Sentences with phrase «shaping personal identity»

Rothman - Zecher has an exquisite ability to vocalize the historical contexts that shape personal identity.

Not exact matches

It may sometimes involve shaping learners» personal identities.

Learning them usually involves some shaping of one's life, some forming of one's personal identity.

The identities being shaped are precisely personal identities constituted in large part by their sociocultural situatedness.

Personal identity depends on the primacy of the personal past in shaping whoPersonal identity depends on the primacy of the personal past in shaping whopersonal past in shaping who we are.

Personal identity is always shaped most decisively through firsthand interaction in intimate groups, the family of origin being the most significant.

Some involve far more shaping of one's personal identity than do others.

The connection between freedom and time (and between them and selfhood or personal identity) appears clearly in Sartre's insistence that the good novel present a self shaping an open future, not a puppet ruled by the past whose end is contained in his beginning: «But in order for the duration of my impatience and ignorance to be caught and then moulded and finally presented to me as the flesh of these creatures of invention, the novelist must know how to draw it into the trap, how to hollow out in his book, by means of signs at his disposal, a time resembling my own, one in which the future does not exist.

What matters is the way the community's identity is shaped and the ways in which its members» personal identities are shaped.

The biblical narratives and related writings are used in the activities comprising the community's common life to help shape and even transform the personal identities of the group's members.

These are activities in which the communal identity of congregation and the personal identities of its members are shaped in ways appropriate as responses to God's presence in Jesus of Nazareth.

Faculty members and advisers have to recognize that who students are as scientific trainees can not be separated from their larger personal identities, which have been shaped by the way the world at large interacts with them.

They come to understand how personal, group and national identities are shaped, and the variable and changing nature of culture.

Students identify the social and cultural factors that help shape our identities by analyzing firsthand reflections and creating personal identity charts.

SHINIQUE SMITH: Wonder and Rainbows @ Frist Center for the Visual Arts Nashville Evocative of her own experiences, observations and values, Shinique Smith «s highly expressive paintings, sculptures, and installations often incorporate personal possessions which she believes «can inspire memories and shape our experience and identity.»

Based on the practice of articulation and reinterpretation that has characterised his artistic activity, Add Fuel presents in «Something old, something new, something borrowed» a staging of an intimist nature arranged in a type of idealised and stylised domestic setting — part genuinely cosy, part openly satirical — , that suggests a narrative of decorative contours that aggregates a multiplicity of references, iconographies, and signs which, in one way or another, have contributed towards shaping his personal and artistic identity.

«Personal and Political» refers to Carol Hanisch's essay of 1970, recognizing that family, the work of love and care, sexuality, identity and subjectivity are shaped by political power.

Challenging the conditions of his personal history, placing himself in the public domain, or recreating situations as a means to comment on the cruelty, inequity, and the sometimes irrational character of our socio - political circumstances, Paci reveals how identity is shaped and socially conditioned by the global socio - economic apparatus.

Personal identity can be shaped and designed by digital images and by a «self - brand» that we create online.

Kahn's work concentrates on issues that shape personal and cultural identity.

Mildred uses a visual vocabulary shaped by «memory, history, family, identity and place,» but seeks to engage the viewer in a «laboratory for creative dialogue» that transcends personal particulars and is transformational.

Drawing from sources as diverse as African mudcloth, Japanese shibori, and Native American basket weavings, Julie Chang in her solo exhibition «New Works» investigates how identities are constructed, engaging patterns to explore the personal and political forces that shape and misshape our lives.

Reinhard Mucha and Rachel Whiteread, whose works involve architectural spaces and objects embedded with personal histories, examine narratives that shape individual as well as collective identities.

Her work «revolves around black American history and ways in which technology shapes identities, often with her own personal history as a point of departure.»

As the artist states, his paintings «serve as both a personal homage to those people and experiences that have shaped [my] own individual identity and beliefs, and a reminder of their broader social and historical impact.»

Organized with unprecedented access to David Bowie's personal archive, this exhibition explores the creative process of an artist whose sustained reinventions, innovative collaborations, and bold characterizations revolutionized the way we see music, inspiring people to shape their own identities while challenging social traditions.

Each work attempts to add specificity to an aspect of black identity, using history, political circumstance, and narratives that have shaped personal constructions of black identity.

The idea of climate change should be seen as an intellectual resource around which our collective and personal identities and projects can form and take shape.