Sentences with phrase «shapes in primary colors»

He developed a rigorous form of abstract painting known as Neo-Plasticism, which generally reduces forms to geometrical shapes in primary colors.

Not exact matches

Colors and shapes and relations, on the other hand, are kinds of being which of their very nature must be thought of an inhering in primary Entities, if they are to be thought of as being at all.

Playmats and gyms, blocks, cloth books, and teething toys all come in black and white, or bold primary colors, and have a variety of textures and shapes.

We offer a variety of travel bags and pouches in different shapes, sizes and materials, including calf leather and nylon in bright primary colors or waxed canvas in neutrals.

Crisp lines, flat, decorative color and primary shapes simultaneously recall the authority of traffic signs and the seductive nature of corporate advertising, betraying Biltereyst's background in graphic design.

Sawyer's free form shapes overlap / underlap or emerge by incising in her palate of primary colors plus black white and gray.

The first thing I saw were these large canvasses filled with primary and neon colors arranged in interesting geometric shapes.

He is acclaimed for an unparalleled modernist painting style, depicting his figures in geometric shapes and dynamic poses that he rendered in bold, contrasting primary colors.

After visiting the Paul Klee Foundation in Bern, Switzerland in 1977, Natkin embarked on the Bern series, which finds the geometric and biomorphic shapes of his earlier Field Mouse pictures on expanses of strong, saturated primary colors applied using rags and sponges soaked in paint.

The home, in particular, is an ongoing theme for Chun, whose third exhibition at Poem 88 delivers her familiar world of primary colors and basic shapes in a variety of media, fluctuating between recognizable imagery and geometric form.

The interplay of Daphnis» carefully chosen palette and dynamic shapes results in a vibrating, tension - ridden energy that allows color to be the primary element of the work, unconstrained by line or form.

Krushenick avoided explicit representation, but there is an often weird sense of narrative animation in his tautly frontal compositions of flat, primary - colored shapes defined by black cartoon lines.

Following the certain degree of the abstraction within the post-impressionist artworks, Piet Mondrian was interested in geometrical abstraction and the use of primary colors — red, yellow and blue and its complex relations to geometric shapes and lines.

There is a 1951 mural of primary colors and bold shapes by Dutch artist Karel Appel on one wall of what was the original Stedelijk restaurant, and a new work by conceptual artist Lawrence Weiner, whose retrospective Goldstein organized in 2007, graces the opposite wall and seems to summarize her present challenge: «Scattered Matter Brought to a Known Density With the Weight of the World (cusped).»

Pushing the edges, often literally, of his primary disciplines, artist Tony DeLap has dedicated close to half a century to exploring the seam between sculpture and painting, merging the boarders of architecture, design and art, reducing to the most basic expression of form, shape, scale and color, while remaining devoted to the search for beauty in the creation of a simple object.

Foil (2011) for instance, evokes the crescent shapes and primary colors of Joan Miró, but with a confounding haziness described by one critic in Artforum as «somewhere between a bumpy sfumato and the signature spray of graffiti.»

Artists representing various movements and geographical backgrounds are all there: Cubist, Dada, and Russian avant - garde artists of the 1910s and 1920s, with their images of flat, intersecting planes and floating shapes; artists associated with Minimalism, Op art, and hard - edge abstraction in the 1960s and 1970s, whose primary interest lay in the investigation of reductive form and color; and contemporary artists who continue to exploit the infinite potential of simple geometries.

He worked in spare, geometric shapes and primary colors.

At first, Kimber Smith's paintings seem to be all about color, unadorned primaries held in a few simple shapes, evoking a modern lineage from Matisse to Color Field paincolor, unadorned primaries held in a few simple shapes, evoking a modern lineage from Matisse to Color Field painColor Field painting.

Sarah Crowner integrates repeated shapes and patterns — often in saturated, primary colors — into graphic compositions that evoke hard - edge painting, modernist design, and textile production.