Sentences with phrase «shares stories of the film»

In this EdCast, Hirsch, shares stories of the film and explains why this subject is so personally important to him.

Not exact matches

This is a month - long online seminar program hosted by authors, speakers, and social justice activists Patti Digh and Victor Lee Lewis, who was featured in the documentary film, The Color of Fear, with help from a community of people who want and are willing to help us understand the reality of racism by telling their stories and sharing their resources.

This classic 2 hour lecture was filmed when Jane Nelsen had children at home and shared many of the personal stories of how she used Positive Discipline tools with her own family — as well as examples from participants in her parenting groups.

The mass culture of film reeled across class, ethnic, racial, and regional lines, drawing one and all into shared stories and imbuing us with the sense that reality itself is as changeable and ephemeral as the names on the movie marquee.

This film shares stories of other families who watched their children recover from autism, asthma, weight gain, skin and digestive disorders and other maladies after removing GMOs and pesticides.

None of that is right in the foreground of the film's latest trailer, which doesn't mean that it isn't terrifying: The film's intimate title and POV comes The New Scariest Thing You Didn't Know About «The Silence Of The Lambs» The costume designer shares a new on - set story about Anthony Hopkinof that is right in the foreground of the film's latest trailer, which doesn't mean that it isn't terrifying: The film's intimate title and POV comes The New Scariest Thing You Didn't Know About «The Silence Of The Lambs» The costume designer shares a new on - set story about Anthony Hopkinof the film's latest trailer, which doesn't mean that it isn't terrifying: The film's intimate title and POV comes The New Scariest Thing You Didn't Know About «The Silence Of The Lambs» The costume designer shares a new on - set story about Anthony HopkinOf The Lambs» The costume designer shares a new on - set story about Anthony Hopkins.

You can also read the stories of others impacted by the film or even share

The film shares similar themes of a mother protecting their child from an unseen figure whose presence is felt from the beginning of the story.

Granted, Winstone shares a kindred spirit in the conflicted, star - glasses - wearing Bob Hoskins from Neil Jordan's equally undermining Mona Lisa, yet Glazer's film bravely favors a story of nominal stasis, allowing the focus to shift to the infantile yet complex characters Winstone's thug shares the film with.

In fact, the first half of «Mississippi Grind» almost plays out as an unofficial remake of the 1974 film, sharing more than a few character traits and story beats in common.

At the Critics» Week — where, in the interest of full disclosure, I served on a competition jury comprised of three other critics and the South Korean director Lee Chang - dong — the highlight of an unusually strong lineup was Take Shelter, the second feature by Shotgun Stories director Jeff Nichols, an acknowledged Malick acolyte whose new film shares a producer with The Tree of Life as well as a leading lady, Jessica Chastain (reportedly at Malick's personal recommendation).

Alden Ehrenreich talks about continuing the legacy of Harrison Ford's portrayal of an iconic character and shares some of his favorite moments from filming Solo: A Star Wars Story.

Before SXSW kicked off, I spoke with writer / director Noah Baumbach, who shared writing credits with his wife Jennifer Jason Leigh for his latest film, GREENBERG; a coming of age story about a guy (Ben Stiller) who's way too old to be coming of age.

We're going to be seeing films of all kinds and genres within this shared universe, and more so than any of the other MCU films, Black Panther feels like an invitation for everyone to take part — to tell stories from unique perspectives and world views, and to bring cultural, ideological, and social ideals to these comic book heroes.

In this Sundance award - winning film, Director Matthew Heineman and Executive Producer Kathryn Bigelow («The Hurt Locker», «Zero Dark Thirty») gain unprecedented, on - the - ground access to the riveting stories of two modern - day vigilante groups and their shared enemy — the murderous Mexican drug cartels.

The film stays true to the beautiful story and heart of the musical that may have its fair share of deaths, but can also be downright hysterical and joyous.

As Hollywood churns out sequels, reboots, and shared universes, sci - fi films like Arrival are proving the value of self - contained stories.

Wain shares in the savvy viewer's exasperation with this particular strain of self - importance, peppering the film with similar implied eye - rolls at the unavoidable seriousness of Kenney's story.

Whilst many films focus on a central protagonist or couple, others rely on a collection of characters to share the focus of the story.

Unbelievably, given the violence that Arlen (Suki Waterhouse) endures in The Bad Batch and its ties to that which Miami Man (Jason Mamoa) dishes out, the film turns out to be something close to a love story — of two people discovering a rapport both in their shared cultural deprivation and fondness for a little girl who never knew a world before the one she calls home, the ironically dubbed Comfort community.

Instead, they could be using the film to bridge The Flash's origin story with the rest of the shared universe, by also potentially giving audiences some sort of closure to Zack Snyder's Knightmare storyline and perhaps even giving Ben Affleck a send - off as Batman.

The Blu - ray combo pack includes a «Making of» featurette that goes behind the scenes of filming in two languages with a local cast, who share their painful stories of their personal conflict during the war.

Jumping the Broom, whose title comes from a wedding tradition Pam alone wishes to see honored here, marks the feature film debut of director Salim Akil (a veteran of TV's «Soul Food», «Girlfriends», and «The Game») and Arlene Gibbs, who shares screenplay credit with story - credited Elizabeth Hunter (an alum of «ER», «The L Word», and «Charmed»).

It's fair to say that the premise doesn't deliver huge dramatic impact, but the film has a poignant, reverberant quality shared by another film — A GHOST STORY starring casey Affleck as a dead husband who lurks around his young wife (Rooney Mara), stalled in transition and caught in a loop of time.

With a voice - over style that reminded me of The Wolf of Wall Street, the fast - talking, no - nonsense narration by the principal character Molly Bloom (Jessica Chastain) interjects in and out of the film and shares her story as though she were giving an interview to a reporter.

Watch new footage from the film, which shares more of the story, after the break!

But while those factors all help elevate The Proposal beyond the average fare for this genre, some of the film's content will make it difficult to share this story with your family.

«We walked, we shared the stories of our lives, and we put the film together for everyone who has ever felt lost in their life,» Reese Witherspoon said about working with «Wild» co-star Laura Dern

We were lucky enough to have Peter join us at UNIT BAR, where he shared charming, insightful and emotional stories on the topic of our favourite Bogdanovich films, specifically those that are criminally under - seen for various reasons: Saint Jack, The Thing Called Love, Texasville, and Noises Off... He also mentions two new projects in development at the time, including She's Funny That Way (formerly known as Squirrel to the Nuts).

Or maybe it's just the prevailing penchant for back stories that impelled screenwriter Etan Cohen to rewind the clock so that Smith's Agent J spends much of the film in 1969 doing his best to save the life of the young Agent K, while we ponder the hitherto unremarked realisation that, yes, Josh Brolin really does suggest a younger Tommy Lee Jones, to cite both the franchise newbie and the veteran who share that role.

Through this extraordinary journey the film shares a story of love in the face of death.

The film shares their intimate stories with touching candor, and in doing so reveals basic truths about all parents and all children, truths of acceptance and love that feel especially urgent at this historic moment.

Comprising archive footage and first - hand accounts, Claire Ferguson's film feels vital in sharing harrowing stories of life in concentration camps, while the message is clear: even 70 years later, these survivors will never be fully free.

This film shares elements of story and tone with numerous members of the sci - fi / horror / alien genre, including two in particular (an all - time classic, and a recent Oscar winner).

More than half the films of my list share stories that focus on women or girls: Mad Max: Fury Road, Brooklyn, Inside Out, Room, Star Wars: The Force Awakens and Far From the Madding Crowd (Additionally, I would argue that Ava's narrative in Ex Machina also drives that film and that Domhnall Gleeson's character primarily functions as a stand - in for the audience).

Only God Forgives shares the previous film's star Ryan Gosling and a strong sense of style, but it doesn't have the love story or noirish plot to give it a backbone.

Sunshine is more of a purist sci - fi film than has come out in recent years, perhaps just a shade less esoteric than another notable entry, Soderbergh's remake of Solaris, less philosophical than Aronofsky's The Fountain, less menacing than Alien, less action - oriented than Armageddon or The Core, and definitely far less jocular than Star Trek IV: The Voyage Home, although it shares many story elements and themes from all of them.

The film tells the story of the train journey, while also flashing back to the young boys» upbringing in Sacramento, California, notably Stone and Sadler, both of whom have a deep connection as friends, but also share the fact they are both being raised by single mothers (played by Jenna Fischer and Judy Greer).

All three of these films share a story impacted by the...

In the video above, he shares stories about some of the movies most near and dear to him, including Vittorio De Sica's Bicycle Thieves and John Frankenheimer's Seconds — which he first saw while attending film school at USC, where he also worked as a projectionist — and Mike Nichols's The Graduate and Bob Fosse's All That Jazz, which brought home to him the «power of editing.»

This is a pretty good track, as this trio shares anecdotes about the making of the film, and share many humorous stories.

The production is as unconventional as the film story and direction and these featurettes share some of the process.

Both mediums share the same overwrought and needlessly complicated story but they also have some of the most exciting fight scenes and chase sequences outside of a big budget martial arts film.

While the film's title screams warm nostalgia, Chan avoids channeling the familiar sentimentality that makes indies with similar themes too cloying, telling a more understated, refined story of a tense sibling rivalry and shared regret and reflection.

They shared some funny memorable moments from filming (Jack Black share a great story about ripping a bit of improv from Joaquin Phoenix), the challenges of trying to make Don't Worry in 25 days, what it was about the material that got Gus Van Sant and the cast involved, what it was like shooting the group scenes, what Van Sant learned from early screenings, and a lot more.

Composer Carter Burwell and sound designer / mixer Skip Lievsay talk about their remarkable 30 - year collaboration with the Coen Brothers and share stories starting with Blood Simple in 1985 and continuing through all 17 of the Coen's films.

In our conversation, I pointed out to the director that by speaking about his life and sharing it in the form of an animated film inspired by the life story, he was making himself vulnerable to a countless number of people.

She writes about her struggle and, in one of the strongest scenes in this film, shares her story, written as a poetic allegory, with her class.

Moreover, being contacted by film directors Yareli Arizmendi and Sergio Arau to share my life story for their upcoming documentary based on a book, Harvest of Empire by Juan Gonzalez, solidified my purpose for being at HGSE: to create awareness of college access for immigrant students.

In an effort to do this, the Teacher Salary Project has increased public awareness, pushed to influence policy, provided thought leadership, and shared stories and research, including The New York Times bestselling Teachers Have it Easy; the Big Sacrifices and Small Salaries of America's Teachers and the nationally acclaimed feature length film, American Teacher.