And that's just
what it is — something we live through with Georges, Anne, and the guilty, panicked, unaccepting Eva (Huppert), something horrific but beautiful, the decline into invalidity and death of a wife and mother throwing into very
sharp relief the truth, the authenticity, and the inexhaustibility of her and her husband's love as he faces ever more painful choices about how to care for his wife, how to relieve her of her awful suffering, and how to let her go.