Sentences with phrase «sharp objects at»

He could not be trusted with absinthe in his system and sharp objects at hand.

Had I a sharp object at hand, I might have had inclination to offer up my heart up for people who are far honorable, brave, noble and good than I ever could be.

Not exact matches

I have a phobia of sharp objects going into my eyes, to the point that I have trouble looking at any sharp object pointed in my direction, even when it's on TV!

Many of the hazards and risks that we tackled when babyproofing for twin boys at home are now within easy reach: unsecured furniture, toilets, sharp objects, drinks, places to fall.

Sharp objects, cleaning products, medications, vitamins, electrical appliances, mouthwash, and all other bath products should be locked away at all times.

To help pull in faint objects, Chandra contains a series of nested mirrors that each funnel X-rays to a sharp focus at its narrow end, where a camera sits.

The lens manages to focus sharp images onto both of them, so the beetle can see near and far objects at the same time, with equal sharpness.

The slim, vertical pupil probably helps ambush hunters stalk prey at night by making objects at a distance from the snake's hideout appear sharper, says Brischoux.

Justin Williams's skill at encasing living brain tissue in polymer and «poking it with a sharp object» (25 June, p...

The low hand hygiene compliance rates at case start and case end corresponded with sharp peaks in bacterial contamination of the 20 most frequently touched objects during these same time periods.

This research has shown that these early human - like people were very clever about how they opened these large freshwater mussels; they drilled a hole through the shell using a sharp object, possibly a shark's tooth, exactly at the point where the muscle is attached that keeps the shell closed.

Other discoveries in the Milky Way detailed in the special edition include the sharpest image yet of a gamma ray source — a nearby supernova remnant — which will enable researchers to study this object at finer scale than before — and three new «gamma ray shells» that are possibly examples of a new type of supernova remnant.

The premise of a murder mystery with an unreliable narrator is well - trodden territory at this point (The Girl on the Train, In a Dark, Dark Wood, The Woman in Cabin 10, and Sharp Objects all come to mind) but there were at least two moments where I let out an audible gasp over an unforeseen plot twist... so I guess I'm saying if it ain't broke, don't fix it.

Also, it should be noted that what comes at the end of the film is considered more scientifically impossible that an asteroid the size of Texas being jagged and sharp (Gravity lesson... an object the size of Texas in space would be spherical in shape).

The ladies were joined at the event by Sutton «s Younger co-star Miriam Shor, Modern Family «s Jesse Tyler Ferguson, Pose «s Billy Porter, Ryan Jamaal Swain, Angelica Ross, Dyllon Burnside, and MJ Rodriguez, Sharp Objects «Elizabeth Perkins, Claws «Carrie Preston and Judy Reyes, Orange is the New Black «s Selenis Leyva, Emma Myles and Lea DeLaria, Brooklyn Nine - Nine «s Stephanie Beatriz, Melissa Fumero and Paul Adelstein, GLOW «s Sydelle Noel and Real Housewives of New York City «s Bethenny Frankel.

School grounds should be inspected for potential hazards such as: • Verandah poles outside doorways, in thoroughfares or in situations where students are unlikely to see them, especially while running; • Steps and changes in level which are poorly proportioned, difficult to see or lack handrails; • Fencing, gates and railings which students climb and which have structural problems, sharp protrusions, splinters or other hazards; • Trip hazards at ground level — protruding drainage pit covers, irregular paving, cracks or tree roots in thoroughfares, broken off post or other remnants of old structures; • Loose gravely surfaces on slopes and where students run; • Slippery patches which may stay damp in winter; • Rocks which students can fall onto or throw around; • Embankments which students can slip down or which have protruding sharp objects; • Blind corners in busy areas; taps and hoses which are positioned where students play or walk; window glass at low levels through which students could fall; • Holes, cracks or exposed irrigation fixtures in ovals; • Trees or shrubs with poisonous parts, sharp spikes or thorns or branches at eye level; • Splinters and deteriorating timbers in seats, retaining edges and other wooden constructions; • sSeds or other areas with hazardous chemicals or machinery to which students have access; rubbish skips which students can climb into or around, or which place students at risk when trucks enter the school; • Areas within the site used for car parking when students are present; and, • Sporting equipment such as goal posts or basketball rings which have structural or other design or maintenance problems.

I went from a trading desk at Lehman Brothers in the middle of Times Square to a psychiatric ward, where the usual precautions against sharp objects were taken.

In Sharp Objects, Camille Preaker is a mediocre journalist fresh from a stay at a psychiatric hospital.

Grooming salons could be at risk for any number of accidents, given that wiggly animals and sharp - cutting objects are involved.

Sharp ornaments can be dangerous to pets if they have a habit of batting at dangling objects.

This usually happens because the dog has turned suddenly whilst running at pace, and the pad is scraped off on a hard, rough surface OR because the dog has trodden on a sharp object such as a piece of flint or metal lying in or on the ground.

   (d) A primary place or enclosure, the place where dogs are routinely kept, that is not overcrowded, that has a nonporous, solid surface for flooring that can be sanitized, that is well - ventilated with air circulating at a rate of 8 to 12 times per hour, that has adequate lighting, and is dry, clean and sanitary and free from animal feces and wastes, spoiled or contaminated food, dirty water, parasites or pests, trash, debris, sharp or dangerous objects and offensive odors or other contaminants that could affect the animal's health or injure the animal.

Even though your cat's vision is at its sharpest looking at an object that is two to three feet from their face, they can also see clearly in 1 / 6th the amount of light that humans need.

We will make an appointment to do a home check (we may or may not bring the greyhound with us at this time, depending on our schedule) We will look for any major areas of concern such as broken fences, unlocked gates, sharp objects in the home or yard, etc..

Move Gizmo planes disable themselves at sharp angles now (to help prevent moving objects out very far when the planes are near parallel with the camera)

It's refreshing to see the proper gruesome consequences for swinging around sharp objects, but there could at least have been an option to tone down the degree of violence for people that can't or just don't want to stomach such an amount of explicit slaughtering.

Ubisoft is at it again, releasing trailers of hooded men killing people with sharp objects in slow motion.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

Lí Wei entertains and executes both elements by incorporating a sharp contrast in style between the two divided gallery spaces and at the same time choosing subjects and objects that are plainly and blandly derived from our every - day life which evokes personal resonation for its viewers.

The work consisted of two 12 foot - long crocodiles cast in resin, realistically painted, and pierced with several thousand sharp objects — knives, forks, nail clippers, and the like — that were confiscated at airport - security checkpoints in New York.

Yet, while Made in L.A. appeared as diverse and sprawling as the city whose art it presented, it might also be argued that the bulk of the work on view extended four familiar (and familial) lineages of Los Angeles art that were well represented in «PST»: hard - edge abstraction (represented here in paintings by Brian Sharp and Alex Olson and painterly objects by Lisa Williamson and Brenna Youngblood), found - object assemblage (in the work of Liz Glynn, Ry Rocklen, Henry Taylor, and Erika Vogt, among others), eclectic performance practices (including live pieces by Math Bass, Kenyatta A. C. Hinkle, and Ashley Hunt, as well as the collective Slanguage's array of community - based works at LAXART), and film and video projects that pointed, more or less, to the looming shadow of Hollywood (e.g., Miljohn Ruperto's Seven and Five, 2012, which includes multiple remakes of a 1961 episode of the TV show Alfred Hitchcock Presents, and Dan Finsel's The Space Between You and Me, 2012, for which the artist restaged Farrah Fawcett and Keith Edmier's decade - old roll in the clay).

Objects can scatter over the roadway during sharp turns or at high speeds.

A proper helmet should resist blows from sharp objects, stay in place as you ride and offer at least a little peripheral vision.

The most noticeable difference comes from the anti-aliasing at the edges of flat lines and sharp cornered objects, both things Battlefield 1 has no shortage of.

Look for anything dangerous at your child's level, such as loose cords, wires, unprotected outlets, sharp corners, and small objects.