Sentences with phrase «sharing images of art»

In a conversation via email, I spoke with Hickey about how our obsession with sharing images of art on social media platforms is changing creative culture.

Not exact matches

Over the last few years, Trump has cultivated an image as something of a connoisseur, giving interviews to international media about her favorite artists and sharing advice for beginner art collectors on her blog.

Loving thoughts, spoken words, body language, physical touch, momentary interactions with others, acts of mercy and kindness, creating and sharing images of Love through song, art, photography and all creative forms, giving others attention, being fully present and listening to others, affirming the spiritual identity of others, are all expressions of Love.

While I am sharing ten linens, there are over 70 photographs, as I wanted to not just share overall images of the linens, but also close - ups of some areas to highlight the delightful detail and humor of these works of art.

The website of Industrial Light & Magic, the design and effects team made famous by the original Star Wars, has shared a massive art dump from The Force Awakens, containing images from throughout the film's development.

Subtly blended together with Michael Haneke's Time of the Wolf (of which, Girl shares a key image) and Alfonso Cuaron's Children of Men, and you have that heady mix of art - house and genre which is rare due to the difficulty of calibrating both sensibilities into a satisfying package; on of far less head - shot horror and far more thinking - woman's speculative fiction.

Students shared how they used art to process their own thinking about the Holocaust, and talked about the challenges of depicting their thoughts symbolically and thinking beyond the graphic images in the texts we studied.

There, the industry's most celebrated customized vehicles will gather to remain accessible to the public from 4:00 p.m. — 10:00 p.m., yielding consumers a rare chance to view, capture and share images of all the latest «rolling art» from the 2014 SEMA Show.

Places like deviant art provide a vast community of artists where you can share your book cover, promotional images, and even excerpts from your book.

The beautiful Bali consisting of images and stories about people, nature, culture, art and performance, Balinese ceremonies, Balinese daily life, Bali beaches, rice terraces and Bali Golden Tour able to share the beauty and uniqueness of Bali.

Well, we shared the initial image on our Facebook page, and a kind reader by the name of Marius Theßeling speculated that the art matched the style of Ron Gilbert's unannounced upcoming game from Double Fine Productions.

It is easy to upload images of your art on the site, then all you have to do is make sure to share your FM link so that you can showcase your work; it's practically an online portfolio of your work.

Rather, you want to share images that have good meta - text, and descriptions that are rich in keywords but not spammy (the difference between «nighttime stars painting night sky art sparkle» and «painting of a sparkling night sky»).

Soon after the opening reception of his survey at Yale University's Edgewood Avenue Gallery, Malcolm Morley In A Nutshell: The Fine Art of Painting 1954 — 2012, curated by Robert Storr, Dean of the Yale School of Art, (January 31 — March 31, 2012), and Malcolm Morley: Another Way to Make An Image, Monotypes at Sue Scott Gallery (January 11 — February 19, 2012), publisher Phong Bui made a trip to Brookhaven Hamlet, Long Island, New York to visit the painter's home / studio, a former church he has shared with his wife Lida Morley since 1986.

January 28th at noon, they will share some of these images and discuss the passion, creativity and resourcefulness of unlikely kids inventing an art form destined to spread worldwide and spawn the present - day street art movement.

Simply share the image below via your own Facebook, Twitter or Instagram mentioning @STARTartfair and #STARTcompetition.20 pairs of tickets will be given to selected winners.The inaugural START art fair will be held at t...

Among the things that make Genzken relevant to this cultural moment are her move from fabricated sculptures into assemblage in the 1990s, her apprehension of the way that information and images circulate in our digital age, her heterogeneous approach to art - making and, above all, her interest in, and upending of, the formal and ideological legacies of modernism — a concern shared by younger artists from Wade Guyton to Carol Bove.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

In celebration of its 25th anniversary, Art Projects International is delighted to share on Instagram a selection of archival images including many previously unpublished photographs from past exhibitions, events and projects.

Viridian Artists is proud to share these images and feel viewers will find this an exciting and rewarding exhibition of new art.

After Image will feature a range of new artworks, including a large scale multimedia installation, which continue to develop Popova's interest in the limitations of visual communication, art history, and shared spaces.

Ritchie is currently Mellon Artist in Residence and Adjunct Professor in the Graduate Visual Arts Program at Columbia University, New York, where he has organized two public workshops this spring to examine how we can extend understanding and use of our new, current dimension — where every image in history can be seen at once, every idea can be communicated, rebutted and digitally reformatted, and every space can host any form of presence — in the shared space of culture.

Collaborate with us to share 800,000 + images of world art with the public.

Though the bright colors and graphic images of Andy Warhol and Pop Art may not seem to bare any relation to the stark sculptures of Minimalism, both movements shared the radical and revolutionary perspective that the value of an artwork didn't necessarily rely on the craftsmanship of the artist.

This week we started off with some documentation of Another Cats Show at 356 Mission, Los Angeles, announced an evening of powerpoint presentations at Machine Project by the Los Angeles Seminary for Civic and Embodied Art (LASECA), shared photographs from the Peter Hujar exhibition at Maureen Paley in London, watched the 1959 film The Savage Eye, shared images of the Lucio Fontana exhibition at MAM, announced Margaret Lee's exhibition at The Green Gallery in Chicago, and announced the performance building: a simulacrum of power at Clockshop this weekend.

As a widely distributed alternative arts and culture publication, Newcity is the perfect frame in which to re-present these iconic images from the 1960s and seventies: images that reawaken the shared imagination, energy and excitement propositioned by NASA's golden era while still embodying the DIY energy of the now.

A photo blog by Sharon Butler photo blogs images of paintings from the Frieze Art Fair that share a common trait: unprimed canvas.

What the artists of the Modernist Left shared above all was the desire to advance the practice of non-figurative art and to promote that art as a species of realism; that is, a higher form of realism that encompassed the democratic and progressive potential of abstract art to provide an image, as the art historian Martin James put it, of an implicit order of a future society.

Practitioners from Africa are now sharing and interpreting the stories and images of the arts in their respective countries.

His affinity for sharing what interests him and remarking about it anticipated the «share» culture of social media (he began making art in this spirit in the late 1990s), with one major exception: his media platform is a highly personal, handmade take on text / image drawing rather than the digital templates that readily accept the cut - and - paste of urls, jpegs, and keyboard - typed text.

It's best experienced with a smartphone or tablet in hand; visitors who download the related app will experience a kind of short - circuited social network in which shared images stay on - site instead of zooming around the Internet — the closest thing art may have, in this moment, to a captive audience.

Opus Art in Newcastle opens the second of it's «Fresh Cream» group shows this Thursday, and we can share with you an image from each of the exciting group of young artists involved.

They stated that figurative art «communicates because it has the capacity to refer to experiences that the artist shares with his audience», and that «the image, the recognizable shape, the meaningful symbol, is the basic unit of the artists» language».

Ringgold shared the genesis for some of her works, pointed out the symbolism she embedded in her images, and mentioned the importance of titles and their influence on how a work of art is perceived during the lecture.

Anthony Shostak, curator of education for the Bates College Museum of Art, shares that, ``... the images in Starstruck are nothing less than overwhelming — depicting humbling, glorious delights that are often invisible to both the naked eye and even the telescope, and are revealed only through photographic means.»

IT»S IN THE GAME «17 or Mirror Gag for Vitrine and Projection, commissioned by the Henie Onstad Kunstsenter, Oslo (HOK) and the Institute of Contemporary Art (ICA), University of Pennsylvania, considers how open source 3D design sharing platforms and gaming both capitalize on the simulation of bodies and objects while creating alternatives for human agency and the circulation of images.

2015 Current Location, Waiting Room, Minneapolis 10th Baltic Biennial of Contemporary Art, Szczecin Aquí hay dragones (Here be Dragons), La Casa Encendida, Madrid Regular Expressions, 221A, Vancouver Ocean of Images: New Photography 2015, at MoMA, New York Bunting, Chemould Prescott Road, Mumbay Transparencies, Bielefelder Kunstverein and Kunstverein Nürnberg Triple Canopy presents Pattern Masters, Performance at Whitney Museum of American Art, New York HPSCHD 1969 > 2015 / Live Arts Week IV, Mambo, Bologna, Italy The Secret Life, Murray Guy, New York Night Begins the Day: Rethinking Space, Time, and Beauty, Contemporary Jewish Museum, San Francisco Im Inneren der Stadt, Künstlerhaus Bremen When we share more than ever, MKG Museum, Hamburg Cool / As a state of mind, MAMO, Marseille Group presentation at Art Cologne, with Chert, Berlin Good luck with your natural, combined, attractive and truthful attempts in two exhibitions, Crac Alsace, Altkirsch Mijn Vlakke Land, FoMu, Antwerp more Konzeption, Conception now, Museum Morsbroich, Leverkusen Tongue Stones, Pioneer Works, Brooklyn, New York 2014 Requiem for the Bibliophile, Museum of Contemporary Art Santa Barbara, CA Scars of Our Revolution, Yvon Lambert, Paris Kochi - Muziris Biennal, Fort Kochi, India Crossing Brooklyn, Brooklyn Museum, Brooklyn, New York Ways of Working, According to an Office Desk, Upominki, Rotterdam AGITATIONISM, EVA International 2014, curated by Bassam El Baroni, Ireland's Biennial, Limerick City Unseen Presence, IMMA, Dublin #nostalgia, Glasgow International 2014, CCA, Glasgow To Meggy Weiss Lo Surdo, Happy Hours, CO2 gallery, Turin Canceled: Alternative Manifestations & Productive Failures, The Orseman Gallery, Smith College, Northampton, Massachusetts Simultáneo, La Tallera, Cuernavaca, México And I laid Traps for the Troubadours who get killed before they reached Bombay, Clark House Initiative, Bombay Flag Stavanger, curated by Randi Grov Berger and co-presented by Entrée, Kunsthall Stavanger, Norway video screening 25, ZERO, Milan 2013 Only to Melt, Trustingly, Without Reproach, curated by Tevz Logar, Skuc Gallery, Ljubljana Editionshow, Chert, Berlin I've Lost My Marbles, Totàl, Athens And So On And So Forth, curated by Margit Sade Lehni, Centre for Contemporary Art Riga, Latvia The Space Between Us, Courtesy, St - Ouen Please Come to the Show: Part II (1980 — Now), organised by David Senior, MoMA Library, New York Canceled: Alternative Manifestations & Productive Failures, Freedman Gallery, Albright College, Reading, PA Stranded Travelers, Atelier 35, Bucharest Just what is it that makes today so familiar, so uneasy?

She also shares images of works of art.

i think it's perfect for my oh - so - busy lifestyle as a grad student in art history / artist - designer / collector / blogger... i absolutely love the idea of being able to collect, curate, catalogue, and share images and inspiration all in one place.

This time, I had John take some pictures of the process, so I can share the details of how I transferred a color image to chalk art in another post.