This is
a sharp little film, smart and funny and bitter and yes, even genuinely engaging as a mystery.
Not exact matches
Douglas» seamless continuation of the
sharp and witty Gekko is the
film's main asset and a number of unexpected twists, despite being a
little rratic, maintain the audience's interest throughout the duration.
Vastly inferior to the other Karloff - Lugosi vehicles from Universal, but it's actually a pretty
sharp little horror
film — and of some note historically.
Directed by Nick Gomez, this
little film is full of Jerry Springish characters residing in Verplank, New York - a small, simple community experiencing a sudden
sharp rise in suspicious deaths.
He hits up the same
sharp - dressed guy three times for a
little help (director John Huston, in one of the many classic cameos in his
films), receives a tongue - lashing, and hunches down a
little more, recouping a
little bit of «big» in offering a cigarette to Curtin, another Yankee down - and - outer on a park bench.
In the case of The Strange
Little Cat, an extended family - dinner gathering becomes an exquisitely layered confection ready for writer - director Ramon Zürcher's razor -
sharp slicing... Fans of Béla Tarr and Franz Kafka will find much to love as will devotees of The Berlin School, of which this
film represents a third - generation evolution.»
The
film has a
little more grain than you might expect of such a 2016 big budget behemoth, but everything looks as it should and the images are
sharp, crisp, and suitably detailed.
The acting is
sharp, as is the filmmaking, so it's frustrating that there's so
little in the
film that resonates with present - day audiences.
With its
sharp - edged political assessment of American culture, Tragedy Girls is a subversive
little provocation that clearly establishes itself as one of the year's best genre
films, and its reputation, like Sadie and McKayla's, is destined to soar.
Viewed through the retrospective filter of both the US's Gitmo - ised» 2000s foreign policy and countless subsequent race - to - excess «torture porn» flicks, Audition's last reel might now seem a
little tamer in its effect — but this just allows all that precedes it to come into
sharper focus, revealing a
film of two very distinct (and distinctly colour - coded) halves.
Samuel Fuller spent most of his career in B pictures, creating ultrapersonal, formula - defying
films that got
little notice from workaday reviewers but impressed
sharp critics like Andrew Sarris and Manny Farber.
Written and directed by actors Nat Faxon and Jim Rash — who won an Oscar in 2011 for their adapted screenplay of The Descendants — the
film is
sharp, and tender, and extremely funny, with the kind of accessible - indie vibe that characterized such seasonal sleepers as
Little Miss Sunshine and 500 Days of Summer.