Sentences with phrase «sharp objects on»

The manufacturer's label on the glass specifically said do NOT use any sharp objects on the glass.

The puncture resistant tyres give your bike complete protection from the potholes and any sharp objects on the road.

• Watch out for children around the Christmas tree, as they could become injured from ornaments or sharp objects on or around the tree.

As a first step you and your family members will need to learn to avoid placing hot food or sharp objects on the arms of cushions.

Sharp Objects on the other hand was a really good book.

Not exact matches

Petronas was hoping to cut its contribution to 9 billion ringgit ($ 2.13 billion) next year, from an estimated 26 billion ringgit this year, amid a sharp earnings drop, but the government objected and the ultimate amount may come in around 18 billion ringgit, Wiranto said, noting this raises questions on revenue sustainability.

I have a phobia of sharp objects going into my eyes, to the point that I have trouble looking at any sharp object pointed in my direction, even when it's on TV!

Cutting — using a sharp object like a razorblade, knife, or scissors to make marks, cuts, or scratches on one's own body — is a form of self - injury.

Use outlet covers, provide padding on sharp corners, and remove breakable objects.

Put them on any low cupboards that contain sharp objects, heavy things like cookware, or hazardous chemicals.

Sharp objects such as the antenna on your cell phone, writing implements or anything that can potentially stick baby should be stored safely away from the reach of your baby.

Previously, however, the range of objects was limited to those with sharp edges and little, if any, curvature, and the transformation methods were based primarily on folding or processes that could not be controlled very precisely (e.g. chemical reactions or inflation).

The satellite's observations will concentrate on some of the most distant and intriguing objects in the universe, where the extremely sharp radio «vision» of the new system can provide much - needed information about a number of astronomical mysteries.

That means making sure she doesn't accidentally hurt herself, either on a nearby sharp object or by falling down the stairs.

Check the expiration date on the wrapper and make sure it was not stored in a warm environment or near sharp objects that could weaken or puncture the condom.

I must confess, I used to err very much on the side of caution when it came to kids and knives, until I started finding research that delaying a child's ability to learn to use sharp objects like knives can actually interfere with their psychological development and is akin to «delaying potty training until school age.»

The premise of a murder mystery with an unreliable narrator is well - trodden territory at this point (The Girl on the Train, In a Dark, Dark Wood, The Woman in Cabin 10, and Sharp Objects all come to mind) but there were at least two moments where I let out an audible gasp over an unforeseen plot twist... so I guess I'm saying if it ain't broke, don't fix it.

Readers who felt empathy for Rachel's instability in The Girl on the Train might feel similar emotions for Camille as she fights to overcome her own psychological struggles in Sharp Objects.

In the gallery above, find details on the most noteworthy TV premieres coming this summer, including newcomers such as Castle Rock, Pose, Sharp Objects, and Jack Ryan, returning favorites like Arrested Development and Luke Cage, plus a handful of movies, miniseries, and specials.

Based on the bestselling novel of the same name by Gillian Flynn, Sharp Objects stars Amy Adams as reporter Camille Preaker, who returns to her small hometown to cover the murders of two preteen girls.

Based on Gillian Flynn's debut novel and overseen by Marti Noxon, Sharp Objects casts Amy Adams as reporter Camille Preaker, returning to her hometown after a stint in a psychiatric facility, and intent on solving the murders of two young girls.

Keep an eye particularly on standouts Sophia Lillis and Finn Wolfhard, both of whom also have big TV series in the near future (Wolfhard's got Season 2 of Stranger Things, while Lillis plays a younger version of Amy Adams in HBO's Sharp Objects).

That includes TV showrunner Marti Noxon's cable adaptation of Gillian Flynn's 2006 novel «Sharp Objects» (2017, HBO), to be directed by Jean - Marc Vallee, in which Adams plays an emotionally fragile reporter who returns to her hometown to report on the murders of two teenage girls.

Adams will next go into production on HBO?s high - profile drama series Sharp Objects, based on Gillian Flynn?s New York Times best - selling book in which she will star and executive produce.

Sharp Objects is based on Gone Girl author Gillian Flynn's novel about a reporter (Adams) who returns to her small town home to cover a murder.

With the practical, the objects or aliens on screen look sharp and very believable.

School grounds should be inspected for potential hazards such as: • Verandah poles outside doorways, in thoroughfares or in situations where students are unlikely to see them, especially while running; • Steps and changes in level which are poorly proportioned, difficult to see or lack handrails; • Fencing, gates and railings which students climb and which have structural problems, sharp protrusions, splinters or other hazards; • Trip hazards at ground level — protruding drainage pit covers, irregular paving, cracks or tree roots in thoroughfares, broken off post or other remnants of old structures; • Loose gravely surfaces on slopes and where students run; • Slippery patches which may stay damp in winter; • Rocks which students can fall onto or throw around; • Embankments which students can slip down or which have protruding sharp objects; • Blind corners in busy areas; taps and hoses which are positioned where students play or walk; window glass at low levels through which students could fall; • Holes, cracks or exposed irrigation fixtures in ovals; • Trees or shrubs with poisonous parts, sharp spikes or thorns or branches at eye level; • Splinters and deteriorating timbers in seats, retaining edges and other wooden constructions; • sSeds or other areas with hazardous chemicals or machinery to which students have access; rubbish skips which students can climb into or around, or which place students at risk when trucks enter the school; • Areas within the site used for car parking when students are present; and, • Sporting equipment such as goal posts or basketball rings which have structural or other design or maintenance problems.

She went on to earn her master's degree in journalism from Northwestern University After 10 years working for Entertainment Weekly in New York, Gillian Flynn's debut novel, Sharp Objects, was an Edgar Award finalist and the winner of two of Britain's Dagger Awards.

Yes, yes, yes, she says, while Morgan Williams continues his interrogation of the facts; settles on a hard, moderately heavy, sharp object, but possibly not a broken bottle, otherwise Thomas would have seen its jagged edge, prior to Walter splitting his eyebrow open and aiming to blind him.

Because the next time your characters send you to a place where a sharp object seems the only way out, you go to that basic outline, and work on beefing it up.

However, edges of objects seemed a bit sharper on the K1 than on the Tab.

If your dog has had seizures before and you think a seizure is coming on, try to move him to a safe, soft area where there are no sharp objects or hard floors.

Younger pups or dogs under one to two years are chewers and players, so the cause of dogs pooping blood could be a foreign object it has chewed on with sharp edges, or it could be parasites or dog worms due to inadequate worming.

In terms of durability, I don't think the Denver would withstand hiking in difficult conditions, as it's likely to tear on sharp objects or thorns.

This usually happens because the dog has turned suddenly whilst running at pace, and the pad is scraped off on a hard, rough surface OR because the dog has trodden on a sharp object such as a piece of flint or metal lying in or on the ground.

There are toys, plants, foods, sharp objects, shoelaces, string, rubber bands, cleaning supplies, ant spray, rat poison, medications, vitamins, wasp spray, spot removers, parts, pieces, staples, soaps, sponges... and the list goes on.

Or, if an animal eats a particularly sharp object like a broken chicken bone, a pencil, or a piece of glass, the object has the potential of inflicting more harm on the animals body on the way back out.

Outdoor cats have these issues, but also can receive cuts or scrapes to their paws from running on pavement or jumping onto a sharp or jagged object.

We will make an appointment to do a home check (we may or may not bring the greyhound with us at this time, depending on our schedule) We will look for any major areas of concern such as broken fences, unlocked gates, sharp objects in the home or yard, etc..

· Breakaway collars with ID tags are also recommended for cats, who may get caught on sharp objects as the jump or climb and be strangled or choked trying to get free.

There are many ways to take out enemies, including throwing them into and impaling them on sharp objects.

What you get is fluid and responsive gameplay, with objects looking sharper, scenes appearing instantly and more vibrant in visual quality than on any other monitors, so you can enjoy the latest games like Assassin's Creed ® IV Black Flag ™ *.

The objects look dangerous — sharp, pointed and capable of harm — yet they hang silent and inert, proof of a violent action that has already taken place and the concealed tragedy of domestic violence on a global scale.

Strategically placed objects in her photographs come into sharper relief during the collage stage as deliberately exposed tape and abrupt lines between forms frame our perspective, focusing us on the distinct cultural languages that she puts on view.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

A composing standard feature of this series, apart from the subjects — mainly domestic and industrial waste — is the surface they lay on: always inclined, soft and unrefined, in full contrast with the objects which are represented, well - defined and sharp.

Hébert - Huot's use of unexpected, mass - produced materials and ostentatious colors stand in sharp contrast with the objects, which on their own carry associations with tales of struggle and survival in an unforgiving, brutal wilderness.

His lack of adventurousness and invention in this regard is in sharp contrast to the silkscreening (then considered solely a commercial process) adopted by Warhol for his paintings, or the soft vinyl sculptures of everyday objects concocted by Claes Oldenburg (who can be seen, in many respects, as the anti-Koons, outclassing him on every count of wit, irony, and imagination).

Wearing paint splattered studio aprons, two artists on either side of a metal sheet in turn either ram dangerously sharp objects into perforated holes or force pre-greased rubber tubes into the cavities.

Yet, while Made in L.A. appeared as diverse and sprawling as the city whose art it presented, it might also be argued that the bulk of the work on view extended four familiar (and familial) lineages of Los Angeles art that were well represented in «PST»: hard - edge abstraction (represented here in paintings by Brian Sharp and Alex Olson and painterly objects by Lisa Williamson and Brenna Youngblood), found - object assemblage (in the work of Liz Glynn, Ry Rocklen, Henry Taylor, and Erika Vogt, among others), eclectic performance practices (including live pieces by Math Bass, Kenyatta A. C. Hinkle, and Ashley Hunt, as well as the collective Slanguage's array of community - based works at LAXART), and film and video projects that pointed, more or less, to the looming shadow of Hollywood (e.g., Miljohn Ruperto's Seven and Five, 2012, which includes multiple remakes of a 1961 episode of the TV show Alfred Hitchcock Presents, and Dan Finsel's The Space Between You and Me, 2012, for which the artist restaged Farrah Fawcett and Keith Edmier's decade - old roll in the clay).