Sentences with phrase «sharp shadows on»

The sun was strong, the sky blue, and the gnarled Sichuan pepper trees cast sharp shadows on the pale dirt.

Not exact matches

I chose you quite by chance My sheer sister From among all the others To be the gnomon Whose measured shadow falls On all my delicate sorrows I was thinking only Of the sharp beauty That you sew into the sky Why did you draw me An arbitrary pilgrim?

The proposal has also attracted sharp criticism from the Tory libertarian right, with the former shadow home secretary David Davis calling it an «unnecessary extension of the ability of the state to snoop on ordinary people».

Just before the start of totality, someone noticed that the shadows formed through this «pinhole camera» onto a whiteboard were so sharp that the individual hairs on my arms were visible.

Flat brush is also quite sharp and well framed; I used it for spot correction on pimples and blemishes Round angled brush can be used for powdering under eyes and blending shadow.

The 2.35:1 anamorphic image is razor - sharp yet creamy smooth, so velvety you want to caress it — I do believe this is the finest - looking DVD from the studio to date, down to every last point on the checklist: contrast, shadow detail, saturation, colour rendering, etc..

It features the superb high - definition master from the original Blu - ray release — the image is sharp and rich, with deep blacks and textured shadows, a reminder of just how beautiful black - and - white can be on a well - mastered, well - produced Blu - ray — and the isolated score, attributed to Columbia's musical director Mischa Bakaleinikof but including musical cues from the studio's music library, plus a booklet with an essay by Julie Kirgo.

Children is less impressive, in part because more of its action takes place in shadow; elements appear a touch mismatched in the key tunnel - truck - mother scene and the source doesn't, on the whole, seem as sharp as Village — but that may have more to do with respective budgets and studio facilities.

Bass» sharp, brilliant photographs stand out on crisp white backgrounds, with a hint of shadow at the base of each foodstuff adding a sense of depth, while a final spread accounts for the entire basket.

While I only own Lego City on Wii U, the comparisons I've seen of the Switch version vs the PS4 / Xbone make it look better, it loads faster (still slow), has noticeably sharper textures, a new lighting engine and all round more stable framerate (only in docked), so overall it looks better, but it has some weird anomalies like glitchy self shadows.

-- Also, the lighting system... based on the fog's depth, the game could be using PBR, which in return helped improve the quality of the static and dynamic shadows (which look cleaner and sharper) and made the lighting look more «natural».

Their pure white and dense black ribbons float from wall into mid-air, throwing sharp shadows onto the gallery walls and alluding to the organic and the mystical, like the artist's gentle transcriptions on canvas.

He painted in a brushy manner similar to theirs until the late 1970s, when his style turned crisp, emphasizing bright light and sharp shadows, and he concentrated on still life themes.

Yet, while Made in L.A. appeared as diverse and sprawling as the city whose art it presented, it might also be argued that the bulk of the work on view extended four familiar (and familial) lineages of Los Angeles art that were well represented in «PST»: hard - edge abstraction (represented here in paintings by Brian Sharp and Alex Olson and painterly objects by Lisa Williamson and Brenna Youngblood), found - object assemblage (in the work of Liz Glynn, Ry Rocklen, Henry Taylor, and Erika Vogt, among others), eclectic performance practices (including live pieces by Math Bass, Kenyatta A. C. Hinkle, and Ashley Hunt, as well as the collective Slanguage's array of community - based works at LAXART), and film and video projects that pointed, more or less, to the looming shadow of Hollywood (e.g., Miljohn Ruperto's Seven and Five, 2012, which includes multiple remakes of a 1961 episode of the TV show Alfred Hitchcock Presents, and Dan Finsel's The Space Between You and Me, 2012, for which the artist restaged Farrah Fawcett and Keith Edmier's decade - old roll in the clay).

The bicentennial trend lines clearly diverge from the past 30 or 50 or hundred years, and the most closely fitting explanation for this behavior is anthropogenic causes shifting the trends leaving only a shadow of natural variability superimposed on the sharp centennial scale rise, at about an order of magnitude smaller amplitude than the changes associated with GHGs and dampened by man - made aerosols.

Outdoors, daylight: Outstanding natural colours, sharp images, good shadow detail (regardless of HDR on or off), very fast autofocus - a very accurate shot.

It is bright, vibrant and sharp, but now sits in the shadow of the more natural - looking LCDs on rival devices and doesn't have the same high resolution as you'll find elsewhere.

Portrait photographers appreciate diffused light because it creates little or no shadow on a person's face, and this is flattering to most of us, not least because it means we don't squint or pull a funny face in an attempt to filter out the sharp light.