Sentences with phrase «shaped piece of steel»

Not exact matches

A power rack is a large, rectangular cube - shaped piece of equipment made from steel (see a pic of mine, on the right), which allows you to efficiently and safely perform any number of heavy barbell exercises.

Baking Chicago Metallic bakeware (jelly roll pans, loaf pans, cake pans, etc.) USA Pan bakeware (their pizza pan will change your life) Fat Daddio's bakeware (their anodized stuff is AWESOME) Silicone baking mats Oven monitoring thermometer (I keep three of these in my oven at all times) 3 piece mixing bowl set (I also have this set)(and this set, too)(#mixingbowlhoarder) Slotted metal spatula Stainless steel whisk Stainless steel scoops Stainless steel measuring cups Stainless steel measuring spoons Heavy duty spatulas Straight spatula Offset spatula Bakery rolling pin Cake stand (I also love these cake stands)(aaand this one) Pastry brush Plain round cutter set (I love the geometric shape cutting set, too) Candy thermometer

Yet another BRABUS specialty for the Mercedes M - Class is the creation of exclusive interior options: Stainless - steel scuff plates with illuminated BRABUS logo, an ergonomically shaped sport steering wheel and leather - covered door trim pieces to upgrade the factory leather are all part of the program, as are exclusive BRABUS fully leather interiors made from meticulously crafted combinations of the finest Mastik leather and Alcantara.

The C5 and C6 frames used hydroformed side rails — single pieces of steel tubing running the full length of the frame, bent into shape via internal hydraulic pressure.

With her latest work, Shettar turned molded pieces of stainless steel into a series of sensual, curved, amoebic and shape - shifting elements.

In the garden, patrons can find Richard Serra's cylindrical sculpture, One, at the end of a long sloping staircase amidst trees, as well as Mark diSuervo's K Piece, a bright red steel sculpture with an rigid shape befitting its name.

Some of those I'd been most drawn to appeared reduced, hardened and flattened, a little too obvious: the 1973 expanse of white Enamelac on an aluminium base that shows in a thin line down the left - hand side and along the bottom; a row of square pieces from the same year, their fat L - shapes of black (oxidised copper, apparently) set off by smaller white baked - enamel squares; and 1985's Catalyst III, with its steel bolts and thin, intermittent lines of black enamel seeming to divide the aluminium base and contain it in a pointedly incomplete frame.

Then lastly, there is a work in the shape of two giant steel coffins set on top of another, the clearest piece alluding to the cycle of life and death.

«For Seven ponds and a few raindrops (2017), the artist molded pieces of stainless steel into a series of sensual, curved, amoebic, shape - shifting elements that have been covered in tamarind - stained muslin.

The next highest lot (right) was Anish Kapoor's Untitled (Mirror), a blue concave egg - shaped piece of stainless steel, that sold for $ 782,500.

He lets the original shapes of the discarded steel pieces determine the form of each sculpture by balancing its compositions with each «found object» or piece of scrap metal.

The exhibit was also not without its usual dose of «creepiness», as in pieces like Tayler Brown's silicone double - headed Chimera, John Haley III's alienesque steel works, William Hand's monstrous mutated figure trapped in a jar, and Chet Zar's own titular piece, featuring two conjoined human heads in the shape of a skin - toned heart.

Artist Matthew Barney says he remembers the first time he saw Serra's arc pieces in the 1980s, large steel plates Serra rolled into wave shapes and half - moon shapes and arranged, without anchors or buttressing, in the compressed space of Leo Castelli's Greene Street gallery in New York.

Mirrored Concorde, 1970 — 1971, is a solid piece of highly - polished stainless steel in a trapezoidal shape first developed by the artist in the early 1950s.

However, he was to abandon their organic and bright shapes for clean geometric lines and the signature, uniform, black finish of his large - scale, steel, three - dimensional pieces, first exhibited in 1964.

Constructed from more than 250 plates of golden, mirror - polished metal cut into wavy latticelike shapes and mounted on steel scaffolding in layers overhead, the piece immediately alters the body language of those who step under it, causing people to look up and catch their reflections spliced between snippets of treetops, buildings, and sky.