Sentences with phrase «sharp script from»

Not exact matches

Gillespie, working from a script by Steven Rogers, does an effective job of painting a somewhat less - than - flattering portrayal of the protagonist's hard - scrabble existence, with the strength of the film's opening stretch standing in sharp contrast to a middling midsection that grows less and less interesting as time progresses.

The script from Liz Hannah and Josh Singer is taut, efficient and has plenty of sharp lines that get a laugh (even if a few of the journalistic terms feel slightly shoehorned in: «I buried the lede!»

Mackenzie Crook, as Paul's cell - phone store boss Braddon, stands - out amongst the supporting cast with some irresistibly funny deliveries of lines from this very sharp script.

Firing on all cylinders with a sharp script, hot cast and even an extended cameo from Hollywood legend Morgan Fairchild, eCupid will win your heart!

eCupid boasts a sharp script, attractive cast, and an extended cameo from Hollywood legend Morgan Fairchild.

It's an engaging, low - key premise that stands in sharp contrast to the over-the-top fare that generally dominates multiplexes during the summertime months, as Shyamalan, working from a script cowritten with Gary Whitta, offers up an engrossing father / son tale that's enhanced by the inclusion of intriguing sci - fi elements.

GET OUT benefits from a smart script, a great twist, and sharp direction from again, Jordan f**king Peele!

From the tightly scripted dialogue — by turn sharp, harrowing & funny and without an ounce excess on its bones — to the beautifully melancholic score by Carter Burwell and the powerhouse performances from a cast who've never been better, I fell in love with the entire movie, with every single breath - taking, nauseating, alarming, disturbing, uplifting scene, a fact made slightly more unusual given that I've tried — and failed on repeated occasions — to watch and enjoy Martin McDonagh's back cataloFrom the tightly scripted dialogue — by turn sharp, harrowing & funny and without an ounce excess on its bones — to the beautifully melancholic score by Carter Burwell and the powerhouse performances from a cast who've never been better, I fell in love with the entire movie, with every single breath - taking, nauseating, alarming, disturbing, uplifting scene, a fact made slightly more unusual given that I've tried — and failed on repeated occasions — to watch and enjoy Martin McDonagh's back catalofrom a cast who've never been better, I fell in love with the entire movie, with every single breath - taking, nauseating, alarming, disturbing, uplifting scene, a fact made slightly more unusual given that I've tried — and failed on repeated occasions — to watch and enjoy Martin McDonagh's back catalogue.

Black Sunday, despite its technical proficiency, tight script, and sharp performances, is finally just a movie about how a lone hero can save the world from a gang of highly organized, highly dedicated terrorists.

The film boasts an incredible script (by Clouzot and Jerome Geronimi, from Georges Arnaud's novel), amazing camerawork and razor - sharp editing.

The script is sharp and the performances are great from the entire cast.

The script — written by approximately 300 people, as far as I can tell from the IMDb entry — is razor - sharp, and its ability to impart a heap of information about a lot of people in record time is impressive.

This script, adapted from the novel by Michael Connelly, is sharp and smart.

Despite all this unhappiness, The Party's Just Beginning is still quite funny; Gillan's script is packed with sharp wit and sarcasm that keep the film from getting too bogged down in the darkness to be tolerable.

Moreover, the sharp, literate script (adapted from the Walter Kirn novel by Reitman and Sheldon Turner) offers Clooney a wealth of good lines with plenty left over for the rest of the cast, in particular the excellent Farmiga.

However, working from a mostly sharp script by Eric Pearson, Craig Kyle, and Christopher Yost, Waititi doesn't so much inject humor as he gives it his own droll spin, making Thor: Ragnarok one of the funniest of the Marvel movies without seeming to exert much effort in that regard (as opposed to Deadpool or Ant - Man, which are marked primarily by their snarky, meta appeals to our funny bone).

Adults will also be laughing, but mostly because of the sharp details in the script from screenwriter Karey Kirkpatrick, working from a story by Lord and Park.

With razor - sharp performances, a brutally witty script by Bruce Wagner and snaky direction from David Cronenberg, the film is perhaps too knowing as it explores a group of fiercely ambitious people who will stop at nothing to get what they want.

is an uncut version of the same - named segment from the series that's worth sampling for writer / comedian Mooney's broad - smiling laughter between his sharp, stone - faced condemnations of casual racism from random interviewees — as well as his incredulous reaction upon learning that the questions were not scripted.

It is a loaded but effective piece of inspired artistry, including two sharp performances working from Mike White's tight script.

Whilst the plot is thin, the dialogue is very sharp in most places, which isn't a surprise considering it's from Eric Darnall, who has looked after previous MADAGASCAR storylines and Noah Baumbach, famous for writing the scripts for THE FANTASTIC MR FOX and GREENBERG.

O'Connell delivers another «intense and committed performance,» but it's just as impressive a showcase for Demange, who combines gritty docudrama camerawork, razor - sharp editing and a curious kind of impressionism, brilliantly executing a very strong script from Gregory Burke that doesn't «skirt its issues... instead it explodes them to reveal a deeper, wider truth.»

From the sharp script to the director who is clearly at the top of his game to his brilliant cast (with Keaton mounting a major comeback here), this is a film that will excite and electrify audiences.

Here, the supporting players — Bogart, Sheridan, Hale and Page — give sharp, piquant performances, a cause that's aided by a fast, witty script from Jerry Wald and Richard Macaulay, based on A.I. Bezzerides» novel, «Long Haul.»

Based on a magnificently intricate script — adapted from a screenplay by Frederick Knott, who first wrote his story for the stage — it benefits immensely from Hitchcock's razor - sharp direction.

In a demonstration of the e-readers, Sharp showed how video can be embedded and played from documents, support for vertically orientated Japanese script and the changing of font sizes without altering the content and picture layout on the page.

Played out within a virtual cardboard puppet theatre, the hip, sharp script benefits from a fittingly frenetic delivery.