Sentences with phrase «shared by the other artists»

The lure of Buddhism has brought her to a language that is shared by other artists, from Brice Marden to Philip Glass.

Not exact matches

I didn't get to see many of these in other blogs because they featured other artists:) thanks for sharing, I specially love the one Zhou Xun wore by Chanel!
Other works with multiple nominations include DC's Mister Miracle with 3 (Best Limited Series, Best Penciller / Inker and Best Coloring for Mitch Gerads) plus 2 shared (Best Writer for Tom King, Best Cover Artist for Nick Derrington); The Flinstones (another DC title) with 3 (Best Limited Series, Best Humor Publication, and Best Writer for Mark Russell); and Groundwood Books» Louis Undercover by French creators Fanny Britt and Isabelle Arsenault (Best Publication for Teens, Best Penciller / Inker and Best Lettering for Arsenault).
The legendary artist was an inspiration to legions of fans and other artists, and many shared their grief by paying tribute to their hero with heartfelt creativity on social media.
So along with my own web searches and studying other artists works and techniques (those who share), I learn by doing.
They are shown alongside works by other artists who have shared Albers's fascination with color.
While the works by Hanneline Visnes (b. 1972) and Mary Viola Paterson (1899 — 1981) share thematic representations of elements of nature, the display of the works alongside each other highlights the way artists in different periods have considered their works vis - à - vis the economic aspects of painting and printmaking.
These paintings will appear alongside work by Nate Lowman, Elizabeth Peyton, Raymond Pettibon and Mike Kelley, among others — not all the same generation but artists seen to share Cobain's renegade sensibility in one way or another.
His notion that movement, sound and visual art could share a «common time» remains one of the most radical aesthetic models of the 20th century and yielded extraordinary works by dozens of artists and composers, including Charles Atlas, John Cage, Morris Graves, Jasper Johns, Rei Kawakubo, Robert Morris, Gordon Mumma, Bruce Nauman, Ernesto Neto, Pauline Oliveros, Nam June Paik, Robert Rauschenberg, Frank Stella, David Tudor, Stan VanDerBeek, Andy Warhol and La Monte Young, among many others.
I talked to other artists realized it would be important to share the kinds of things I was getting from works by reading the formal language that I had clarified for myself working in the architecture school.
All participating artists share an ambition and courage to venture out into the world and carve a name for themselves; some have already won important art prizes, others have been picked up by influential galleries or admitted to prestigious postgraduate institutions.
You can join the NMWA and several other institutions in the conversation by sharing stories of women artists using the hashtag # 5womenartists on Twitter and Instagram.
Published to accompany his exhibition at Tate Liverpool, «Glenn Ligon: Encounters and Collisions» assembles artworks and texts by Ligon and other artists with whom «he shares certain affinities.»
I haven't seen their earlier work side by side since the «Sixteen Americans» show in 1959, and the juxtaposition suggests that what they share — and what sets them apart from other artists — is a unique relationship to abstract expressionism.
Also included in «Big Spaces and Large Planes» are: the loosely graphic paintings of Cathy Fiorelli who shares studio space with eleven other artists at the Middletown Pendleton Art Center; the perceptive works on femininity of Pattie Byron from West Chester; the Kente Cloth - inspired art quilts by Miami University - educated Linda Kramer; the mixed media of Oxford's Maureen Nimis with her cut paper and photographic work; the small works by Catalog & Slavic Librarian at Miami University, Russian - born Masha Misco; and the jewel - like small photographs of Denver - born Cincinnati resident Brian Luman whose exploration of urban crevices is fueled by his skateboard and camera.
Created by Grant in conjunction with other artists and members of the public, the process of working jointly invites contemplation of Cixous's concepts and develops a platform for shared imagining.
Works by artists such as William Blake, Louise Bourgeois, Martin Creed, Richard Hamilton, Nicola Hicks, Jim Shaw and Tøyen are displayed alongside a medieval silver hand containing the bones of a saint, an electronic prosthetic hand that connects with Bluetooth, a bisected 3D model of Snoopy showing his internal organs, and many other treasures that all share connections.
(Though I still think the idea of stretching the mandate that no other artist's work be shown in the Clyfford Still Museum by showing the threads between Still and Van Gogh in images accessible via iPad, rather than physical Van Gogh paintings sharing the galleries, doesn't work.)
When he unveiled his often lukewarm collaborative pieces with Warhol in 1985, the New York Times savaged him as an «art - world mascot» and an «all too willing accessory,» as if he were merely an instrument in the hands of the older, white, artist (in actuality, as Boom for Real shows, the pair shared a genuine artistic affinity, and were mutually beguiled by each other's work).
But now, in a rare pairing, this 77 - year - old artist will be represented worldwide in an exclusive arrangement shared by Dominique Lévy and Marianne Boesky, who run their own, very different, galleries — one uptown, the other in Chelsea.
Artworks by 19 participating artists are at times playful and poignant, including: Jim Hodges's eerily captivating pink crystal skull, divided in two, forming a (broken) heart; Felix Gonzalez - Torres's poetic light strands and touching brass rings; Louise Bourgeois's hand - sewn couple merged at the belly; Ron Mueck's miniature yet monumental spooning couple; Juan Muñoz's wall - mounted men sharing a hearty laugh at each other's expense; Katharina Fritsch's fantastical octopus embodying fear, control, and helplessness; Yinka Shonibare MBE's headless ballerinas concealing revolvers behind their colorful skirts; and Maurizio Cattelan's slyly humorous pair of inverted police officers, which take on a new resonance in the wake of recent violence and protest.
The ones left by our species as a testimony of our passage on earth, those created by artists sharing their vision of the world, and others oscillating between natural and man - made, organic and manufactured.
All of the featured artists share a desire for a certain level of process or ritual in their forms, with works by Eric Amouyal, Ryan DaWalt, Robert Otto Epstein, Rico Gatson, Tamara Gonzales, Sheryl Oppenheim and several others.
The backbone of this Gund Associate (intern)- curated exhibition is composed of Gund Gallery collection works ranging in date from the late 1960s to the early 2000s by artists such as Claes Oldenburg, Corita Kent, Roy Dean De Forest, William T. Wiley, Don Nice, David James Gilhooly and others who share an anti-establishment agenda.
In this video, co-founder Sidney Felsen shares stories behind works by Joseph Albers, Robert Rauschenberg, Frank Stella, Roy Lichtenstein and other artists featured in the exhibition.
Peres Projects is please to share that Donna HUANCA will exhibit works alongside nine other Berlin based artists from Germany and the US in a new group exhibition, curated by Dr. Jeni Fulton and Dr. Barbara Jenner.
Others seek to keep up a program born out of subjective endeavours and shared with a worldwide community: such as LIFE SPORT in Athens, which sells «critical wearables» — the LIFE SPORT joggers — as an attempt to generate alternative arts funding in a time and place where there is none; Opening Times, which is an online - only exhibition platform; Peach, an exhibition space and home in Rotterdam; and I: project space, which fills a gap in the Beijing art scene by presenting video art and supporting artist exchange via residencies.
NEH awards $ 173,833 grant to VMFA to digitize Louis Draper archive Project will enhance access to works by leading 20th - Century African American artist The National Endowment for the Humanities has awarded the Virginia Museum of Fine Arts a $ 173,833 grant to digitize, preserve and share its archive of photographs, negatives and other materials from Richmond - born...
G. Gibson Gallery presents work by 12 artists whose primary medium is based in photography, and who share their knowledge and experience with others in the field of education.
Ann Goldstein, director of the Stedelijk Museum, remarks: «We are delighted that ARTtube offers a special new platform for us to reach out to our publics and new audiences by sharing stories, insights from artists and the important work we do to maintain the collections entrusted to us in this wonderful partnership with other museums in our region.»
While also held together by shared processes and materials, the artists respond to their common art historical reference point individually, some with subversive wit, others through their use and juxtaposition of materials.
Artists can support each other by sharing information, artist open calls, spreading good leads, etc..
The Bemis Center's exhibition and residency programs are contextualized, in part, by a series of diverse, thought - provoking public programs, such as knowledge - sharing workshops, panel discussions, artist lectures, film screenings, and performances, among others.
Public Program and Education The Stedelijk continues its multi-faceted program of activities and events, featuring: performances by acclaimed artists such as Matt Mullican and Ben Kinmont; film evenings with Fiona Tan, Morgan Fisher and Laura Mulvey (among others); Gallery Talks by experts such as Ann Goldstein, Sven Lütticken and Susanne Figner Ruembeli; Collection Close - Ups with curators and conservators sharing their latest research, with Jiro Kamata, Reesa Greenberg, Julia Robinson and others; lectures by artists such as Bert Theis, The Yes Men, Nomeda & Gediminas Urbonas and Teresa Margolles; book presentations; symposia; live music and much more.
The first two sections of the exhibition (titled «Literally Stealing» and «Iconographic Poaching») share the same gallery space, merging with each other on the coloured walls of the exhibition architecture conceived by fellow Berlin - based artist Manfred Pernice.
The artist shows a bit of his work environment, which he shares with other artists, and answers to a question by, curator and Nominating Committee member, Daniela Labra: «What is the main shortage you observe in the field of Brazilian contemporary art?»
In the spirit of Skyway, the regional artist exhibition shared with museums in neighboring counties, Made in Tampa features Tampa - themed works by Robert Rauschenberg, James Rosenquist, Richard Anuszkiewicz, and others who have worked in our city at various times in their careers.
Because normal folk are in social media spaces to create «sceniuses» i.e. places where people (i.e. «artists») can share stuff they made (i.e. their «art») together, and therefore learn and improve by interacting with each other.
They were told of each other by the artist Paul McCarthy, who wanted to introduce them because of their shared love of the sport and their use of the same skis, but he never got around to setting it up.
I've spent years doing one - on - one coaching with other artists... it finally occurred to me that by sharing these conversations, they could reach more people.
Sharing some really awesome pieces by other artists is totally fine too.
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