Sentences with phrase «shaped spaces between»

-- Avoid gates that have diamond - shaped spaces between slats or V - shaped openings at the top because they pose a safety hazard.

The two turbochargers of the eight - cylinder engine are accommodated, along with the catalytic converters, in the V - shaped space between the cylinder banks, which are positioned at a 90 - degree angle to one another.

He places a mound of bright orange pigment in the V - shaped space between the chairs, the weight of the pigment balances the objects.

Not exact matches

I find that space between striving and resting where my mind is active and my hands are doing what they were meant to do and something that wasn't there before is taking shape.

Economic factors strongly shape both urban and suburban space and the boundaries between them.

Just as quantum mechanics is needed to, and does perfectly, fill the gap between the atomic structure of crystals and their beautiful shape in space, so too it will be needed to link the biochemistry of genetic code and cellular processes to the growth and shape of living things — provided, that is, that such a link can be found at all.

1) i sandwiched the dough between 2 sheets of saran wrap, rolled it flat to about 1/2 ″ and froze it flat for ~ 1 hr 2) i cut out my shapes and spaced them out on my baking pan, then stuck the pan in the freezer again for ~ 1 hr.

Drop oval - shaped spoonfuls of batter on top of the chili, leaving space in between.

Shape balls and place 10 balls of bread on a baking sheet lined with parchment paper, making sure to leave enough space between the balls.

Here's my question about locules, the hollow spaces in a pepper pod.Q: Hello Paul, Is there are relationship between cross-section shape and number of locules in chile pods?

Once your dough is in the right shape, cut it into eight pieces, and then spread them out on the pan so there's space between them.

Shaping a city is typically a matter of striking a balance between competing priorities — cars versus people on foot, privately owned buildings versus public space.

The shape of back»n belly contoured body pillow is to make your body comfortable throughout the night just like your head lies on a soft - cushioned pillow while your back and stomach lie between the hollow space designed purposely to fit in a structure to have an active support of the pillow.

«Instead of a prolonged, comet - like tail, this rough bubble - shape of the heliosphere is due to the strong interstellar magnetic field — much stronger than what was anticipated in the past — combined with the fact that the ratio between particle pressure and magnetic pressure inside the heliosheath is high,» said Kostas Dialynas, a space scientist at the Academy of Athens in Greece and lead author on the study.

Wedge - shaped spaces are left between these segments, so that the segments fit together perfectly when the structure is bent.

Early pioneers in the field of dermatoglyphics (the study of FRS patterns) demonstrated a strong correlation between the inheritance of fingerprint pattern and the overall size, shape and spacing of the ridges.

A comparison of the model - generated shapes with images from the Hubble Space Telescope shows remarkable similarities between artificial and actual galaxies.

They used an abstract space called a «shape - sphere,» which describes the shape of the orbits in terms of the relative distances between the objects.

Their repeated patterns of alternating shapes, separated by either circular or parallel cuts, allowed them to expand into a larger version of the original by leaving regular spaces between the shapes.

Two Voyager spacecraft have observed these anomalous cosmic rays believed to shape the boundaries found between the solar system and interstellar space.

Use an egg - shaped cookie cutter (ours was 10 cm long; you could also make a cardboard template to cut around) to stamp out as many cookies as you can, then transfer them to one of the baking sheets, leaving a little space between the biscuits.

You know as an apple shape there is a small space between being too clingy and being a tent.

Content Page 1 When to use bullet points How to use bullet points Page 2 How to position bullet points How to start a new line within a single bullet point Page 3 How to change the space between bullet points Page 4 How to change the shape of the bullets How to create your own bullets by uploading a picture A GReat resource for young learners.

Active front grille, with grille louvers that open when the fuel cell stack requires cooling Full underbody aerodynamic cover Left - and right - hand charging ports incorporated in stylish front fender vents Flush door handles that feature push - to - release operation Wind tunnel - shaped outside mirrors with integral turn signals Center high - mounted rear stop lamp incorporated into full - width, wraparound spoiler Signature vertical taillamps with subtle fin design Side glass mounted flush with pillars Wheels with clear - covered space between the spokes, creating a sleeker profile while maintaining Cadillac's signature bold wheel design Low - drag roof rack «From the strong, shield grille and vertical headlamps to the crisp body lines, the Provoq is instantly recognizable as a contemporary Cadillac,» said Hoon Kim, exterior lead designer.

Although the outside shapes are nice, it's the details that give the cars an air of quality: tight gaps between the body panels and a minimal amount of space between the tires and fenders.

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These typefaces have been created by professional type designers who have considered the negative space between the shapes of the letters, always with optimum legibility in mind.

Note: The Anterior Chamber is not specified in the diagram; it is the dome - shaped, fluid - filled space between the cornea (the «clear windshield» part of the eye) and the iris.

The 4 beachfront traditional houses are detached and have a living space in between two queen beds, cleverly arranged in an L shape for privacy (ideal if you want to share a room with your dive buddy!).

So if you're drawing a fruit bowl, your positive shapes are the apple, orange, pear... and your negative space is the area in between the fruit.

In her solo exhibit at Chainlink Gallery, Lithuanian artist Gedvile Grace Bunikyte demonstrates how the dichotomy between simple shapes and complexity of mind is one of the most compelling spaces in which to create.

For «East and Beyond,» which depicts a radiant open space above a graceful mountainlike divide, she used a jigsaw to cut separate shapes, then printed the whole by a specially devised method to eliminate the white lines between them when put together.

In his new work he continues to investigate the relationship between light, space, color, and shape, with works that are complex in tone, texture and shadow.

Since Ritchie exhibited «The Universal Adversary» at Andrea Rosen Gallery in 2006, his work has been included in numerous exhibitions including: the Venice Architecture Biennale; the Seville Biennale; the Havana Bienal; «Matthew Ritchie, The Iron City,» St. Louis Art Museum; «Wunderkammern» Museum of Modern Art, New York; «The Guggenheim Collection,» Guggenheim Bilbao, Spain; «Not For Sale» PS1, New York; «Confines,» IVAM, Valencia, Spain; «The Shapes of Space,» Guggenheim Museum, New York; «Between Art and Life,» San Francisco Museum of Modern Art; «The Kaleidoscopic Eye,» Mori Art Museum, Tokyo; «In the Beginning: Artists Respond to Genesis,» Contemporary Jewish Museum, San Francisco; «Experimental Marathon Reykjavik, Reykjavik Art Museum; «The Last Scattering, Phase Two,» London, «To the Milky Way by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in Contemporary Art,» Museum of Contemporary Art, San Diego.

The Spaces Between addresses the social and economic reality that has taken shape in Cuba in recent years.

«When I work I move back and forth between the creation of illusionistic space and a fully non-representational relationship with the process, the surface of the picture, and even the formal considerations relating to its shape,» says Ms Adams.

During those years, Youngerman greatly expanded the scale of his paintings, developing softer, more organic forms, an interest in color optics, and a sense of space in which shapes fluctuate between positive and negative.

According to the info posted on her previous gallery's website, Wanklyn «has long been interested in the relationship between form, shape, space, the limitation of the canvas surface, the idea of speed and the mechanism of memory.

Proving the painting's flatness with frontal shapes or solid stripes must have seemed superfluous or monotonous to him; he wanted movement; he wanted your eyes to dance and skitter across the painting, where the ground might be mottled or solid, where the shifts of color and surface pull you closer, where the space between the planes and vibrate or smolder, where color intensities vary considerably.

«Kelly's visual vocabulary is drawn from observation of the world around him — shapes and colors found in plants, architecture, shadows on a wall or a lake — and has been shaped by his interest in the spaces between places and objects and between his work and its viewers.

About eight years ago Keltie Ferris burst onto the New York painting scene like a bat out of hell, that is, if you define hell as the Yale M.F.A. painting program; back then, her large Day - Glo - colored canvases were perfect crosses between hazy 1970s Color Field painting, pixilated digital space breaking up and reforming in odd - shaped plates, and painterly abstraction at the same time totally avoiding any derivative overlap with artists like Kelly Walker or Gerhard Richter.

Employing densely hued shapes and irregular lines, Rifas creates spaces that oscillate between the two - and three - dimensional.

Rather than clearing things up, however, the multitude of definitions listed in the wall text — much like the shifting shapes of Desmarais» artworks — forced the viewer to continuously renegotiate relationships between bodies, objects, and space.

Hockaday treats plastic clamshell containers with the same detail as protozoa, allowing the spaces within and between shapes to take on the characteristics of a cellular organism.

The works that form this project are thus part of an extended conversation — a moderato cantabile, to use a musical analogy — between shape, space, and color.

White space is clearly as important to Holyhead as the application of colour, the tension between the two is an intrinsic aspect of his compositions, with crisp, stencil - like geometric shapes cutting into flat translucent areas of wash, heightening both gestural process and media and making artistic intentions — an investigation into the enduring possibilities of painting — subtly present.

On the occasion of the show, Carossa exhibits a new body of organic / animal - like - shape sculptures made by using expanded foam, colors and found objects, whose interaction in the limits of both the piece and space, offer viewers mixed feelings, based on a balance between opposite forces, including dirty and clean, hard and soft, bright and opaque, weight and light.

«When we perceive a thing several times in a row, whether in time or space — with no irregular space between them which would create «non-forms» not necessarily caused by the shape of the materials used — we notice these characteristics.»

There is a tripartite interaction in paintings between space (void), shape (pattern), and form (volume).

Her work creates what she describes as the symphony of light: creating minimalist geometric shapes and visuals that explore dark space while inviting people to reinvent themselves through the relationship between objects and visual images.