Sentences with phrase «shark by the marks»

Not exact matches

Mark Cuban, star investor on Shark Tank, has said publicly the new rule will «f *** everything up,» noting that whatever action this group of FCC commissioners has opted not to take could be reversed by a future commission.

Benjamin Stern created a mission - based company, took investor meetings in between high school classes and received funding from Mark Cuban of Shark Tank, all by the age of 17.

Made in USA BPA - free, BPS - free, phthalate - free Straw Sippy Cup featured on ABC's hit show, Shark Tank - Funded by Mark Cuban and Robert Herjavec.

Ward's success navigating the shark - infested waters of the famously political bistate agency he runs has been marked by a willingness to fight.

By analyzing shark scavenging behavior, the University of Florida's C.A. Pound Human Identification Laboratory identified which marks were left behind by sharks, what species of sharks made the marks and where the feedings might have occurreBy analyzing shark scavenging behavior, the University of Florida's C.A. Pound Human Identification Laboratory identified which marks were left behind by sharks, what species of sharks made the marks and where the feedings might have occurreby sharks, what species of sharks made the marks and where the feedings might have occurred.

Earth Directed by Alastair Fothergill and Mark Linfield We've all seen those shots of a great white shark leaping from the water to engulf an unlucky seal — but not like this.

Kang closed the interview by stating that Coffee Meets Bagel are «looking at a 100 - year horizon», and are glad that they turned down a $ 30 million Mark Cuban buyout on Shark Tank.

Originally written by James Toback (Two Girls and a Guy) and starring James Caan, this 2014 version, scripted by William Monahan (The Departed), stars Mark Wahlberg as an English professor and a high - stakes gambler who is trying to balance his relationship with his mother (Jessica Lange) and a student (Brie Larson) as he gets involved with a gangster played by The Wire's Michael Kenneth Williams and a loan shark played by John Goodman.

Fusion's shark correspondent, Madison Stewart, travels to Miami Florida to visit Mark the Shark, one of the world's most notorious shark hunters who, by his own estimates, has killed over 100,000 sharks throughout his shark correspondent, Madison Stewart, travels to Miami Florida to visit Mark the Shark, one of the world's most notorious shark hunters who, by his own estimates, has killed over 100,000 sharks throughout his Shark, one of the world's most notorious shark hunters who, by his own estimates, has killed over 100,000 sharks throughout his shark hunters who, by his own estimates, has killed over 100,000 sharks throughout his life.

Within minutes, sharks start falling, the likes of Lou Ferrigno, Rick Fox, and more get devoured, Ann Coulter and Mark McGrath surf on presidential paintings, and Fin finds himself in a hurry to get to Florida so he can save daughter Claudia (now played by Ryan Newman) and Tara Reid's now - pregnant April from a «Merica - long Sharknado storm front.

2014 Directed by Rupert Wyatt Starring Mark Wahlberg, John Goodman, Michael K. Williams, Brie Larson, Jessica Lange, and George Kennedy Synopsis: A literature college professor and high stakes gambler runs afoul of a loan shark and his bodyguard - like gangsters while he has an affair with one of his students.

When Blackjack addict Jim Bennett (played by Mark Wahlberg) goes all in, which he does every time, it's more proof that he is «the kind of guy that likes to lose»... a description offered by one of the mobsters and loan sharks who lend him money.

Unlike the slick suits and killer sheen of Oliver Stone's Wall Street, this is a world of chaos and disorder filled with misfits who understand numbers more than people; from Christian Bale's Michael Burry, a socially awkward heavy - metal enthusiast who dreams up the credit default swaps that enable him to «short» the housing market, to Steve Carell's bereaved and fractured Mark Baum (a character inspired by the real - life Steve Eisman) who balances moral outrage and repressed self - loathing as he swims with sharks in the cesspool of the financial market.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.