.
Made from oil on plasticine clay on panel, the works are flat near - recognizable
shapes that intersect
painting and sculpture with holes, which the artist
calls «orifices, points, or measures of space.»
In New Orleans, just before the two were married, Humphries and Oursler teamed up on a project
called Sleepwalk (2002), an endeavor she describes as «
painting and video all mixed up together and projected onto billboards or sign
shapes.»
Densely hung in the gallery's living room - size main space, the large
paintings, which are all seven feet tall and five and a half feet across, swarm you with their edgy, jagged energy... in «Raft,»... the vertical stripes run from top to bottom, with two horizontal sets constrained within shield - like
shapes on the left and right,
calling to mind Walker's fascination with Aboriginal and African art.
His compositions include Braque - inspired, semi-representational scenes; abstract, allover patterns; color fields; hard - edged geometric
shapes; and, recently, what he
calls his «crackle
paintings,» whose cracked and layered surfaces resemble tree bark or parched ground.
Much as Albers's
paintings relied on pattern and modulation, Harris has created meticulous works that she
calls «Orbiters» of graphite on paper featuring two radiating
shapes side by side.
Morley depicts details: each calibrated digital image as a whole is fragmented into a grid of small squares or «cells» as the artist
calls them, from which Morley
paints one discrete component at a time, turning the canvas upside down and sideways so that the abstract
shape and color tonality of each part is addressed.
Through a unique process she has developed
called «mono - transfer», Milhazes applies hand -
painted decals directly to the canvas that are sourced from her vast vocabulary of
shapes and motifs — among them arabesques, pinwheels and radiating targets.
Stella's works created between 1960 and 1961
call attention to the flat nature of the medium, while breaking with the set parameters of
painting through the use of abnormally
shaped canvases.
In previous series of such «
paintings,» as the artist
calls them, Woods has strategically applied black polyhedral
shapes, which she likens to the folds of a swaying curtain.
Returning to America, his individual style had a significant impact on the development of Minimal art, Systemic
Painting, Hard - edge
Painting, Frank Stella's
Shaped Canvas genre, and Greenberg's so -
called Post-painterly Abstraction, without him actually becoming a «member» of any of these movements.
Kleine Spritztour (Joyride), one of my favorite works from this time, depicts a round object (Baer keeps a
shape archive, so -
called «carriers,» serving as sliced salami, breasts, etc.) resembling a vinyl record, a breast seen from the front, or an eye smoking a cigarette, while traveling on a gray road toward a smoke storm of lace and
painted blur.
Analogies between
painting and music had long been common; many thinkers had attempted to codify the supposed expressiveness of colours, lines, and
shapes; and more than one fairly ancient sketch might compete for the honour of being
called the first abstract picture.
His
paintings contain relatively complex
shapes suggestive of animate or inanimate forms; Philip Guston (1913 - 80), who had his own highly personal variation, sometimes
called «Abstract Impressionism», from which he moved on to a more expressive style in the late 1950s; Adolf Gottlieb, a close contemporary of Clyfford Stills, exploited Surrealist imagery in the 1930s but was also deeply interested in American Indian Art and from this he developed in the 1940s his so -
called «Pictographs» characterised by very Freudian imagery.
Elizabeth Murray's works are frenzied cartoon - like
shapes while Joanna Pousette - Dart's
paintings contain subtle layers of line and color on floating curved wood panels that suggest forms in motion — «line moving through light» and what Dart
calls a «visceral interchange with nature».
Hill makes traditional rectangular
paintings and
shaped canvases she
calls «Cut Outs,» which are reminiscent of Elizabeth Murray, Frank Stella, and a heterogeneous set of contemporaries.
Last
call of today was an older guy, has a home that is pretty much in great
shape just needed some fresh
paint inside.
Much attention is paid to repetition of
shape, colour and form and trees and shrubs that lead the eye upwards, or «
painting the sky» as Chatto
calls it.