Sentences with phrase «sharp objects out»

Keep buttons, string, sewing needles, pins and other similar sharp objects out of your pet's reach.

Puppies and kittens love to chew everything in sight, so keep electrical wires, dangling blind cords and all sharp objects out of reach, Dr. Verdino adds.

He also was, apparently, throwing some sort of sharp objects out of his car window.

Not exact matches

using some sharp object, knife, dough scraper (preferred tool) or pizza cutter, cut out a nine 1/2 ″ wide stripes.

But once you get over the mental hurdle of having to beat the crap out of something with a sharp object, hopefully you'll feel empowered and stoked to try it again and again.

They will also deflect any sharp objects that would ordinarily puncture a tire and rendering it out of commission.

It may become flat if the air comes out due to hitting sharp objects.

Also, keep a sharp eye out for little objects baby might find a way to grab.

We baby proof everything; put small and dangerous objects out of reach, cover up safety hazards, lock the cabinets, install gates, secure furniture to the wall, pad the sharp edges of tables and fireplace mantles, and put any and all valuables and destructive items safely away.

When the waves of these separated telescopes are combined, the signals get stronger and the noise flattens out, creating sharper views of radio objects.

The premise of a murder mystery with an unreliable narrator is well - trodden territory at this point (The Girl on the Train, In a Dark, Dark Wood, The Woman in Cabin 10, and Sharp Objects all come to mind) but there were at least two moments where I let out an audible gasp over an unforeseen plot twist... so I guess I'm saying if it ain't broke, don't fix it.

Because the next time your characters send you to a place where a sharp object seems the only way out, you go to that basic outline, and work on beefing it up.

I'd also like to point out that currently CIBCs yield is 4.8 %, that is, if they can stop walking in to sharp objects.

One type of gear often overlooked is paw protection, not just from hot pavements, sand or other heated surfaces, but also from the kinds of sharp objects often encountered while out in nature.

Make sure any dangerous chemicals or sharp objects are kept out of reach.

By flattening out leaves, grass, and stems, and feeling the area with their paws for sharp objects or uneven spots, a dog could quickly tell if she and her pups would be having a good night's sleep.

Remove sharp object like razors and scissors from the side of the bath or shower and store them out the way also.

Or, if an animal eats a particularly sharp object like a broken chicken bone, a pencil, or a piece of glass, the object has the potential of inflicting more harm on the animals body on the way back out.

Sharp objects such as knives and forks, carpet tacks and pins should be kept out of reach.

You start out with Seb's measly revolver and a laughing number of bullets, but sharp objects can often be used to take down enemies from behind with a single strike.

There are many ways to take out enemies, including throwing them into and impaling them on sharp objects.

Move Gizmo planes disable themselves at sharp angles now (to help prevent moving objects out very far when the planes are near parallel with the camera)

Objects and environments in the distance have washed out colours and aren't nearly as sharp as those in your environment, but this isn't really an issue to me.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

• Watch out for children around the Christmas tree, as they could become injured from ornaments or sharp objects on or around the tree.

In today's case (Clements v. Clements) the Plaintiff, a passenger on a motorcycle, was seriously injured when the driver «pulled out to pass another vehicle, (then) a sharp object, likely a nail, punctured the rear tire of the motorcycle causing it to rapidly deflate».

As a friend of mine says, there are a lot of sharp legal objects out there.

Another cool feature with the dual - camera setup on the iPhone 7 Plus is something Apple calls the Depth Effect, where an object in the foreground stands out in sharp focus contrasted to a stylish background blur.

The portrait mode, which blurs out the background to keep in the object in sharp focus, does give good results in some cases, though the blurring effect can often extend on to the actual person.

The images are sharp and come out well mostly but sometimes the images are warmer and they feel very different from the actual object in the picture.

My mind drifted to the kind of sharp objects she might pull out from her bag if I persisted in my questioning.

Store shovels, rakes, lawn chairs, bikes, and other sharp or large objects on the wall and out of high - traffic areas.