Sentences with phrase «shapes drawn in space»

We can use graphs to convey mathematical relationships as though they were lines and shapes drawn in space.

But the trajectories that these rectilinear shapes draw in space are curved.

Not exact matches

The point here, however, is to draw out implications of the narrower truth that a Christian congregation's social form is also shaped by its social space, which in turn is importantly and distinctively, if not exhaustively, shaped by the way biblical writings are used in the congregation's common life.

The second action is to elevate or to draw up the pelvic floor from its relaxed position (in this state, it's shaped like a bowl) to a flattened, tighter position, higher within our pelvic outlet (the space bordered by our two sit bones, our pubic bone, and our tail bone, also known as our coccyx), giving better support to bladder, bowel, and uterus.

So, in your context of a sports hall, obviously shape is one that you have identified and used, but others that quickly come to mind would be dimension and measurement esp for different activities that can be played indoors - the dimensions of different playing surfaces / areas etc; construction design (more shape and space incl scale drawings), costs of construction (lots of maths including rates which could incorporate linear equations with fixed and variable costs); the rules and scoring of different indoor games played (basketball is a good example with different points for different shots); and probably more.

This lesson is designed for a summer term investigation, where children draw upon the maths strands they've covered and try to find examples of fractions, angles, shapes, etc in real - life spaces.

The layering and accumulation of natural materials is part of my motivation and I still feel strongly drawn to creating spaces that can be entered; I feel there's something that hits a primitive nerve about a space that has been clearly built by hand with natural materials (see the main image for an example in The Shape of First Thoughts).

So if you're drawing a fruit bowl, your positive shapes are the apple, orange, pear... and your negative space is the area in between the fruit.

Film works and drawings from performances and installations Mirror Performance (1969), Volcano Saga (1985), Reading Dante (2007), The Shape, The Scent, The Feel of Things (2004 - 6) were shown in the space alongside a publication specially produced with the artist for the occasion.

Juxtaposing dimensional space with drawn and painted shapes, Moore's reductive paintings reflect his interest in the illusions perpetrated by photography and linear perspective.

For example, the various forms in the ink drawings hung in the first space are reflected in the image of a mushroom cloud, which in turn is echoed by the shape of a jellyfish.

«Kelly's visual vocabulary is drawn from observation of the world around him — shapes and colors found in plants, architecture, shadows on a wall or a lake — and has been shaped by his interest in the spaces between places and objects and between his work and its viewers.

In an untitled work from 1963 a labyrinthine and dense series of black lines simultaneously resembles a thumbprint and a black hole of space; in an inkblot drawing from 1995 the small mirrored shapes recall the self - reflective quality of fleeting images of inner thoughIn an untitled work from 1963 a labyrinthine and dense series of black lines simultaneously resembles a thumbprint and a black hole of space; in an inkblot drawing from 1995 the small mirrored shapes recall the self - reflective quality of fleeting images of inner thoughin an inkblot drawing from 1995 the small mirrored shapes recall the self - reflective quality of fleeting images of inner thought.

However, while collage often fills a surface with cut - and - pasted content, Schliebener isolates and reconfigures shapes as decorative details enhanced by the feathery, light strokes of ink drawings and recreated in felt details against a mysterious, generous use of negative space.

«Tara Donovan: Drawings (Pins)» at the Pace Gallery, 510 West 25th Street, opening February 11, 6 - 8 p.m., through March 19, thepacegallery.com Since being featured in the Whitney Biennial in 2000, Tara Donovan has become a bona fide international sensation by using everyday materials — styrofoam cups, pencils, straws, paper plates, Scotch tape, and more — to create sculptures that invade larger spaces that one would think possible with biomorphic shapes, mini cities, and quotidian - made - fantastic vistas.

«Tara Donovan: Drawings (Pins)» at the Pace Gallery, 510 West 25th Street, opening February 11, 6 - 8 p.m., through March 19, thepacegallery.com Since being featured in the Whitney Biennial in 2000, Tara Donovan has become a bona fide international sensation by using everyday materials — styrofoam cups, pencils, straws, paper plates, Scotch tape, and more — to create sculptures that invade larger spaces that one would think possible with biomorphic shapes, mini cities, and quotidian - made - fantastic

Big minimal geometric drawings on shaped pages where the line follows folds of the paper, such as «Conservation Class # 5» (1973), keep company with a squared - up Tintoretto of a man falling backward in an open, indeterminate space — the sky, perhaps.

Zander Blom's exhibition «Place and Space» presents a selection of recent paintings, drawings and photographs in which the artist explores different configurations of lines, shapes and forms.

Biomorphic shapes appear like inkblots hanging in the air, stiffened organic ghosts in fluorescent colours hover within a space drawn in Photoshop.

Pousttchi draws our attention to the often invisible architectures that furnish and shape individual life — whether by capturing various international clocks at the same moment, or combining neon lights with the contorted guard rails used to organize crowds in public space.

Most importantly they draw the viewer into the forest space, asking the them to consider how their own identity is shaped by the landscapes they live in.»

She has also added new ways of applying paint, with a vocabulary that includes impasto surfaces; preternatural forms; geometric shapes; figuration; abstraction; paint dripped from a bottle; compressed space; unstable figure - ground relationships; drawing in paint..

Ordering space became a focus in my new drawings, architectural yet unrealistic, presenting shapes without true function.

Appended with straight or curved elements in contrasting colors, they confirm that he not only made «drawings» in space, but that he also made virtually shaped paintings, and with exuberant results.

Lately, she says, she's «been thinking about the many ways in which one can view the same object, and how far one idea or one shape can be stretched, simply through how it is presented»; her new show accordingly runs variations on a fixed subject via a set of «inverted landscape» paintings (plus some 15 drawings), in irradiated hues, where space seems to twist itself inside out.

Individual rooms feature 24 hard - edge abstract paintings, drawings and reliefs by Ellsworth Kelly; 18 figurative and abstract paintings by Gerhard Richter; 14 silkscreens on canvas by Andy Warhol (most from the crucial 1960s); 11 Photorealist artist portraits in various media by Chuck Close; seven Agnes Martin grid and stripe paintings (installed in a heptagon - shaped room, recalling the sublime space at the Harwood Museum in Taos, N.M., where the artist once lived); five geometrically ordered Minimalist sculptures by Carl Andre; and five monumental mixed - media paintings of a decaying German mythos by Anselm Kiefer (plus one large model airplane in lead, an emphatically heavier - than - air machine conjuring the cruel historical weight of the failed Luftwaffe and its celebrated pilot artist, Joseph Beuys).

When soft colors like eggshell, beige, and faded brown appear in her works, they highlight adjacent white shapes, drawing the viewer's attention to it as positive, rather than negative space.

A new show at Regen continues her investigations into the ways in which environment can be shaped and molded with a series of sculptures that draw the viewer's attention to the space at its heart.

The sculpture's sinuous shapes and curves twist around to create a three - dimensional drawing in space.

For the installations and wall drawings in «Dentro, o que existe fora» (Inside, What Exists Outside), the artist used colored planes to form simple geometrical compositions that nonetheless produced complex experiential effects, giving the impression of three - dimensional shapes folding into and out of the corners, walls, and floors of the gallery, as if collapsing out of and drawing viewers into revealed spaces existing parallel to the structural planes of the

His aim is to draw viewers in with artwork that explores the relationships between shape, color and the space around the work.

Participants use the fundamental logic of elevation drawing to think through the science of water and the way in which it shapes space.

A wall drawing is part of an interior space (whether lobby, nave, or cave): it responds to a situation, a context, and, in turn, helps shape the intellectual and social environment that surrounds it.

The linear shapes mapped out in these early drawings acquire an architectural value as they define and illuminate space through these recent sculptures.

Drawing, painting, and shaping surface using a variety of media and application enables me to visit different viewpoints of reappearing forms, as well as revealing change over time in each picture's space through addition or subtraction.

An architect might draw lines on a page; Chadwick developed a technique of taking steel rods and welding them together in space to criss - cross, join and radiate out, which formed three - dimensional shapes in space (armatures) akin to the architect's space frame.

His visual vocabulary was drawn from observation of the world around him — shapes and colors found in plants, architecture, shadows — and has been shaped by his interest in the spaces between places and objects, and between his work and its viewers: «In my work I don't want you to look at the surface; I want you to look at the form, the relationships.&raquin plants, architecture, shadows — and has been shaped by his interest in the spaces between places and objects, and between his work and its viewers: «In my work I don't want you to look at the surface; I want you to look at the form, the relationships.&raquin the spaces between places and objects, and between his work and its viewers: «In my work I don't want you to look at the surface; I want you to look at the form, the relationships.&raquIn my work I don't want you to look at the surface; I want you to look at the form, the relationships.»

In other canvases, floating geometrical shapes dip underneath and hover over pictorial objects, making space both collapse and expand — and in the process drawing attention to the physical mechanics of sighIn other canvases, floating geometrical shapes dip underneath and hover over pictorial objects, making space both collapse and expand — and in the process drawing attention to the physical mechanics of sighin the process drawing attention to the physical mechanics of sight.

LG: The cut - out shapes are very hard edged and flat however your collages often drawn with a naturalistic space, the perspective looks observed as if you were painting directly in response to an observed scene.

Drawing is the foundation of his work, initially capturing gestures, form and shapes from the landscape that are then expanded upon in his studio space to create fine art pieces.

Shaping the Void II @ Tannery Arts This little space behind the Drawing Room in Bermondsey plays host to a group show of emerging artists.

Drawing attention to the shape of insurance industry just before nationalisation in mid-1950s, Vijayan said, «in India, smaller companies do have a space.

-- On our floor plan above we didn't draw the island in any particular shape or size because I prefer to see the space opened up first before we decide.

Their long shape draws the eye up, carrying it around the room, instantly making the space feel lighter and brighter — perfect in a country bedroom.