Sentences with phrase «shaped piece of canvas»

Reidel's grandmother is loosely painted on an irregularly shaped piece of canvas tacked to the wall in Pink Grandma and Kleenex Crown (2016).

Not exact matches

Puns abound in his paintings: in his «Cover Letter» series (2010), a piece of felt in the shape of a lowercase «a» hangs over a stretched canvas.

This piece, a hybrid of sculpture and painting at Marianne Boesky Gallery, takes the formally rigorous experiments of Piet Mondrian into the third dimension, adding physical weight and heft to shapes that the Dutch artist treated with such verve on canvas.

Tonico Lemos Auad, Gabriel Pionkowski and Johnny Abrahams perhaps exhibit the most direct «weaverly» tendencies but each includes the destruction of the weave simultaneous to the order it provides: Lemos Auad makes his works by actually unthreading parts of the textile to make ghostly shapes of removed threads in his screen pieces, while Pionkowski as mentioned above begins by de-threading the canvas completely.

Marca - Relli often worked in collage, «drawing» rapidly with a razor blade, cutting pieces of canvas into random shapes and dispersing them across the picture surface.

Adhering the book pages to the canvas happened first, then Ala un-stretched the piece and executed an archival pigment print over the surface of the book pages — the blue galactic scene in the shape of the star.

However, this camera, while recognisable as a very specific object, is pieced together from terracotta shapes reminiscent of children's building blocks, inviting other forms to materialise on the canvas.

These large - scale, dark - toned pieces usually contain ominous, organic voids at their centers and are made from patching together accumulations of shaped canvases, leather, porcelain curios, wire mesh, conveyer belts and muslin recall nests.

Pieces in progress abound at her sun - splashed Brooklyn studio, amid canvas shapes painted a deep teal hanging on a line to dry and heaps of paper cutouts numbered like tailor's patterns.

Yellow Piece (1966), the artist's first shaped canvas, represents Kelly's pivotal break with the rectangular support and his redefinition of painting's figure / ground relationship.

Minimal and spare, Nunes» pieces push the boundaries of genre, rendering the iconic shapes and structures of modern architecture and Minimalism outside the parameters of the blank canvas.

Mangold became known for his use of shaped canvases, often creating works of art that weren't merely square, but that incorporated the shape of the piece in order to enhance the painting.

In «Compounding Visions,» the unique shape of the Oakes» canvas is a unique feature of their pieces.

After sewing each fragment onto a piece of canvas, Cloud cuts the canvas into the shape of the clothing, and then sews the resulting items into a larger, oddly shaped patchwork «quilts.»

By the time I was in graduate school, I began dealing with the problem of image / object where I took the canvas off the stretcher, folded it into zigzag shapes, painted on both sides, and they became sort of like feminized versions of Robert Morris's felt pieces.

This volume presents his most recent abstract pieces — most of them painted on canvas covering shaped stretchers — alongside an essay by critic and curator Vincent Pécoil.

This 45 - year - old Brazilian artist makes abstract paintings by first painting shapes on a piece of plastic and then pressing the paint side of the plastic onto a canvas, thus transferring the images.

This piece, which an effusive volunteer told me the paint was still drying on, is emblematic of her oil on canvas paintings with their precise black lines, warm hues, and intricate abstracted shapes.

To explore this relationship between form and ground further, Kelly began using nontraditional, shaped canvases, as in the monochromatic 1966 Yellow Piece, from, whose two curved corners draws the eye to the wall behind it, as though the gallery wall itself were part of the composition.

The play of three - dimensionality runs like a common thread through the exhibition — in the non-existent, imaginated space of a canvas piece or in the fragmented and reconstructed shape of a sculpture: a powerful area of tension emerges.

He is best known for his minimalist works consisting of several solid colored, geometrically shaped pieces of stretched canvas fitted together to form a single work.

The exhibition features a selection of approximately 10 works including distorted new canvas piece that combine two circular forms reminiscent of scenes viewed through binoculars, and painting on pyramid - shaped canvas.

Adian's wall - mounted abstract paintings, made by stretching canvas over shaped pieces of foam, will find themselves in a group show titled «Rascal House» with Blair Thurman, John Armleder, and Stephane Kropf at Half Gallery in January 2015, followed by an installation at Lever House in New York.

Schulz and Bandau: In recent pieces at Sweetow, Bay Area painter Cornelia Schulz goes deeper into a vein she has worked for some years: the multi-part shaped canvas as a foil for one of abstract painting's potential weaknesses: the merely decorative.

Like Stella, but less soberly, perhaps with a thought of Elizabeth Murray (1940 - 2007), Rappaport makes the perimeters of several of his pieces on stretched canvas interact compositionally with shapes painted on them.

In the corner of the annex sits Alizarin Crimson Corner Piece (1974), a painting made on canvas shaped to fit the three sides of a corner.

This is also the case in another Untitled (2015), an Ellsworth Kelly-esque piece that features a pistachio - colored dividing line and rounded shapes in Yves Klein blue undulating across the top and bottom of the white canvas; here, miniscule drips in various hues dot the canvas, undermining the impression of minimalist mimicry.

He soon regarded such aesthetic freedom with suspicion, however, and began to paint more premeditated pieces, such as Number 9: In Praise of Gertrude Stein (1950), in which calligraphic and typographic shapes form a floating, but controlled, network over the entire surface of the canvas.

Large oil - on - canvas pieces, these show latticed rows of light - and dark - grey blobs whose shapes quasi-repeat as they race across the frame, their angle modulating from painting to painting.

His work progresses from hard - edge, shaped painted canvases to systems - based wall pieces and three dimensional work, echoes of which I believe can be seen in the work of artists such as Andrew Bick.

The canvas pieces of Flasche paint on raw linen evoked an organic character and intensified the shapes that float about.

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