Sentences with phrase «shapes and colors present»

Like so many other places along the reef, there is a dazzling variety of shapes and colors present.

Like so many other places along the barrier, there is a dazzling variety of shapes and colors present.

Not exact matches

Much modern painting fails to present any clear unity of idea; it appears to be an arbitrary, and sometimes even accidental, medley of colors and shapes.

While awards do come in all shapes and colors, the current Man of the Match award presented in the English Premier League games have been rather very uninspiring aesthetically, with many poking fun at it referring to it as a «yellow brick»

Reading picture books presents your newborn with a variety of shapes, letters and colors that she will begin to recognize as the months go on.

Transitions present themselves in many shapes, forms, and colors.

Most presented outfits combine quite lively and contrasting colors shapes, which will definitely add color to your life.

Originally, del Toro had envisioned making The Shape of Water in black and white as a means of keeping the budget down, but the film is presented in color.

Basic shapes are presented, as well as color and shade, scale, patterns, and combining shapes into tangrams — much like we combine letters into words.

It's all about the grind and folly of everyday life but presented in an exhilarating fashion, each composition an obsessively perfect alignment of line, shape, color, and perspective.

At a recent early summer concert at Utica Square's «Summer's 5th Night,» amid a sea of circled lawn chairs, coolers, parents and small children, there was a whole menagerie of canines present, in all sizes (including tiny cuddly puppies), colors, breeds and shapes.

Every evening presents a different display of colors, shapes and patterns...

Square Enix presents a Slime - decorated joypad that's colored blue and imprinted with images of teardrop - shaped slimes on the buttons and on the front of the shell.

The act of synthesizing items is like a puzzle: the goal is to take a series of items whose properties are presented in the form of various shapes and colors, and place them on a grid.

Aptly titled, Robert Rauschenberg's Collection (1954) presents an array of photographs, fabric scraps, newspapers clippings, wood blocks, paint drips, shapes, colors, and textures jostling with one another and jockeying for position on one vibrant canvas.

This fall, the University of California, Berkeley Art Museum and Pacific Film Archive (BAMPFA) presents the first comprehensive retrospective of work by Harvey Quaytman, an under - recognized figure in twentieth - century American painting noted for his monumental shaped canvasses, material investigations, and interest in color as a pure medium.

A young generation of painters combines a sensual enjoyment of color and format, gesture and storytelling, with a complex understanding of how digital media shapes the present.

The viewer is told what the «real Life» image is in the title of the piece, but through abstraction and reconstruction of that image, the viewer is then asked and challenged to explore the shapes, colors, movements and forms, which the abstraction and reconstruction presents.

The present work may be seen as a formal exercise in the elaborate arrangement of shape, color and texture.

Starting mid-May 2013, Locks Gallery presents Jennifer Bartlett: Chaos Theory, an exhibition looking back at Bartlett's consistent fascination with systems of colors and shapes, from the 1970s until today.

Her site - specific installation presents jagged, three dimensional lines, shapes, and colors set against stark white walls.

Locks Gallery is pleased to present Chaos Theory (1971 - 2013), an exhibit centered on Jennifer Bartlett's career - long fascination with systems, color, and shape.

Working in the tradition of Minimalism, Joel Shapiro's (b. 1941) sculptures present carefully engineered abstract, colored shapes, and play with form, balance and perception.

Around the beginning of the 1970s, Hodgkin's style became more spontaneous, with vaguely recognizable shapes presented in bright colors and bold forms.

Gallery Talk: Saturday, May 5, 1 — 2 p.m. Ranging from poured patterns of positive / negative shapes to cast and reconfigured architectural elements in column forms, «Monocasts & Multipours» presents a select overview of Niho Kozuru's vibrantly colored rubber sculptures made over the last decade.

There is a 1951 mural of primary colors and bold shapes by Dutch artist Karel Appel on one wall of what was the original Stedelijk restaurant, and a new work by conceptual artist Lawrence Weiner, whose retrospective Goldstein organized in 2007, graces the opposite wall and seems to summarize her present challenge: «Scattered Matter Brought to a Known Density With the Weight of the World (cusped).»

When Color Transforms Memory, Ink and Pastel Shape the Mood 440 Gallery presents new monotype prints by Gail Flanery

Painting on raw canvas, she presents an assortment of recognizable objects (fire, smoke, alligators, matchsticks, letters) and simple geometric shapes (circles, zigzags) by using bright even colors and sharpened edges, leaving strong instant impression which continues to resonate visually, and creating moments of perverse tension.

In this show at Barbara Weiss, Heilmann presents a really strange series of pizza - shaped works as part of her «Hellfire» series, which are coated in heavy reds and blacks and seem to playfully re-gender color.

David Richard Gallery is pleased to announce representation of international artist, Mokha Laget and present her first solo exhibition with the gallery, In Shape, In Color.

In her new exhibition at Cheim & Reid, the venerable artist presents a new set of sculpture where the starting point is a skeleton of chicken wire which she expertly drapes with brilliantly colored hand - made paper into vaguely sexual amorphic shapes that appear both playful and poetic.

The 1990s through the present has witnessed the continued efflorescence in painting, as demonstrated in this show by works such as Judith Godwin's Blue, No. 11 (1997), a lyrical expression of mixed emotion, Jasmina Danowski's Tender Trap (2012), in which the artist conveys a sense of moving through an aquatic and sensuous world, Carol Hunt's Easter Morning (2011), featuring a calligraphy of line and shape that conjures archetypal signs and symbols, Katherine Parker's Behind and Above (2011), a canvas built of thin layers of paint that the artist has scraped away to convey a metaphysical awareness of the passage of time, and Susan Vecsey's Napeague Bay, Montauk (2012), in which the subtle color stained into the canvas evokes the emotion of a place remembered and deeply felt.

Mold can come in various shapes and colors and grow anywhere where moisture is present.

Cherry Carpet and Flooring, Dover, NH 11/2011 to Present Flooring Installer • Read and comprehend blueprints and work orders to plan flooring work • Confer with clients to determine how they want their floors and ceilings to appear • Suggest the right materials such as brick, tile or vinyl for flooring work • Choose the right quality and color by taking clients» input on aesthetics and budgeting • Procure the right material for each project by maintaining contact with vendors • Cut and shape floor tiles according to predefined specifications • Install cut and shaped tiles to floors, ceilings and cabinets • Order materials needed for tile replacements and repairing • Perform maintenance services on existing floors and ensure that all safety pads are installed • Replace tiles if they break or are tarnished and ensure that the new one is in sync with the existing design • Install polyethylene films to ensure that water doesn't get in and padded underlayment to reduce noise • Choose and mix adhesives in a safe manner and in accordance to each project's requirements