Sentences with phrase «shaped space where»

Not exact matches

Telenor's open, public, and flexible space values exploration much more than engagement — it begs employees to meet in the open, where they may bump into unexpected people, and allows them to claim spaces and shape them for brainstorming sessions.
I find that space between striving and resting where my mind is active and my hands are doing what they were meant to do and something that wasn't there before is taking shape.
A DM is utilised to keep the ball in front of the defence so they always have time to shape up but this is completely nullified by a long ball game where the ball is played into space behind or to the side of the defence.
Sam Hinkie built the Sixers starting 5, cleaned up the team after the Disastrous Andrew Bynum deal where Phila lost 2 Starters & 3 — 1st Round Draft picks, got their Cap space in Great shape so they can sign Any Max Free Agent they want & set them up w / a boat load of 1st & 2nd Rnd Draft picks for several more years to come (Phila has 2 — 1st Rnd picks & 5 — 2nd Rnd picks in 2018) & he hired Brett Brown & implemented the playing style & locker room culture that have today & have used for 5 years.
Depending on the space you have for storing your breast pumps and where you want to use them, one needs to look for the right size and shape.
The size of the droplets helps them figure out the speed of the bullet, and their shape can help deduce where in space the victim was hit, whether by a bullet or a fist.
The discovery provides new and exciting information that could better our understanding of some astrophysics, including how certain galaxies obtain their shapes [4]; how intergalactic space becomes enriched with heavy elements [5]; and even from where unexplained cosmic infrared background radiation may arise [6].
Figuring out where the space lab will fall is a complex calculation of the station's altitude, the height of the Earth's atmosphere (which changes according to solar activity) and the station's shape.
These bacterial films may have duped researchers by growing into the channels and spaces where the T. rex's blood vessels and bone cells (osteocytes) had once been, mirroring both the shape and elasticity of soft tissue.
Shape - shifting robots could also be useful in other situations where they must perform a wide range of tasks without packing lots of spare parts, like during natural disaster emergency response operations or on space missions.
At the end of their short lives, the first stars ejected these elements into space, where they gave shape to tiny grains of dust.
Without knowing the shape of pilin, it wasn't clear where the aromatic residues landed in space or how they contributed to electron shuttling.
If you stick with such a plan you will definitely see a change in your body shape and its capabilities in a space of time as short as 12 weeks (this allows at least 4 weeks per block), depending upon where you are in your training you can extend or shorten this time but ideally you want to give each a block a good time to focus upon it.
Mrs. Blandings, where you have the sewing room located will put the fireplace chimney right in the middle of the room, giving you a space roughly the shape of a square donut.
Furthermore, it is about creating a place where people are encouraged, enabled and empowered to shape the spaces as needed (Arndt, 2012).
This lesson is designed for a summer term investigation, where children draw upon the maths strands they've covered and try to find examples of fractions, angles, shapes, etc in real - life spaces.
We have done our best to create an edchat space where people can express an unbiased response to questions about schooling, where educators have a voice in shaping the future through their experience, recommendations and interests.
The second new building — a cube - shaped facility known as the Project - Based Learning Center — will offer space where students will do hands - on projects such as making and flying drones.
Now he lives in the loft, and the main space below is dominated by a huge «datum table» where his wireframe sculptures take shape.
The space below the screen is where the keyboard is, and the overall shape and form of the phone isn't too large as a result.
I write not really knowing where I'm going or how I'm going to get there, but as I write, I pay deep attention to the rhythm the story is taking on, and soon, I'm breaking lines or thinking about my own childhood and putting that on the page or shaping the story into vignettes because I suddenly realize the urgency needed to tell it, or letting the language flow and meander a bit because the story is about our space in time.
«With its grandiose façade, excellent restaurants and facilities, Rashid's redesign includes everything from the colours to the shapes and the furniture to the open spaces, creating a sensual atmosphere where vacationing couples are immersed in our adults only playground during their entire stay.»
That's not to say that Sunshine is devoid of the series» indelible mark of surrealism, as the aforementioned platforming gauntlets that serve as the bonus stages — where Mario is robbed of F.L.U.D.D. and has to rely on his own abilities — seem to be housed in a bizarre, often pixelated dimension, with random shapes and objects suspended in space in such a way that they feel like a precursor to the Galaxy titles.
This creates a diamond (rhombus) shaped grid where the grid spaces are twice as wide as they are tall.
This is the space in which the gaming industry is shaped in a bigger sense, where all the money moves around, and where the dominant conversations exists.
Yes, so that's a great trick we learned from the Last of Us guys, where they had ambient capsules that were approximating the shapes of the objects and they're just doing a screen - space raycasting against that to essentially get to soft ambient shadows, and then we do a multipass version of that, so we get just the direct normal occlusion and also a directional occlusion from the lighting model.
I'm not sure there's ever been a game that did levels like Goldeneye, where they designed the levels first and then figured out what you could do in them, shaping the content to the space.
Astroneer is a co-operative space exploration game where you can deform and shape the terrain as though it were made of Play - Doh.
Limitations in some templates; too much wasted white space (would love my work to be displayed much larger); integration of pages to sell prints and / or products with my work on it in pages with the original artwork (lower priced or alternative options for folks who aren't yet ready to invest in fine art); room setting view where customers can see the size / shape of a painting / print in an actual room like over a couch or bed, in a kitchen, etc; greater options in template layout (social buttons and email NL signup at top of page, etc).
Oiticica's gouache Metaesquema 286 (1958) shows the effective use of simple, monochromatic shapes to create an active, open composition where the forms appear to pulsate across the plane, expanding the field in a rhythmic pattern that infers space beyond the paper's borders.
When faced with the clean slate of a traditional gallery or museum space, I find less to speak to than when given a triangular - shaped room or a place where sound needs to engage not only with a public but also with the potentially unpredictable interactions of nature or machines.
Kelly's shaped canvases would not survive such a stringent test; they are dependent on the spaces where they are displayed.
He prefers an aesthetically lean, visually simple look fort he main living areas of the house, where several spaces of different sizes and shapes contain minimalistic, changing displays of pieces by a mix of young and established Japanese and international contemporary artists, including Olaf Breuning, Tracey Emin, Tatsuo Miyajima, Marc Quinn, Thomas Struth, Yoshihiro Suda, Hiroshi Sugimoto, and Wolfgang Tillmans.
As with the open spaces at Minnesota Street, SoEx creates an environment where visitors can see artists at work and watch an installation take shape in real - time.
Proving the painting's flatness with frontal shapes or solid stripes must have seemed superfluous or monotonous to him; he wanted movement; he wanted your eyes to dance and skitter across the painting, where the ground might be mottled or solid, where the shifts of color and surface pull you closer, where the space between the planes and vibrate or smolder, where color intensities vary considerably.
«Space and Form take shape concomitantly in creating an arena where the creative personality of the artist is in anxious conjunction with his perception of the world around him.»
The shaped paintings on view in this exhibition create illusions of space and depth, where planes may be perceived as simultaneously receding or projecting, allowing the viewer to journey both around and through the work.
Valentin Carron looked to his native Swiss valley, where he employs local artisans to produce his vases made of unrefined concrete, and finds inspiration through the vernacular shapes one finds in its public spaces.
A relatively recent version in Liliane Lijn's series focusing on the shape of the cone, Lost Koan has its parallel in the space above the earth's poles where the solar wind meets with the earth's magnetic field, referred to by astrophysicist Dr Stephen B. Mende as the «lost cone».
Valentin Carron looks to his native Swiss valley, where he collaborates with local artisans to produce works like these vases made of unrefined concrete, and finds inspiration in the vernacular shapes one finds in public spaces.
Big minimal geometric drawings on shaped pages where the line follows folds of the paper, such as «Conservation Class # 5» (1973), keep company with a squared - up Tintoretto of a man falling backward in an open, indeterminate space — the sky, perhaps.
Try to sneak a peek into the gallery office adjacent to this (rather appropriately, roughly square - shaped) space, where two other photographs from the series are displayed.
Tucked in a small, irregularly shaped gallery, Lindberg's luminous installation immediately caught the eye, where individual threads created volume and marked space in a way that belied its virtually imperceptible constituent parts.
(Gagosian Gallery, New York, 2011), 2010 Whitney Biennial (Whitney Museum of American Art, New York, 2010), Living in Evolution (Busan Biennale, Busan, 2010), Pop Life (Tate Modern, London, 2009), When Things Cast No Shadow (5th Biennale for Contemporary Art, Berlin, 2008), Biało - czerwona (Gagosian Gallery, New York, 2008), Joy of Photography (Musées de la Ville de Strasbourg, Strasbourg, 2007), A Retrospective (Vienna Secession, 2007), Summer Love (Whitney Museum of American Art, New York, 2007), Shapes of Space (Solomon R. Guggenheim Museum, New York, 2007), Summer Love (63 Mostra Internazionale d'Arte Cinematografica di Venezia, Venice, 2006), Where Are We Going?
When completed, the structure — a grain silo in the shape of a yurt — will play different sounds and music depending on how many people are in the space, what they touch, and where they stand or sit.
Where each shape ends and a new one begins, the material is highlighted in the negative space.
Isola di San Giorgio Maggiore, Venezia The Glass Tea House Mondrian is an innovative project that provides a space in which to experience architecture, where the pavilion itself becomes the exhibition, an innovative example in which the artist freely suggests a theme and a project, allowing experimentation with the setting, shapes, building techniques and innovative materials.
Lately, she says, she's «been thinking about the many ways in which one can view the same object, and how far one idea or one shape can be stretched, simply through how it is presented»; her new show accordingly runs variations on a fixed subject via a set of «inverted landscape» paintings (plus some 15 drawings), in irradiated hues, where space seems to twist itself inside out.
Individual rooms feature 24 hard - edge abstract paintings, drawings and reliefs by Ellsworth Kelly; 18 figurative and abstract paintings by Gerhard Richter; 14 silkscreens on canvas by Andy Warhol (most from the crucial 1960s); 11 Photorealist artist portraits in various media by Chuck Close; seven Agnes Martin grid and stripe paintings (installed in a heptagon - shaped room, recalling the sublime space at the Harwood Museum in Taos, N.M., where the artist once lived); five geometrically ordered Minimalist sculptures by Carl Andre; and five monumental mixed - media paintings of a decaying German mythos by Anselm Kiefer (plus one large model airplane in lead, an emphatically heavier - than - air machine conjuring the cruel historical weight of the failed Luftwaffe and its celebrated pilot artist, Joseph Beuys).
We believe digital media plays an important role in shaping our society as well as our creative culture and should be celebrated in a space where the medium is literally the message.»
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