Sentences with phrase «shapes and colour combinations»

Throughout his artistic career, Geertsen has pursued his very personal vision of «Konkrete» — or geometrical — abstraction with his own distinct exploration of shapes and colour combinations.

Not exact matches

I adore the full skirt and the colour combination of your dress, flare skirts are so flattering on most of us, and I can hide by pear shape behind it!

What is difficult for me (obviously for nobody else, looking at the comments) is the combination of bright colours, big print, wide shape and mix of patters.

It included a 2.5 - litre 4 - cylinder Atkinson cycle petrol engine with D - 4S direct injection technology, water - cooled permanent magnet electric motor, 3 LED - projector headlamp design, Daytime Running Lights (DRLs) are integrated into the upper bumper surface, rear spoiler integrated within the boot lid, L - shaped combination lamps with three - dimensional design, Fluid Titanium body colour, 2 - zone dashboard, seats, door panels and instrument binnacle hood upholstered in amber leather.

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The engine allows for world generation with nearly unlimited colour combinations, sloping terrain, organic variations in shape and orientation, complex underground cave systems, dynamic weather, extreme verticality and highly variable terrain unique to each planet.

The review described his technique as watercolour, gouache, ink and gold leaf pressed down with sealing wax and Strauss, later to be head of Impressionist & Modern Art at Sotheby's, said the combination of shapes and colours represented «the best of abstract traditions».

Arguably, its existence hinges on a magical combination of shape and colour, which can not be pre-selected, otherwise Volkswagen would manufacture it.

The panels in combinations of rectangular and square shapes create a powerful visual effect, with alternating white and coloured stripes illuminating the space that surrounds them.

What makes her artistic contribution so special, is the combination of her forensic - style photographic skills with a seemingly insatiable curiosity for shape and colour in her painting.

2016: Kunsthaus Baselland, Basel / Muttenz; Collaborative exhibition with Douglas Gordon, Taro Nasu, Tokyo (JP); 2015: Dvir Gallery, Tel Aviv (IL); Claymation, Museo Carlo Zauli, Faenza (I); All the possible combinations of twelve lights lighting (one at a time), MACRO Foyer, Rome (I); Many Hands Make Light Work (with Rodney Graham), Until Then, Paris (F); Anything by the Smiths, CAN, Neuchâtel; 2014: I ❤ 1984, Lisson Gallery, London (UK); monk > < nannucci (with Maurizio Nanucci), Quartz Studio, Turin (I); I went to school with someone called Jonathon Monk, Casey Kaplan, New York (USA); IMMA Irish Museum of Modern Art project space, Dublin (IE); Jonathan Monk a Riso, Museo d'Arte Contemporanea della Sicilia, Fondazione Sambuca (I); The Reader, Taro Nasu, Tokyo (JP); More Than Four Hundred Million Ways, Meyer Riegger, Karlsruhe (D); Left Foot, Galleri Nicolai Wallner, Copenhagen (DK); 2013: COLOURS SHAPES WORDS (pink, blue, square, circle), CAC Malaga (E); Less Is More Than One Hundred Indian Bicycles (with words from Rirkrit Tiravanija and a Silver Shadow), Kunstraum Dornbirn (AUT); In Between Exhibitions I, II, III, IV, Yvon Lambert, Paris (F); Senza Titolo, Lisson Gallery, Milan (I); Egg, Centre d'édition contemporaine, Genève; 2012: «They came out of nowhere «he said, pointing to nowhere (with Ryan Gander), Taro Nasu Gallery, Tokyo (JP); Who Ate All The Pies?

Which was: if a painting should be a harmonious combination of free colour, form and line, how do you paint a good portrait or landscape where, by definition, the form colour and line was bound up by the shape and colour of the human face, or this or that hillside?

Instead they themselves are the print with their colour woven in simple shapes and combinations.