Sentences with phrase «sharp edges of a painting»

With great focused strength and sharp edge of paint application executed alongside the subtlest and most gentle gradations of color and light, he creates the atmosphere of his beguiling compositions.

It's through works like Homage to the Square — works that existed over a long period of time, adapting to the ever - changing environment in which they were conceived — that the sharp edges of a painting, of a poem, of a dancing body, became smoother, if not legible.

Not exact matches

Also beware of vintage or heirloom cribs, which may have lead paint, splinters, sharp edges, protruding parts, and other features that can harm your baby.

small tin buckets easy to find at paint supply stores small cardboard paint buckets also at paint supply stores; paint or cover with paper chinese food boxes most craft stores have these in a variety of colors plain paper sack with a drawing or stickers on the front and tied with a ribbon or a cardstock header stapling the bag closed plastic beach buckets check the dollar store for the best price terra cotta flower pots perfect for a garden theme; the kids can paint these for a party craft too fabric or felt bags with or without a drawstring large tin cans of course, make sure the edges are not sharp mini canvas totes bought or homemade cardboard boxes such as a cereal box, cut down and covered with paper or painted; add a ribbon, string or wire handle baskets lots of inexpensive ones available at thrift stores popcorn boxes available at party supply stores Helpful Tips:

Check that other parts of the toy are securely attached and there are no sharp edges or peeling paint.

The monochromatic paint scheme of the Edge — with body - colored bumpers and side moldings — as well as its raised hood, special mesh grille, black plastic rail around the top of the bed, bold fender flares and raised suspension [in either 4x4 or 4x2 models] assures buyers that they will have one sharp - looking truck.

She turns up the retinal volume again and again in the grounds of her paintings — vast seas of cerulean blue edged by crisp white lines, or enveloping acts of domestic violence; equally riveting cadmium reds, oranges, and crimsons saturating the picture plane beneath angry gorillas, dancing Chubby Checkers, and kissing lovers; Day - Glo yellows that push up against sharp blacks as «bad guys» in black suits point guns and walk up and down staircases — and employs unusual compositional strategies to draw our attention to these expanses of high - key color.

In «Tempest» (1979) we see the balance of the sharp - edged paintings with poppy, bulbous, colorful shapes that would come to define her art making in the «80s.

With the edges of my work that are caked and deckled with paint, I take a really sharp blade and edge trim all that off, squaring off the sides of the surface to the wall.

You can look for a long time at the surface of some of the oils made around 1960 and still make new discoveries: a shift in colour and texture at the right - hand edge of a work; a tiny, at times invisible, splash of bright green, pink, or turquoise; or a sharp white rectangle at the very bottom, half obscured by thicker ice - cream folds of paint.

Hard - edge painting is characterized by large, simplified, usually geometric forms on an overall flat surface, precise, razor - sharp contours and broad areas of bright, unmodulated colour that have been stained into unprimed canvas.

Moving from drawing, to painting, to sculpture, the physical manifestation of her forms brings to life the precision of Herrera's sharp edges.

The stitched lines, visible where the canvas panels are joined, recall the sharp edges between areas of color characteristic of hard - edge abstract paintings.

The blood is bloody and visceral, the pseudo-cubist sections have sharp and satisfying edges, the seagulls have the airy precision of wildlife paintings; everything fits.

However, in his drawings, Moon deployed loosely defined forms with lines that are softened by the use of pastels, making them distinct from the more strictly geometric shapes and sharp edges that characterise his paintings.

In presenting a key selection of Ahn's late Water and other paintings, this comprehensive exhibition explores both the sharp - edged existentialism and immersive spirituality inherent in Ahn's large - scale abstractions.

This year, Cardi promises one of the sharpest presentations with series monochromatic edge that will feature Andy Warhol's Knives (a jarring silkscreen of just that), a stunning white Fontana slash painting from 1966 and Scott Short's series of 2013 works.

Bantock writes that «Rigden, for all his cool, has a razor - sharp awareness of the massive constraints which define a painting, that a painting has only three realities: area (surface plus edge), chroma and facture.

As shown in her painting, «Canal» (1963), acrylic paints gave her more control over the medium, allowed her to create sharper, more defined edges, along with greater color saturation and areas of more opacity.

It's as if the paint had been applied with long parallel strips of tape or a sharp - edged tool.

In one small example, exposed seams and irregularities in the fabric create the same kind of visual stutters that another artist might achieve by painting sharp edges.

INDIANAPOLIS, IN - In anticipation of the largest annual art happening of the Americas, Long - Sharp Gallery presents Edge / Elegance — a group exhibition featuring avant - garde multimedia, sculpture, video, painting and installation works at the prestigious Art Miami fair, November 29 — December 4, 2016.

We saw paintings in irregular shapes by Manuel Espinosa, Juan Melé, and Rhod Rothfuss; we saw plastic, neon, dangerously sharp metal edges; we saw Mira Schendel's sheets of rice paper hanging from a nylon cord, all fluttery like parrot tulips.

His paintings, filled with colorful, sharp edges, bear the marks of his architectural background.

Yet, while Made in L.A. appeared as diverse and sprawling as the city whose art it presented, it might also be argued that the bulk of the work on view extended four familiar (and familial) lineages of Los Angeles art that were well represented in «PST»: hard - edge abstraction (represented here in paintings by Brian Sharp and Alex Olson and painterly objects by Lisa Williamson and Brenna Youngblood), found - object assemblage (in the work of Liz Glynn, Ry Rocklen, Henry Taylor, and Erika Vogt, among others), eclectic performance practices (including live pieces by Math Bass, Kenyatta A. C. Hinkle, and Ashley Hunt, as well as the collective Slanguage's array of community - based works at LAXART), and film and video projects that pointed, more or less, to the looming shadow of Hollywood (e.g., Miljohn Ruperto's Seven and Five, 2012, which includes multiple remakes of a 1961 episode of the TV show Alfred Hitchcock Presents, and Dan Finsel's The Space Between You and Me, 2012, for which the artist restaged Farrah Fawcett and Keith Edmier's decade - old roll in the clay).

Artist Garth Weiser combines intricate layers of paint and sharp almost tactile lines to create works that dwell between hard - edge painting and Abstract Expressionism.

With his swift strokes and unique application of paint, Garth Weiser blurs the line between large colored surfaces and razor - sharp edges thus creating an intricate convolution of light and darkness.

He solidified his unique style in the postwar years by depicting primitive imagery with bold colors and sharp edges, as seen in one of his most famous paintings, Untitled (1949).

Stella's minimalist works (hard - edge painting)- following in the footsteps of earlier works by Kenneth Noland, Robert Motherwell, Ralph Humphrey, and Robert Ryman - were in sharp contrast to the emotional, energy - filled paintings by Abstract Expressionists Willem de Kooning (1904 - 97) or Franz Kline (1910 - 62).

Returning (1954) to the United States, he became known in the 1950s and 60s for his hard - edge paintings, formal, impersonal compositions painted in flat areas of color, usually with sharp contours and geometric shapes.

Voisine, now 64, makes a case in this choice sampling of his work to be considered among the outstanding purveyors of clean lines and sharp edges, the American Malevich if you will, constructing one stunning painting after another.

These paintings from the mid-1950s to mid-1960s come across like the missing link between Matisse's flattened - out forms and the sharp - edged shadow worlds of Edward Hopper.